Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Naturewoman - cover

The Naturewoman

Upton Sinclair

Publisher: Charles River Editors

  • 0
  • 0
  • 0

Summary

Upton Sinclair was a prolific American author who won the Pulitzer Prize for Fiction in 1943.  Sinclair wrote many well known books across different genres but his most famous is The Jungle, an influential novel that caused a public uproar and led to the Meat Inspection Act in 1906.   This edition of The Naturewoman includes a table of contents.
Available since: 03/22/2018.

Other books that might interest you

  • Edgar Allan Poe Poems - cover

    Edgar Allan Poe Poems

    Edgar Allan Poe

    • 0
    • 1
    • 0
    Edgar Allan Poe (1809 - 1849) is widely famed as one of the greatest writers of all time. He is best known for his works of horror, such as The Tell Tale Heart. However, and this is less known, Poe also wrote many love poems. In this collection of forty-eight poems by Edgar Allan Poe we will go through a wide variety of themes, from horror and raw creepiness in The Raven to pure love in A Valentine to depression in Alone. Throughout all of his poems Poe kept a very strong meter and rhyme scheme. This is most obvious in The Bells.
    An Author's Republic audio production.
    Show book
  • The Telling - cover

    The Telling

    Julia Webb

    • 0
    • 0
    • 0
    The Telling by Julia Webb is a distinctive and acutely-observed collection of poems that unravel the intricacies at the heart of human relationships – an insistent, quietly fierce tour de force from this Forward Prize commended poet. Moving and dark, we uncover the things that go unspoken between people despite their closeness.
    In turning her forensic focus on what makes us human, and in particular what it is that glues us together or causes us to come apart, Julia Webb's poetry examines the wreckage of complex lives to understand where the fault lines and fractures lie. What are the stories that construct our families and relationships, and who gets to tell them? Can we trust the stories we inherit, and what happens when we recover the right to tell things for ourselves? These compelling, taut poems crackle with the electricity of the untold – of flawed humans and hurt, of daring and being, of reclaiming and persisting.
    Show book
  • Charm - cover

    Charm

    Rupert Brooke

    • 0
    • 0
    • 0
    To all who knew him, the man himself was at least as important as his work. "As to his talk" — I quote again from Mr. Somerset — "he was a spendthrift. I mean that he never saved anything up as those writer fellows so often do. He was quite inconsequent and just rippled on, but was always ready to attack a careless thinker. On the other hand, he was extremely tolerant of fools, even bad poets who are the worst kind of fools — or rather the hardest to bear — but that was kindness of heart."Of his personal appearance a good deal has been said. "One who knew him," writing in one of the daily papers, said that "to look at, he was part of the youth of the world. He was one of the handsomest Englishmen of his time. His moods seemed to be merely a disguise for the radiance of an early summer's day." (From Rupert Brooke: A Biographical Note by Margaret Lavington in THE COLLECTED POEMS OF RUPERT BROOKE, (from which this poem is taken.)
    Show book
  • Dracula: The Bloody Truth (NHB Modern Plays) - cover

    Dracula: The Bloody Truth (NHB...

    John Nicholson

    • 0
    • 0
    • 0
    'Tonight I need you to understand the difference between fiction and the truth. Tonight you will discover that Bram Stoker's Dracula, is in fact… fact.'
    Travelling across Europe, from the dark and sinister Transylvanian mountains to the charming seaside town of Whitby, Professor Van Helsing and his three amateur actors stage a life-changing, theatrical production of Dracula – hoping to establish, once and for all, the bloody truth.
    The result is a delightfully silly, fast-paced and faithful (-ish) adaptation by John Nicholson (Hound of the Baskervilles, Peepolykus) of Bram Stoker's novel, originally performed by physical-comedy theatre company Le Navet Bete on a UK tour in 2017.
    Performed by four actors playing forty characters, Dracula: The Bloody Truth is a full-blooded adaptation offering abundant opportunities for any theatre company or drama group to sink their teeth into.
    'Dracula: The Bloody Truth is side-splittingly funny and is, by far, the best new comedy I've seen this year' Broadway World
    Show book
  • The Story of a Man Who Collapsed Into His Notebook - cover

    The Story of a Man Who Collapsed...

    Ivana Sajko

    • 0
    • 1
    • 0
    . . . I’ve forgotten how to travel, how to surrender to the favor and misfortune of the rails, how one says goodbye, how long one actually stands facing backward watching Point A swiftlydisappearing, and after that how long does he continue standing standing standing . . . I open my notebook, but I have no answer, I write: “traveling from Point A to Point B, from a littleseaside town to Berlin, I gaze out the window at the unfinished houses on the outskirts, warehouses in the industrial zone, stunted trees along the river with plastic bags hanging fromtheir branches like bats . . .”
     
    Sajko teases out the mental state and personal history of the protagonist, posing departure as a major theme that serves as a touchstone not only for our region [of Southeastern Europe] but also for the times we are living in. —Antonela Marušić, Novosti
     
    This is a stylistically superb novel, very readable. . . . And although this is a deeply personal text, it functions much more broadly, giving expression to the experiences, doubts, fears and all things encountered not only by this one, but a whole series of generations. —Matija Prica, booksa.hr
     
    The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure. The reader joins the narrator on his journey, both on the train and in his mind—from disjointed memories triggered by his departure from home, through attempts to put his relationships and experiences in some kind of order to find meaning in them and perhaps assign blame, to confronting his most painful memories—finally arriving with him at his destination with a sense of clarity and the possibility of a new beginning.
    Show book
  • CBS Radio Workshop Collection The: Volume 2 - 12 Half Hour Original Radio Broadcasts - cover

    CBS Radio Workshop Collection...

    Black Eye Entertainment

    • 0
    • 0
    • 0
    The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of "Brave New World" and booked author Aldous Huxley to narrate his famous novel. "We'll never get a sponsor anyway…," CBS vice president Howard Barnes explained to Time, "…so we might as well try anything."The CBS Workshop regularly featured the works of the world's greatest writers including Ray Bradbury, Archibald MacLeish, William Saroyan, Aldous Huxley, Lord Dunsany, Mark Twain, Edgar Allan Poe, Thomas Wolfe and Ambrose Bierce. Music was composed by Bernard Herrman, Jerry Goldsmith and others. Enjoy 12 of the greatest episodes from this award-winning drama series.5/25/56 "The Little Prince" w/ Raymond Burr and Dick Beals6/8/56 "Bring on the Angels" w/ Mason Adams and Louis Van Rooten6/29/56 "The Eternal Joan" w/ Elspeth Eric and Ed Prentiss7/13/56 "The Case of the White Kitten" w/ Kenny Delmar and Mason Adams7/27/56 "Star Boy: The Blackfoot Indian Legend of the Two Morning Stars"8/10/56 "Only Johnny Knows: An Appraisal of the Three Ages of Child Raising"8/17/56 "Colloquy No. 2: A Dissertation on Love, or Boy Meets Girl" w/ Frank Baxter8/24/56 "The Billion Dollar Failure of Figger Fallup" w/ Joseph Julian8/31/56 "Colloquy No. 3: An Analysis of Satire" w/ Stan Freberg and Alan Reed9/7/56 "The Hither and Thither of Danny Dither"10/5/56 "Roughing It" w/ Samuel Clemens, Louis Van Rooten and Daws Butler10/12/56 "A Writer at Work" w/ William Conrad and Hector Chevigny
    Show book