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  Tallulah Bankhead: The Colorful...

  Charles River Editors

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  "I'm as pure as the driven slush." – Tallulah Bankhead 
  	Exhibitionism and narcissism coupled with talent are not the sole property of modern entertainment, as some might suppose. From the beginnings of American theater and film, various personality types prone to self-intoxication by the status of their own careers have acted-out at will in their public lives. For them there is no barrier between the professional and the private. 
  	In the early years of the 20th century, members of a clique residing at the Algonquin Hotel in New York City were emblematic of a shocking behavioral rebellion against societal norms. Led by humorist Dorothy Parker and others, they defended and glorified extremes of outspoken sexual expression and contrary lifestyles. In doing so, they became a popular source of entertainment in themselves, with behavior flying in the face of the normal decorum of the time. To those most staid in society, they represented the perfect foil for the righteously indignant, while to the titillated masses, they were a constant presence in the news of the day, and perversely admired for their brazenness.  
  	Tallulah Bankhead was a latecomer to the Algonquin Circle, and even the most hardened social rebels were not sure what to make of her. Demonstrating an early talent for the stage, Bankhead went on to stardom in live theater, film, radio, and early television. She was among the most parodied public figures of her time and could always be counted upon to shock by bringing her private behavior into the public arena of entertainment.  
  	At the same time, Bankhead had no qualms voicing her opinions about current events and hot button political topics, which often came at the expense of her own family, a fixture in Alabama politics. She became an avid supporter of the Civil Rights Movement, and that, along with her background in show business, helped land her on various lists.

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  Stuntwomen - The Untold...

  Mollie Gregory

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  “Gives voice to the women who have risked their lives for a few (perilous) moments on the big screen. A fascinating look at a risky profession.” —The Washington Post 
   
  They’ve traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform—and survive—great moments of action in movies have been hitting their mark in Hollywood since the beginning of film. 
   
  Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women’s clothes to double as actresses, and were even “painted down” for some performances, while men and women of color were regularly denied stunt work. 
   
  For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers’ hearts racing.

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  Hallelujah – The story of a...

  Jonathan Bardon

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  18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring …In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unleashed by the catastrophic famine of the preceding year while striving to become a vibrant centre of European culture and commerce.Brimming with drama, curiosity and intrigue, and populated by an unforgettable cast of characters, Hallelujah tells of how one charitable performance wove itself into the fabric of Ireland's capital, changing the course of musical history and the lives of those who called the city home.

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  How To Deal With Termites -...

  Owen Jones

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  Termites are a common household pest that can cause significant damage to homes and buildings. They are small insects that feed on wood and other cellulose-based materials, and can cause structural damage to homes and buildings. In this short book, How to Deal with Termites, we will provide you with the knowledge and tools necessary to identify, prevent, and effectively deal with termite infestations. 
  The book will cover the basics of termite biology and behaviour, including the different types of termites and their preferred habitats. It will also provide detailed information on how to identify a termite infestation and the signs to look out for. Additionally, the book will cover the various methods of termite control, including chemical treatments, baiting systems, and physical barriers. It will also provide tips on how to prevent termite infestations, such as proper moisture management and regular inspections. 
  This book is written for homeowners, property managers, and anyone else who is interested in learning more about termites and how to deal with them. It is designed to be an easy-to-read and informative guide, providing the information and support you need to effectively deal with termite infestations. Whether you are dealing with an active infestation or looking to prevent future infestations, this book is an essential resource for anyone looking to protect their home or property from termite damage. 
  I hope that you will find the information helpful, useful and profitable.

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  Actor Performs An

  Mel Shapiro

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  An Actor Performs goes from the very basics of acting, to scene study and to the development of one person shows. It expands on text analysis, characterization and use of language. The book explores what is most essential for the actor: Imagination, Biography, Research.

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  Nixon at the Movies - A Book...

  Mark Feeney

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  “People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus   Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate).   “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times

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