Editora: Charles River Editors
T.S. Eliot was an American-born British author who is considered to be one of the greatest poets of the 20th century. Eliot, whose most popular works include The Waste Land and The Love Song of J. Alfred Prufrock, was awarded the Nobel Prize in Literature in 1948. This edition of Poems includes a table of contents.
Enjoy this InAudio unabridged presentation of William Shakespeare’s A Midsummer Night’s Dream, a fresh new audiobook of the charming and amusing tale of a wedding gone awry.This dreamy comedy is entrancing and full of humor and wit, and is sure to keep listeners entertained as they follow the plights of the cast of characters.A Midsummer Night’s Dream is one of William Shakespeare’s most well-known comedies, and is arguably one of his most beloved plays. The play tells the tale of the misadventures of the people gathering to participate in their marriage of the Duke of Athens and Hippolyta, former queen of the Amazons. The story is told between four interconnecting plot-lines and with a plethora of zany characters, including an earnest theater troupe, a fairy king, a mischievous spirit, and many others. Follow the story as the characters experience humorous confusion, magical love potions, and unexpected transformations.Ver livro
Probably written in the latter half of the 14th century in the South-West-Midlands dialect, Piers Plowman is a remarkable example of allegorical, alliterative verse that conveyed, for the first time ever, the authentic voice, spirit and character of the ordinary people of England. Very little is known about William Langland, the presumed author, but it is very much a product of the medieval mind combining Christian belief with dramatic poetry in a drama of identity. While the characters are less rounded, more-two dimensional than the fully developed protagonists of Chaucer's Canterbury Tales, they comprise an illuminating sample of the English type: the ‘every-men' and women of their time, from the plowman to the wastrel, the merchant to the priest, the high-born lady to the harlot. No-one is spared. Opening with a dream, or vision, a structural device made popular by the 13th-century French poet Guillaume de Loris in his Roman de la Rose and used most successfully by Dante in his Divine Comedy, Langland proceeds to explore his theme: namely, the world and the path the true Christian must follow through it to achieve salvation in life. In the course of the events which he goes on to describe, in a series of visions and successive awakenings, he paints a wonderfully detailed and highly critical picture of the corruption and abuses in the church and in society. Concepts become characters in the drama of life; Reason, Conscience, Recompense, Wealth, Will, Desire, “All the world's weal, all the world's woe,” are examined metaphorically in the context of the changing realities of the medieval economy. Piers Plowman embodies the Will. He is the good Christian who carries Jesus Christ in his heart, a good person who works hard for the benefit of the community and his own soul. His attitudes and actions are in counterpoint to those of a whole range of less edifying characters: ne'er-do-wells, layabouts, good-for-nothings, lollers and grafters, corrupt clergy, friars, pardoners, summoners, beer-watering publicans, brothel keepers, liars, robbers and cheats. The poem is remarkable for the way in which it comprises a range of modes and genres, from sermonising and psychomachia to biblical history and satires on social status, flowing effortlessly, almost seamlessly, from one to the other. It holds the mirror up to medieval society and it does not flatter. It is by turns both prophetic and apocalyptic, reflecting multiple facets of the Christian imagination. The series of visions revealed to the listener can be seen as didactic processes, or steps on the spiritual journey to salvation and include the shriving of the Seven Deadly Sins and the Vision of Antichrist. This version also contains a marvellously vivid description of the Harrowing of Hell, which prefigures the infernal imagery recreated 300 years later in John Milton's epic poem, Paradise Lost. This rendering of Piers Plowman in modern English by Arthur Burrell comes to life as never before in this lively, nuanced recording performed by Mike Rogers.Ver livro
He is a famous author, a man who has penned best sellers. A man with a wife and a safe, sedate life. What drives his inner sorrow, then? What fuels his hidden frustration? Perhaps the answers start with the strange one-worded statements other people keep making at him. Maybe the truth lies in the reason why he is so extraordinarily afraid of answering back to those statements the wrong way. In this modern world, he is beyond the modern man, understanding far more than the average person, able of communicating far more than the best orator, the most talented blogger, or the greatest novelist. Yet all his thoughts are imprisoned within him because of the fear they can cause, that is, until the man meets two strange twin girls. What is the twin girls’ secret? How does the writer find out about it? How will these girls prove to be either his salvation... or his greatest doom? In a world that cannot understand him, does he finally have a chance to be understood? Witness the perils of a life where evolution and linguistics combine, where hopes can be forged and disappointed simply by using a sentence, where nothing may be Better than Syntax, not even a kiss from someone you are supposed to love. Short Story Press publishes short stories written by everyday writers.Ver livro
Anne Marie Di Mambro's play is about John, an HIV-positive man, who takes refuge with a Roman Catholic priest. A fragile relationship begins to develop between them until a figure from John's past arrives upon the scene. The conflict between them encompasses questions of forgiveness, reconciliation and the role of the church in the modern world. First staged at the Traverse Theatre, Edinburgh, in 1994.Ver livro
Jack is proud of his work at the Clyde shipyards. His wife, Beanie, who is nursing him through asbestosis, thinks he's a fool. But the real test of their marriage comes when they discover that the dusty overalls Jack brought home for Beanie to wash have poisoned her too. Meanwhile their daughter, Lucy, is struggling; will she be held back by her parents' experience, or will she have the courage to allow romance to blossom with Pete? Frances Poet's play Fibres is a big-hearted, hilarious drama about what it means to entwine our lives with another. A story told by four resilient, witty Glaswegian characters, the play asks can we ever cut the cords that bind us – and who will catch us if we do? The play toured Scotland in 2019, in a co-production between Stellar Quines Theatre Company and the Citizens Theatre, Glasgow.Ver livro
Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe. This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.Ver livro
