Outros livros que poderiam interessá-lo

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  Actor's Guide To Mastering the...

  Oscar Stanley

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  Unlock the power of the Indian accent and bring your characters to life with authenticity and confidence. Whether you're preparing for a specific role or expanding your range as an actor, mastering this accent can set you apart in auditions and on screen. This audio-based training guides you through every step, helping you sound natural, nuanced, and believable — without falling into stereotypes. 
  The course breaks down the unique sound patterns of Indian-accented English, teaching you how to shape vowels, soften consonants, and replicate the musical rhythm that defines the accent. You'll learn how regional languages influence speech, giving your delivery a natural flow that goes beyond surface imitation. With a focus on ear training and vocal drills, you'll fine-tune every sound while developing an instinct for the accent's melody and pacing. 
  This training is designed to help actors create rich, layered performances. You'll understand not only how the accent sounds, but why it sounds that way — from the influence of Indian language structure to the subtle shifts in emphasis and intonation. By connecting the accent to character and context, you'll avoid clichés and build performances that feel grounded and authentic. 
  Every lesson is crafted with actors in mind, combining technical precision with practical exercises. Dialogue practice helps you integrate the accent into performance, preparing you for auditions, rehearsals, and on-camera work. The flexible audio format fits easily into your daily routine, letting you learn at your own pace. 
  With the right training, an accent becomes a powerful tool for storytelling. Mastering the Indian accent will give you the confidence to step into any role and deliver performances that are both compelling and true to life.

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  Standing at the Sky's Edge -...

  Richard Hawley, Chris Bush

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  Hailed as 'the most exciting new British musical in years' (WhatsOnStage), Standing at the Sky's Edge was originally written as a love letter to Sheffield, charting the hopes and dreams of three generations over the course of six tumultuous decades, navigating universal themes of love, loss and survival.
  With irresistible songs by legendary singer-songwriter Richard Hawley and a beautiful, hilarious and gut-wrenching book by Chris Bush, Standing at the Sky's Edge reveals the history of modern Britain through the stories of a landmark housing estate. It is a heartfelt exploration of the power of community and what it is we all call home.
  It was first performed at Sheffield Theatres in 2019, directed by Robert Hastie, before transferring to the National Theatre in 2023, and then the Gillian Lynne Theatre in London's West End in 2024. It won the Olivier Award for Best New Musical, the UK Theatre Award for Best Musical Production and the South Bank Sky Arts Award for Theatre.

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  There Are Still Woods

  Hila Ratzabi

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  There Are Still Woods is a radiant appraisal of life at the precipice of climate crisis and a haunting elegy for all we stand to lose. Through alternating lenses, from the speculative to the spiritual, from motherhood to science to mythology, Hila Ratzabi looks out at our wounded but vibrant planet and the animal experience of living on it. These poems bear witness to the force and fragility of the natural world and grapple with the complexities of being a human in that landscape: being implicated, vulnerable, humbled, dazzled. These poems are ways of framing and enduring loss, personal and collective and cultural, real and potential and anticipated. They impart a heightened appreciation for the solid and fleeting beauty that surrounds us. Here is an ode to the earth, a vision of its end, a celebration of its endurance, an aching and eloquent plea for intercession on its behalf. Ratzabi’s first collection is a howl, a prayer, a premonition, a reawakening, and an urgent call to action.

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  Lava (NHB Modern Plays) - (new...

  James Fritz

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  A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again.
  But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own?
  James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.
  'Compassionate, warm and funny... Fritz's work pairs structural playfulness with emotional intelligence and inky wit... his plays are contained and compassionate, and frequently find reservoirs of humour in places you wouldn't expect' - The Stage

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  Columbus - 19th century poem...

  James Russell Lowell

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  James Russell Lowell was born on 22nd February 1819 in Cambridge, Massachusetts. 
  Lowell graduated from Harvard in 1838, and thence on to earn a law degree from Harvard Law School.  
  His literary life began in 1841 with his first published collection of poetry.  Three years later he married Maria White and they had several children although, sadly, only one was to survive childhood. 
  A consuming issue at the time was the abolition of slavery.  Lowell was a staunch supporter even going so far as to move to Philadelphia to edit an abolitionist newspaper.  His poems were fully in support of Emancipation and the ending of this terrible abomination.  His later views were milder and came in for some criticism.  
  His publication in 1848 of the long poem ‘A Fable for Critics’, satirising the poets and critics of the then current poetry scene caused an uproar.  That same year came ‘The Biglow Papers’, which increased his fame and his finances.  His use of the Yankee accent in his character’s dialogue was an inspiration for many. 
  Maria died in 1853 and Lowell decided to travel to Europe for some time before returning to Harvard to take up a professorship of languages.   In 1857 he re-married and also took on the editorship of that key periodical ‘The Atlantic Monthly’ whilst continuing to teach at Harvard. 
  Lowell wrote and published poetry and essay collections throughout his literary career and is acknowledged as one of the ‘Fireside Poets’, a group of New England poets that rivalled the popularity of British poets.  Their work was not controversial and suitable for whole families to enjoy hence their name and appeal.  Whilst Lowell’s own work does not now attract the same praise as his then contemporaries, he was their equal. 
  Towards the end of his life Lowell was appointed as ambassador to the Kingdom of Spain and later to the Court of St. James's.  
  His last years were a return home to his estate in Cambridge, Massachusetts.  By the summer of 1891 doctors had diagnosed cancer in his kidneys, liver and lungs.  There was nothing that they could do except prescribe opium for the pain. 
  James Russell Lowell died on the 12th of August 1891 on the Cambridge estate where he was also born.  He was 72.

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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