Other books that might interest you

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  Pat Novak & My Favorite Husband

  Carl Amari

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  This week, we’ll tune into Jack Webb on Pat Novak for Hire, and hear Lucille Ball in My Favorite Husband. Plus Big Town, Phil Harris and Alice Faye, The Weird Circle, and Peter Lorre starring in Mystery in the Air.A Falcon Picture Group audio production.

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  Ride Lonesome

  Kirk Ellis

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  Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism.Veteran screenwriter Kirk Ellis brilliantly unpacks the themes, narrative, visual language, and editing in this seminal film. In Ride Lonesome Ellis not only shows how this one film embodies a turning point for the Western, but he also explores the unique vision and contributions of director Boetticher and his writing partner Burt Kennedy.

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  The Oscar Wilde Collection

  Oscar Wilde

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  Four classic comedies from one of the wittiest playwrights in Western literature.Lady Windermere’s FanThe irreverent satire that launched Wilde’s succession of classical comedies. A Lord, his wife, her admirer and an infamous blackmailer converge in this delicious comic feast of scandal. A divinely funny comedy of good girls, bad husbands and the moral hypocrisy of British high society in the late nineteenth century.An L.A. Theatre Works full-cast performance featuring: Roger Rees, Eric Stoltz, Miriam Margolyes, Joanna Going, Gina Field, Judy Geeson, Arthur Hanket, Lisa Harrow, Dominic Keating, James Warwick, Tom Wheatley. Directed by Michael Hackett.An Ideal HusbandDevilishly attractive Lord Illingworth is notorious for his skill as a seducer. But he is still invited to all the “best” houses while his female conquests must hide their shame in seclusion. In this devastating comedy, Wilde uses his celebrated wit to expose English society’s narrow view of everything from sexual mores to Americans.An L.A. Theatre Works full-cast performance featuring: Miriam Margolyes, Samantha Mathis, Rosalind Ayres, Jane Carr, Peter Dennis, Judy Geeson, Paul Gutrecht, Martin Jarvis, Cherie Lunghi, Robert Machray and Jim Norton. Directed by Michael Hackett.A Woman of No ImportanceA tender love story, a glittering setting in London society and a shower of witticisms are only a few of the reasons this play has enjoyed hugely successful revivals. This 1895 drama is eerily prescient, as it explores the plight of a promising young politician, desperate to hide a secret in his past. With empathy and wit, Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.An L.A. Theatre Works full-cast performance featuring: Jacqueline Bisset, Alfred Molina, Yeardley Smith, Rosalind Ayres, Paul Gutrecht, Martin Jarvis, Robert Machray, Miriam Margolyes and Jim Norton. Directed by Michael Hackett.The Importance of Being EarnestA stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, “that name which inspires absolute confidence.” Wilde’s effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.An L.A. Theatre Works full-cast performance featuring: James Marsters, Emily Bergl, Charles Busch, Neil Dickson, Jill Gascoine, Christopher Neame, Matthew Wolf and Sarah Zimmerman. Directed by Michael Hackett.The Picture of Dorian GrayOne of the great classics of contemporary Western literature. Dorian Gray, an effete young gentleman, is the subject of a striking portrait by the artist Basil Hallward. Gray’s narcissism is awakened, and he embraces a lifestyle of hedonism and casual cruelties. Increasingly consumed by his own vanity, he is forced to confront his true inner-self, in a manner that is as shocking as it is terrifying.An L.A. Theatre Works full-cast performance featuring: Steve Juergens, Jim Ortlieb, Colleen Crimmins, Roger Mueller, Thomas Carroll, Paulin Brailsford, Rush Pearson and Martin Duffy. Directed by Terry McCabe.

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  Egyptian Pyramids Revisited

  Moustafa Gadalla

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  A complete handbook about the pyramids of Ancient Egypt during the Pyramid Age. It contains: the locations and dimensions of interiors and exteriors of the pyramids; the history and builders of the pyramids; theories of construction; theories on their purpose and function; the sacred geometry that was incorporated into the design of the pyramids; and much, much more. This Expanded Edition of the book consists of fully illustrated seven Parts with a total of 18 Chapters, as well as one Appendix. Part I: Overview consists of two chapters 1 and 2, as follows: Chapter 1: The Background provides a short opening statement about the common "theories" and the counterpoints based on actual facts. Chapter 2: The Genuine Masonry Pyramids provides a list of the Egyptian pyramids that were built during the Fourth dynasty about 4500 years ago. Part II: Pyramids versus Tombs consists of two chapters 3 and 4, as follows: Chapter 3: Stepped "Pyramid" of Zoser covers details of its super-structure and its underground chambers. Chapter 4: The Fictional Tombs covers the details of a typical Ancient Egyptian tomb and how totally different from the interiors of the Egyptian masonry pyramids of the Fourth Dynasty. Part III: Pyramids -- Functions & Forms consists of two chapters 5 and 6, as follows: Chapter 5: The Pyramid Complex shows how the Egyptian pyramid was a component of a complex that was connected to other temples; and the differences in functions and forms between a pyramid and a temple; as well as the energetic proportioning of such structures. Chapter 6: Pyramid Power covers the form variations of the Egyptian masonry pyramids; and how such forms attract, maintain and channel cosmic energies. Part IV: Pyramid Construction Techniques consists of two chapters 7 and 8, as follows: Chapter 7: The Flawed "Common Theory"covers the details of the Common 'Theory"; the unidentified "source" of quarried blocks ; the impossibilities of cutting and shaping the pyramid blocks; the i

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  Goya and artworks

  Jp. A. Calosse

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  Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in control of his refractory powers, he produced masterpieces with the speed of Rubens. His court appointment was followed by a decade of incessant activity – years of painting and scandal, with intervals of bad health. Goya’s etchings demonstrate a draughtsmanship of the first rank. In paint, like Velázquez, he is more or less dependent on the model, but not in the detached fashion of the expert in still-life. If a woman was ugly, he made her a despicable horror; if she was alluring, he dramatised her charm. He preferred to finish his portraits at one sitting and was a tyrant with his models. Like Velázquez, he concentrated on faces, but he drew his heads cunningly, and constructed them out of tones of transparent greys. Monstrous forms inhabit his black-and-white world: these are his most profoundly deliberated productions. His fantastic figures, as he called them, fill us with a sense of ignoble joy, aggravate our devilish instincts and delight us with the uncharitable ecstasies of destruction. His genius attained its highest point in his etchings on the horrors of war. When placed beside the work of Goya, other pictures of war pale into sentimental studies of cruelty. He avoided the scattered action of the battlefield, and confined himself to isolated scenes of butchery. Nowhere else did he display such mastery of form and movement, such dramatic gestures and appalling effects of light and darkness. In all directions Goya renewed and innovated.

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  Discovering Classical Music: Gluck

  Ian Christians

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  "I recommend this book wholeheartedly to new music lovers"  Sir Charles Groves CBE      Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.

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