Maison d'édition: Free Spirit
These stories are themed arounf the phrase 'Speak Of THe Devil' . By doing this we get you, real life excerpts or imaginative creations of writers. The writers in this book are from Canada and USA.
What if the foundations of mainstream Christianity were forged in fierce intellectual battles—where Gnostic teachings threatened to reshape the faith’s core? This anthology spotlights Irenaeus’s Against Heresies, Tertullian’s Adversus Valentinianos and Adversus Marcionem, and Hippolytus’s Refutation of All Heresies. Adapted for a modern audience, these writings illuminate how early bishops and theologians safeguarded orthodoxy by systematically dismantling Gnostic beliefs on cosmic archons, alternate creation myths, and selective scripture editing. Included Texts:Irenaeus’s Against Heresies (Selections)Tertullian’s Adversus Valentinianos & Adversus Marcionem (Excerpts)Hippolytus’s Refutation of All Heresies (Highlights)Epistle of the Apostles (where relevant) What You’ll Discover Inside:Core Theological Showdowns – Debates over Christ’s humanity/divinity, the Old Testament’s place, and salvation’s nature.Detailed Accounts of “Heresies” – Insight into Valentinian, Marcionite, and other Gnostic movements.Development of Orthodoxy – The arguments that shaped key creedal affirmations.The Role of Scripture & Tradition – Why certain texts were championed or cast aside. Witness the razor-sharp rhetoric that molded the Christian faith you know today. Explore these refutations and glean the fervor of early doctrinal battles.Voir livre
True stories about Alzheimer’s, escorting, sugar daddies, bad men, worse dates, selling plasma, gynecology students poking around, a geriatric sex dungeon, weird clowns, and the strange shit we do to survive. Dark, sharp, and uncomfortably funny.Voir livre
“The book’s strength is a thorough assessment of Dylan’s career, album by album, song by song. Both longtime fans and newcomers . . . will appreciate.” —Library Journal With Bob Dylan’s receipt of the Nobel Prize in Literature, his iconic status as an American musical, cultural, and poetic giant has never been more apparent. Bob Dylan: American Troubadour is the first book to look at Dylan’s career, from his first album to his masterpiece Tempest. Donald Brown provides insightful critical commentary on Dylan’s prolific body of work, placing Dylan’s career in the context of its time in order to assess the relationship of Dylan’s music to contemporary American culture. Each chapter follows the shifting versions of Dylan, from his songs of conscientious social involvement to more personal exploratory songs; from his influential rock albums of the mid-1960s to his adaptations of country music; from his three very different tours in the 1970s to his “born again” period as a proselytizer for Christ and his frustrations as a recording and performing artist in the 1980s; from his retrospective importance in the 1990s to the refreshingly vital albums he has been producing in the 21st century. “This concise examination of the Dylan corpus is especially good for younger generations who may want to better understand how a musician in his early seventies can still be so compelling and relevant in twenty-first-century America.”. —Booklist “Fascinating . . . Highly recommended. All readers. —Choice Reviews “A nearly album by album retrospective of one of the most culturally significant and musically influential musicians in modern history.” —Examiner “A must read for Dylan enthusiasts.” —Journal of American CultureVoir livre
Recounts the harrowing experiences of the 1-320th Field Artillery "Top Guns" Battalion as they navigated the challenges of serving as provisional infantrymen in the hostile Arghandab Valley during 2010-2011. Sons of the Arghandab tells the story of the 1-320th Field Artillery "Top Guns" Battalion, 101st Airborne, in the Arghandab Valley, 2010-2011. The Arghandab River Valley is known for its lush vegetation from its grape furrows and its pomegranate orchards. It's also known as the birthplace of several Taliban leaders such as Mullah Omar and Akhtar Mohammad Mansour, and was a major crossing route for weapons coming from Pakistan into Kandahar. This hostile environment had already claimed the lives of many seasoned infantrymen. But the Top Guns weren't infantrymen, they were artillerymen, deployed without their usual weapons and with minimal last-minute training, redesignated as "provisional infantrymen." Painstakingly researched by one of the Top Guns and told through the perspectives of the men who survived that terrible year, this is the harrowing story of Alpha, HHB, and Bravo Batteries as they undertook the challenges of an artillery unit charged with an infantry mission in the most hostile killing fields in Afghanistan.Voir livre
Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre. This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12. Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals. These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day. He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity. Eight stories were published as ‘Evenings on a Farm near Dikanka’. Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature. His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed. In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post. With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera. In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. Gogol had a profound and enduring impact on literature which can be evidenced from his masterpiece, ‘The Cloak’, more popularly although wrongly translated as ‘The Overcoat’ published in 1841. A hundred years later Vladamir Nabokov called it ‘The greatest Russian short story ever written.’Voir livre
Ten years after the publication of With Nails, Richard E Grant’s brilliant memoir of his years in Hollywood, Macmillan Digital Audio are proud to be publishing Wah-Wah, the very personal diaries of his debut behind the camera, as writer and director of his autobiographical movie of the same name. It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire. Through the mayhem – never-ending financial pressures; hostilities and finally breakdown of communication with his Producer; the nerve-racking quest to persuade the King of Swaziland to grant permission to film in his country; the assembly of a stellar cast including Gabriel Byrne, Miranda Richardson, Emily Watson, and Julie Walters – Richard E Grant has written and reads, with characteristic humour and charm, an extraordinarily honest and revealing account of a labour of love and the realisation of a dream.Voir livre
