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  Crime and Punishment

  Fyodor Dostoevsky

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  Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, is determined to overreach his humanity and assert his untrammeled individual will. When he commits an act of murder and theft, he sets into motion a story that, for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision is almost unequaled in the literature of the world. The best known of Dostoevsky's masterpieces, Crime and Punishment can bear any amount of rereading without losing a drop of its power over our imaginations. 
  Dostoevsky's drama of sin, guilt, and redemption transforms the sordid story of an old woman's murder into the nineteenth century's profoundest and most compelling philosophical novel. 
  Award-winning translators Richard Pevear and Larissa Volokhonsky render this elusive and wildly innovative novel with an energy, suppleness, and range of voice that do full justice to the genius of its creator.

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  The Maison Tellier

  Guy de Maupassant

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  Henri René Albert Guy de Maupassant was born on August 5th, 1850 near Dieppe in France.  
   
  Maupassant’s early life was badly torn when at age 11 (his younger brother Hervé was then five) his mother, Laure, a headstrong and independent-minded woman, risked social disgrace in order to obtain a legal separation from her husband. 
   
  After the separation, Laure kept custody of her two boys. With the father now forcibly absent, Laure became the most influential and important figure in the young boy's life.   
   
  Maupassant’s education was such that he rebelled against religion and other societal norms but a developing friendship with Gustave Flaubert began to turn his mind towards creativity and writing. 
   
  After graduation he volunteered for the Franco-Prussian war. With its end he moved to Paris to work as a clerk in the Navy Department.  Gustave Flaubert now took him under his wing.  Acting as a literary guardian to him, he guided the eager Maupassant to debuts in journalism and literature.  For Maupassant these were exciting times and the awakening of his creative talents and ambitions. 
   
  In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’) which met with a success that was both instant and overwhelming.  Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.  
   
  This decade from 1880 to 1891 was to be the most pivotal of his career.  With an audience now made available by the success of ‘Boule de Suif’ Maupassant organised himself to work methodically and relentlessly to produce between two and four volumes of work a year.  The melding of his talents and business sense and the continual hunger of sources for his works made him wealthy. 
   
  In his later years he developed a desire for solitude, an obsession for self-preservation, and a fear of death as well as a paranoia of persecution caused by the syphilis he had contracted in his youth.  
   
  On January 2nd, 1892, Maupassant tried to commit suicide by cutting his throat.  Unsuccessful he was committed to the private asylum of Esprit Blanche at Passy, in Paris.  It was here on July 6th, 1893 that  
  Henri René Albert Guy de Maupassant died at the age of only 42.

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  The Puzzler

  Rudyard Kipling

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  Joseph Rudyard Kipling (1865-1936) was an English journalist, short-story writer, poet, and novelist. 
  "The Puzzler" is a humorous tale of a young man who is trying to engineer a meeting with an influential law lord who he hopes will support him with a great business idea. A fortuitous chance means he happens on the law lord while he is conducting a light-hearted experiment with a group of old school friends. 
  They are attempting to see whether a monkey can climb an araucaria (monkey puzzle) tree. The experiment ends in farce as the monkey escapes and gets into the house... exactly at the moment when the owners of the house appear.

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  Elderbush The - Story Time...

  Hans Christian Andersen

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  Once upon a time there was a little boy who had taken cold. He had gone out and got his feet wet; though nobody could imagine how it had happened, for it was quite dry weather. So his mother undressed him, put him to bed, and had the tea-pot brought in, to make him a good cup of Elderflower tea. Just at that moment the merry old man came in who lived up a-top of the house all alone; for he had neither wife nor children--but he liked children very much, and knew so many fairy tales, that it was quite delightful...

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  Scowrers The - A Sherlock Holmes...

  Sir Arthur Conan Doyle

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  The Valley of Fear is the fourth and final Sherlock Holmes novel by Sir Arthur Conan Doyle. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The story was first published in the Strand Magazine between September 1914 and May 1915. The first book edition was copyrighted in 1914, and it was first published by George H. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. Keller. The novel starts with Sherlock Holmes receiving a cipher message from Fred Porlock, a pseudonymous agent of Professor Moriarty. After Porlock sends the message, however, he changes his mind for fear of Moriarty's discovering that he is a traitor. He decides not to send the key to the cipher, but he sends Holmes a note telling of this decision.

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  The Adventures of Huckleberry Finn

  Mark Twain

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  Huckleberry Finn—             the casual rebel, the homeless waif, the sometime liar and thief, the boy nobody wanted—             finds, for the first time in his life, a sense of responsibility, acceptance, and love when he befriends a runaway slave named Jim. Fleeing down the Mississippi on a raft, Huck courageously violates social convention rather than betray the person who needs him most. In this American classic, Mark Twain's themes of identity and racism are now more relevant than ever.

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