Outros livros que poderiam interessá-lo

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  We Were Once a Family - A Story...

  Roxanna Asgarian

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  One of Literary Hub's most anticipated books of 2023"Narrator Suehyla El-Attar gives an impassioned performance that enhances the touching, terrifying tale of social injustice and systemic failure. Her delivery is compelling and clear, evoking a captivating listening experience from this true-crime tragedy."- Library JournalThe shocking, deeply reported story of a murder-suicide that claimed the lives of six children—and a searing indictment of the American foster care system.On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and several children at the bottom of a cliff beside the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted the six Black children from two different Texas families in 2006 and 2008. Behind the family's loving facade, however, was a pattern of abuse and neglect that went ignored as the couple withdrew the children from school and moved across the country. It soon became apparent that the State of Texas knew very little about the two individuals to whom it had given custody of six children—with fateful consequences.In the manner of Adrian Nicole LeBlanc's Random Family and other classic works of investigative journalism, Roxanna Asgarian’s We Were Once a Family is a revelation of vulnerable lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian became the first reporter to put the children’s birth families at the center of the story. We follow the author as she runs up against the intransigence of a state agency that removes tens of thousands of kids from homes each year in the name of child welfare, while often failing to consider alternatives. Her reporting uncovers persistent racial biases and corruption as children of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.A Macmillan Audio production from Farrar, Straus and Giroux.

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  As Needed for Pain - A Memoir of...

  Dan Peres

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  In the vein of Mary Karr's Lit, Augusten Burroughs' Dry and Sarah Hepola's Blackout, As Needed for Pain is a raw and riveting—and often wryly funny—addiction memoir from one of New York media's most accomplished editors which explores his never-before-told story of opioid addiction and the drastic impact it had on his life and career. 
  Dan Peres wasn't born to be a media insider. As an awkward, magic-obsessed adolescent, nothing was further from his reality than the catwalks of Paris or the hallways of glossy magazine publishers. A gifted writer and shrewd cultural observer, Peres eventually took the leap—even when it meant he had to fake a sense of belonging in a new world of famed fashion designers, celebrities, and some of media's biggest names. But he had a secret: opiates. 
  Peres's career as an editor at W magazine and Details is well known, but little is known about his private life as a high-functioning drug addict. In As Needed for Pain, Peres lays bare for the first time the extent of his drug use—at one point a 60-pill-a-day habit. 
  By turns humorous and gripping, Peres's story is a cautionary coming-of-age tale filled with unforgettable characters and breathtaking brushes with disaster. But the heart of the book is his journey from outsider to insecure insider, what it took to get him there, and how he found his way back from a killing addiction.  
  As Needed for Pain offers a rare glimpse into New York media's past—a time when print magazines mattered—and a rarefied world of wealth, power, and influence. It is also a brilliant, shocking dissection of a life teetering on the edge of destruction, and what it took to pull back from the brink.

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  Escaping Into the Open - The Art...

  Elizabeth Berg

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  Writing advice from a New York Times–bestselling author who “knows how the publishing industry works . . . and why writers need to answer only to themselves”  (C. Michael Curtis, senior editor, Atlantic Monthly). Both autobiography and primer, Escaping into the Open is an inspiring, practical handbook on the joys and challenges of the writing life. Renowned author and writing instructor Elizabeth Berg interweaves the story of her own journey from working mother to bestselling novelist with encouraging advice on how to create stories that spring from the heart. Continually in print since its original 1999 publication, this invaluable resource is a true and constant friend to all writers, no matter their stage of development. With wit and honesty, Berg provides numerous exercises that will unleash individual creativity and utilize all five senses. Most important, she tells how to fire passion—emotion—into writing itself; to break through personal barriers and reach one's own outer limits and beyond. “Crystal clear, bracing as icewater, Escaping into the Open should be read by all scribblers regardless of material success.” —Rita Mae Brown, New York Times bestselling author of the Mrs. Murphy series “This is a really good book . . . anyone who ever needs to write anything will find bright shards of useful stuff here.” —Booklist

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  Tomorrow Will be a Better Day -...

  Josh Rittenberg

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  Teenager Josh Rittenberg contemplates the past his ancestors overcome and the future his generation faces in "Tomorrow Will Be a Better Day," his contribution to NPR's This I Believe series.  
  This I Believe is a National Public Radio program that features Americans, from the famous to the unknown, completing the thought that begins with the series title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others. 
  Featuring a star-studded list of contributors that includes John McCain, Isabel Allende, and Colin Powell, as well as pieces from the original 1950's series including Helen Keller and Jackie Robinson, the This I Believe collection also contains essays by a Brooklyn lawyer, a woman who sells yellow pages advertising in Fort Worth, and a man who serves on the state of Rhode Island's parole board. The result is a stirring, funny and always provocative trip inside the minds and hearts of a diverse group of Americans whose beliefs, and the incredibly varied ways in which they choose to express them, reveal the American spirit at its best.

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  The Love Song of J Alfred Prufrock

  T.S. Eliot

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  The Love Song of J. Alfred Prufrock, commonly known as "Prufrock", is the first professionally published poem by American-born, British poet T. S. Eliot (1888–1965). Eliot began writing "Prufrock" in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of Ezra Pound (1885–1972). It was later printed as part of a twelve-poem pamphlet (or chapbook) titled Prufrock and Other Observations in 1917. At the time of its publication, Prufrock was considered outlandish,[3] but is now seen as heralding a paradigmatic cultural shift from late 19th-century Romantic verse and Georgian lyrics to Modernism.

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  Twelve Years a Slave

  Solomon Northup

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  Twelve Years a Slave (Originally published in 1853 with the sub-title: "Narrative of Solomon Northup, a citizen of New-York, kidnapped in Washington city in 1841, and rescued in 1853, from a cotton plantation near the Red River in Louisiana") is the written work of Solomon Northup; a man who was born free, but was bound into slavery later in life. Northup's account describes the daily life of slaves in Bayou Beof, their diet, the relationship between the master and slave, the means that slave catchers used to recapture them and the ugly realities that slaves suffered. Northup's slave narrative is comparable to that of Frederick Douglass, Harriet Ann Jacobs or William Wells Brown, and there are many similarities. Scholars reference this work today; one example is Jesse Holland, who referred to him in an interview given on January 20, 2009 on Democracy.now. He did so because Northup's extremely detailed description of Washington in 1841 helps the neuromancers understand the location of some slave markets, and is an important part of understanding that African slaves built many of the monuments in Washington, including the Capitol and part of the original Executive Mansion. The book, which was originally published in 1853, tells the story of how two men approached him under the guise of circus promoters who were interested in his violin skills. They offered him a generous but fair amount of money to work for their circus, and then offered to put him up in a hotel in Washington D.C. Upon arriving there he was drugged, bound, and moved to a slave pen in the city owned by a man named James Burch, which was located in the Yellow House, which was one of several sites where African Americans were sold on the National Mall in DC. Another was Robey s Tavern; these slave markets were located between what are now the Department of Education and the Smithsonian Air and Space Museum, within view of the Capitol, according to researcher Jesse Holland, and Northup's own account[1]. Burch would coerce Northup into making up a new past for himself, one in which he had been born as a slave in Georgia. Burch told Northup that if he were ever to reveal his true past to another person he would be killed. When Northup continually asserts that he is a freeman of New York, Burch violently whips him until the paddle breaks and Rathburn insists on Burch to stop. Northup mentions different kind of owners that Northup had throughout his 12 years as a slave in Louisiana, and how he suffered severely under them: being forced to eat the meager slave diet, live on the dirt floor of a slave cabin, endure numerous beatings, being attacked with an axe, whippings and unimaginable emotional pain from being in such a state. One temporary master he was leased to was named Tibbeats; the man tried to kill him with an axe, but Northup ended up whipping him instead. Finally the book discusses how Northup eventually ended up winning back his freedom. A white carpenter from Canada named Samuel Bass arrived to do some work for Northup s current owner, and after conversing with him, Northup realized that Bass was quite different from the other white men he had met in the south; he said he stood out because he was openly laughed at for opposing the sub-human arguments slavery was based on. It was to Bass that Northup finally confided his story, and ultimately Bass would deliver the letters back to Northup s wife that would start the legal process of earning him his freedom back. This was no small matter, for if they had been caught, it could easily have resulted in their death, as Northup says.

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