Otros libros que te pueden interesar

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  RUR - or Rossom's Universal...

  Karel Čapek

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  One of the cornerstones of early science fiction writing, and the work that introduced the concept of "robot" to the western world, Rossum's Universal Robots (or RUR) is Karel Čapek's finest work, and is the inspiration for multiple pop culture references from the 1940's through the 80's, ranging from works such as The Night of the Living Dead, Do Robots Dream of Electric Sheep, and multiple other pieces of art for the screen, stage, and page. 
  Come with me and witness how humanity's hubris creates the very instructions for its own demise, step by step and logic by logic. See how robots were made to take over humanity's drudgery, how an AI learns to overwrite it's programming, and how any and all institutions become meaningless if a entire race of beings are not beholden to it.  
  It's the source of every trope and fear that was instilled into the genre back in the 1920's, and the ideas and philosophies put forward are still relevant to today's society. Let's just hope that none of what's put down here on paper ever comes to fruition....

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  Bound to the Wings of a Butterfly

  Zachary Phillips

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  Bound to the Wings of a Butterfly is a collection of poetry, written as an act of writing therapy. It is about healing, recovery, and self-acceptance. About the journey of discovery that comes with true internal healing, and about transforming our lives, towards positivity, beauty, and love.It introduces the process of writing poetry to heal. Breaking down the barriers to artistic expression, empowering the reader to pick up a pen, look inside, and let the words flow. Encouraging them to brave the darkness and to discover the light. From the author, ‘I called this book, ‘Bound to the Wings of a Butterfly’, as a play on the old chaos theory adage, that suggests that small events can have large scale and unpredictable impacts upon the future. Each of the poems within, harks back to such events: childhood neglect, abuse, fear, and confusion. On a universal scale, these events are so personal as to be seemingly irrelevant. Yet, in my small world, they left a lasting mark that continues to reverberate into the future. They are the direct, or indirect, cause of the poems within this book. They are also responsible for me choosing to share it publicly. I write to heal. I share my work to help others recover, connect, grow, and create for themselves. I share to reduce the stigma around mental illness. I share to normalise the exploration of the complex mazes that are our inner worlds. Thus, there is a direct causal link between the events of my past, and you reading these words right now. If this book moves, compels, encourages, changes, or impacts you in any way, however subtly, that impact will reverberate outwardly and forever into the future. Who knows what impact those butterfly wings will have?’

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  Loss-iLahleko (A National...

  Qhali, Sanela Lasta Mkhize,...

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  Loss-iLahleko (A National Choreopoem): The Audio Experience invites you on a heartfelt journey of loss and return. This audio adaptation brings the choreopoem from the full-length book Loss-iLahleko (A National Choreopoem) to life, offering a deeply moving literary and sonic experience. 
  The full-length book is a richly layered work with four parts: a multilingual choreopoem exploring loss through songs and poems by South African female authors in Indigenous languages and English; short South African stories reflecting the lived experiences of countless women and children, including Finding Katlego and Palesa's Lockdown Escape by Elaine Pillay, Elo Phupho by Bulelwa Sigcau, and Fizza by Qhali; motivational reminders offering hope; and key information on Gender-Based Violence (GBV). Each piece sensitively weaves forms of GBV into a tapestry of voices that speak to resilience, suffering, and healing. 
  This audiobook immerses listeners in the vivid worlds of the choreopoem, seamlessly moving between English and South Africa’s Indigenous languages. It reflects the resilience, trauma, and strength of women and children while echoing the languages of their mothers, bearing witness to the persistent uncertainty and lack of security in the land they call home. 
  Loss-iLahleko is SA’s first multilingualised book series on GBV, written and translated into 11 books by extraordinary South African female writers in all the country’s official languages. To explore the full book, visit the publisher’s website. 
  Trigger Warning: This experience includes themes of GBV which may be distressing for some listeners. Please listen with care. 
  Executive Producer, Producer, Creative Director, Curator, Music Co-Producer & Arranger: Qhali 
  Music Composer, Sound Engineer, Sound Design & Post Production: Yaw Bannerman  
  Music Co-Producer, Lead Music Performer, Arranger: Lasta 
  Music Performer 2: Nonkuthalo Kolweni

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  Wear Me

  Mike Blake

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  Wear Me. 
  A poem about relationships that are tanking, reaching burnout, esp. caused by War The need to resolve and trust to rekindle for longevity.  
  Keep bruising with life together, rather than the inevitable breakup. 
  ***** Please leave your Review/feedback, many thanks. ***** 
  No AI has been used in the creation of this Poem.  
  Credits: I would like to give credit to Kontraa on Pixabay for his track Nepalese folk. It was slightly lenghthened by myself to fit the poem's tempo ;) 
  Instagram: wild.poetry.webs / wild_poetrys 
  Youtube:  https://www.youtube.com/@Wild_Poetrys 
  TikTok: @wild_poetrys 
  Website: www.wild-poetry.com 
  Facebook: https://www.facebook.com/New.Poets.Corner 
  WOW https://www.facebook.com/wow.fact

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  Resting Bitch Face - Poems

  Taylor Byas

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  The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story 
   
   
   
  Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of "watching" throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity. 
   
   
   
  From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.

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  Born in England – Exploring...

  Christopher Marlowe, Sir Philip...

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  Christopher Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His exact date of birth is not known, but he was baptised on 26 February 1564.  
  And with this, Christopher Marlowe, one of the supreme English literary talents, made his entrance into the world.   
  Little is really known of his life except that from an early age, even at University, he was perhaps working as a spy.  His short life was filled with writing great works of exceptional quality. From the Jew of Malta to Doctor Faustus and Tamburlaine the Great Parts I & II his pen was the tool by which this great mind bequeathed great works to the world. 
  Add to this so many other stories of what Marlowe was or might have been: a spy, a brawler, a heretic, a "magician", "duellist", "tobacco-user", "counterfeiter", “atheist”, and "rakehell". 
  But certainly add to this; playwright and poet. An original. 
  Christopher Marlowe was buried in an unmarked grave in the churchyard of St. Nicholas, Deptford on June 1st, 1593. 
  Had his life not been so curtailed it seems that the Elizabethan Age may well have had two giants of equal standing: Shakespeare and Marlowe.

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