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  Flowers 120 illustrations

  Victoria Charles

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  Flowers are the centerpiece in the majority of pictorial still-lifes. By painting their colours and forms, artists from Brueghel to O’Keeffe have created symbols for both life and mortality. Van Gogh’s sunflowers, Monet’s water lilies and Matisse’s bouquets are, of course, unforgotten. Most of the works contained in Flowers are true masterpieces, which have often marked whole epochs and styles.

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  The Line Up and The Life of Riley

  Carl Amari, Various Authors

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  This week's episode features police action on The Line Up, and laughs with William Bendix on The Life of Riley. Plus, The CBS Radio Workshop, Phil Harris and Alice Faye, The Shadow, and Tales of the Texas Rangers.

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  The Museum on the Roof of the...

  Clare E. Harris

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  For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.

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  Abbott and Costello: Napoleon...

  Bud Abbott, Lou Costello

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  Lou is dressed up like Napoleon. He wants that part in a movie. Bud says he is not the type. Bud rehearses Lou on how to be romantic. Lou asks people if they would like him to be Napoleon. They enact the play with Melonhead being the director

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  Tiberius Bound

  Walter Signorelli

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  This is the story of Tiberius Claudius Nero, the step-son of Augustus Caesar, who, despite obstacles and his own reluctance, became the second emperor of Rome. His public life spanned the tumultuous period of transition from the Roman Republic to the Emperorship, and his private life took a series of unusual and surprising turns. He proved himself to be Rome’s greatest general of the day, but he had been forced into an unhappy marriage to Augustus’ recalcitrant daughter Julia, and he abandoned his duties and moved to the Island of Rhodes, where he studied Greek art and philosophy. Eventually, he had to return to Rome to lead the legions, and when Augustus died, Tiberius became emperor. Again, he left Rome and ruled it from the Island of Capri.

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  Rags and Bones - An Exploration...

  Jeff Sellars, Kevin C. Neece

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  After performing with Ronnie Hawkins as the Hawks (1957–1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music—all tinged with a southern flavor and musical adventurousness—created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era.In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence.Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs—and their musicianship enlarged this detailed landscape.

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