Otros libros que te pueden interesar

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  King of Scotland

  Iain Heggie

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  King of Scotland is an award-winning, dark comedy and a free adaptation of Gogol's A Diary of a Madman. 
  Long-term unemployed Tommy McMillan joins a government-funded retraining scheme, "Up the Ladder". Cited as a shining example of the government's employment policies and chosen for a media profile, Tommy is taken on by the Department of Upward Mobility. The department gets more than they bargained for; however, when they discover just how far up the ladder Tommy is expecting to go. 
  Featuring trouserless bankers, talking dogs, flying taxis, and a razor-sharp parody of the workings of politics, King of Scotland is an outrageous Fringe First-winning monologue. 
  About the author: Award-winning playwright Iain Heggie is one of Scotland's leading playwrights. His plays include the Mobil prize-winning play A Wholly Healthy Glasgow (1988) and the John Whiting Award-winning play American Bagpipes (1989). His other plays include An Experienced Woman Gives Advice, Don Juan, Love Freaks, and Wiping My Mother's Arse.

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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  A Coalition of Cheetahs

  Doreen Gurrey

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  Varied in subject matter, these poems are clearly in the control of a singular voice. There is wonderful use of imagery throughout and surprising metaphor in abundance, in gentle and inventive poems that explores ideas of love, home, family and loss.– Hannah Lowe

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  The Theogony

  Hesiod

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  The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. 
  Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing.
  Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.

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  Terraform - Building a Better World

  Anónimo

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  Performed by Propaganda and featuring four exclusive original songs. 
  In this debut collection of essays and poetry, musician, speaker, and activist Propaganda inspires us to create a better, more equitable world. 
  “If we get to make the very cultures that shape who we are, then let us remake them in the best way possible.” 
  In this deep, challenging, and thoughtful book, Propaganda looks at the ways in which our world is broken. Using the metaphor of terraforming—creating a livable world out of an inhospitable one—he shows how we can begin to reshape our homes, friendships, communities, and politics. 
  In this transformative time—when we are redefining what a truly just and equitable world looks like, and reflecting on the work that needs to be done both in our spiritual and secular lives—Propaganda rallies readers to create that just world. He sheds light on how nefarious origin stories have skewed our views of ourselves and others and allowed gross injustices, and demonstrates how great storytelling and excellent art can create and shape new perspectives of the world and make all of us better. 
  ?Includes the songs "" IAGBTW (It Ain't Gotta Be This Way)”, "" The Soils Alive"", "" Us We "", and ""Imagine"" (featuring Nahoa Life) by Propaganda.

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  The New Negro - An Interpretation

  Alain Locke

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  "Of all the voluminous literature on the Negro, so much is mere external view and commentary…We turn therefore in the other direction to the elements of truest social portraiture, and discover in the artistic self-expression of the Negro to-day a new figure on the national canvas and a new force in the foreground of affairs.” 
    
  The New Negro Movement of the 1920s marked a shift in the pursuit of African American equality. African American soldiers were returning home from World War I, and after fighting for freedoms abroad, they were inspired to continue that fight on their own soil. The “old” ways had focused on passively accepting social policies, but the “new” ways would harness their collective voices in defining their own identity. The intellectual and artistic movement of the Harlem Renaissance stirred a tremendous wave of social change. 
    
  The New Negro was edited by Dr. Alain LeRoy Locke, a great intellectual and social visionary who is also considered the father of the Harlem Renaissance. This collection features works from many influential African American writers, such as Langston Hughes, Zora Neale Hurston, and Countee Cullen. 
    
  Alain Locke dedicates this book to future generations. In keeping with his vision, inAudio is honored to share this audiobook production with an enduring legacy of listeners.

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