Otros libros que te pueden interesar

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  The Wood Between the Worlds - A...

  Brian Zahnd

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  The cross is the heart of Scripture 
   
   
   
  Everything about the gospel message leads to the cross, and proceeds from the cross. In fact, within the narrative of Scripture, the crucifixion of Jesus is literally the crux of the story—the axis upon which the biblical story turns. But it would be a mistake to think we could sum up the significance of the crucifixion in a tidy sentence or two. That kind of thinking only insulates us from the magnificence of what God has done. In our ongoing quest to make meaning of the cross, we need to recognize that this conversation will never conclude—that there is always something more to be said. 
   
   
   
  Brian Zahnd reminds us that the meaning of the cross is multifaceted and should touch every aspect of our lives. Just as gazing through the eyepiece of a kaleidoscope reveals a new geometric image with every turn, Zahnd helps us see that there are infinite ways to behold the cross of Christ as the beautiful form that saves the world. The Wood Between the Worlds is an invitation to encounter the cross of Christ anew.

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  The Weary Blues

  Langston Hughes

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  tbc

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  Between the Night and Its Music...

  A. B. Spellman

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  A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.[sample text]THE TWISTa dancer's worldis walls, movementconfined: musicgod's last breath.rhythm: the last beating of his heart. a dancerfollows that sound, blindto its source, toward wallswith others. she cannot dance aloneshe thinks of thoughtas windows, as ice around the dancecan you break it? move

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  You Bid Me Try

  Henry Austin Dobson

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  LibriVox volunteers bring you 17 recordings of "You Bid Me Try" by Austin Dobson . This was the Weekly Poetry project for April 24, 2011.Henry Austin Dobson , commonly Austin Dobson, was an English poet and essayist. His official career was uneventful, but as a poet and biographer he was distinguished. Those who study his work are struck by its maturity. It was about 1864 that he turned his attention to writing original prose and verse, and some of his earliest work was his best. It was not until 1868 that the appearance of St Paul's, a magazine edited by Anthony Trollope, gave Harry Dobson an opportunity and an audience; and during the next six years he contributed some of his favourite poems, including "Tu Quoque," "A Gentleman of the Old School," "A Dialogue from Plato," and "Une Marquise." Many of his poems in their original form were illustrated—some, indeed, were written to support illustrations. (summary from Wikipedia)

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  Marquis de Sade's Midsummer...

  Ophelia T'Wat, Robert Dwight...

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  Full-Cast Audiobook! 
  Go Beyond Your Wettest Dreams... as If You Are Penniless and Yet Listening From Outside the Globe Theater! 
  In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. By the happenchance of his birth-century, The Bard wrote in a poetic 'Shakespearean Code', hinting at sexualities and paraphilias he fully intended to compose and expose his Elizabethan audience to. His intended 'erotica for every fetish' morphed instead into a 'humane and wise drama' by happenchance.  
  But What If? there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton. But now Ophelia T'Wat, living in a much more sexually accepting century, can reach across realities to snatch these pages from the bloody quill of the Marquis and finally, fatefully publish the Wettest Midsummer Night'sDream conceivable! 

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  The Red Shoes

  Nancy Harris

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  'What's wrong with wanting to dance?'
  When an orphaned young woman is taken in by some local do-gooders, she is expected to be seen and not heard.
  Dazzled by a pair of beautiful shoes, she sees in them an opportunity to shine – but soon her feet betray her, taking her to places she does not wish to go.
  Nancy Harris's version of The Red Shoes is a contemporary retelling of Hans Christian Andersen's extraordinary fairytale of dance, desire and destruction. It was first performed at the Gate Theatre, Dublin, in 2017 and revived in the version published here in 2024 at the Swan Theatre, Stratford-upon-Avon, by the Royal Shakespeare Company, directed by Kimberley Rampersad.

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