Other books that might interest you

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  John Singer Sargent and artworks

  Donald Wigal

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  Sargent was born in Florence, in 1856, the son of cultivated parents. When Sargent entered the school of Carolus-Duran he attained much more than the average pupils. His father was a retired Massachusetts gentleman, having practised medicine in Philadelphia. Sargent’s home life was penetrated with refinement, and outside it were the beautiful influences of Florence, combining the charms of sky and hills with the wonders of art in the galleries and the opportunities of an intellectual and artistic society. Accordingly, when Sargent arrived in Paris, he was not only a skilful draughtsman and painter as a result of his study of the Italian masters, but he also had a refined and cultivated taste, which perhaps had an even greater influence upon his career. Later in Spain, it was chiefly upon the lessons learned from Velázquez that he found his own brilliant method.
  Sargent belongs to America, but is claimed by others as a citizen of the world, or a cosmopolitan. Sargent, with the exception of a few months at distant intervals, spent his life abroad. The artistic influences which affected him were those of Europe. Yet his Americanism may be detected in his extraordinary facility to absorb impressions, in the individuality he evolved, and in the subtlety and reserve of his methods – qualities that are characteristic of the best American art.

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  Finest Hours of The Second World...

  José Delgado

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  Midway 
  After the naval battle in Midway the U.S.A. regain the leading drive of the war in the Pacific.

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  Bad Company

  Steve Wick

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  In 1983, Roy Radin, would-be impresario, joined forces with fading movie producer Robert Evans and Elaine "Laney" Jacobs, a woman with the burning ambition to use the millions she had made by drug dealing to buy her way into the movie industry.  Together they planned to finance the movie Cotton Club.When Radin's body was found miles away from Los Angeles, the police had few clues and eventually had to put the investigation on hold.  At the request of Radin's mother, New York Newsday's Pulitzer Prize-winning journalist, Steve Wick, began looking into Radin's last weeks and soon unearthed the sordid connection between deal making and drug dealing that set all Hollywood on its ear.Bad Company is both a fascinating and strangely repellent look at the darker side of the entertainment industry, as well as a striking portrait of the people who control the drug culture in this country.

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  Damon Runyon Theater - Dancing...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

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  How To Be A Professional Dancer

  HowExpert, Elly Sarfert

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  This book is a general How-to about becoming a professional dancer. The term “Professional Dancer” is an all-encompassing term, used to describe individuals who are currently using dance training and dance performance to make a living. Professional dancers perform in Musical theater, on television shows, on cruise ships, in ballet companies, and many other venues of performing arts! The dance industry is a small and challenging segment of the entertainment industry, and it can be hard to navigate at times. It is our hope that this e-book gives you a glimpse into the necessary steps dancers take to perfect their art and acquire jobs! 
  We walk through the steps of acquiring training, reaching outside of your comfort zone, preparing for an audition, and booking a job. When reading this book, remember that there are no sure paths to success. It will take hard work, and many trials and errors. Everyone’s journey to achievement is unique, but these general guidelines will give you a rough outline or how to reach your dreams. 
  About the Expert 
  Elly Sarfert is a professional dancer from Winston-Salem, North Carolina. After many years of dance training at In Motion Dance Center, under the direction of Michelle Nicholson, she went on to study contemporary at The University of the North Carolina School of the Arts, and later graduated with a Bachelor of Arts in Dance Performance from Point Park University’s Conservatory of Performing Arts. 
  At Point Park Elly majored in jazz dance and minored in Psychology. Currently she is pursuing a dance career all over the country, while also teaching at many dance studios throughout the North-East area. 
  HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.

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  My Visits with MGM

  Edit Villarreal

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  A wistful look back at a young Hispanic woman’s “MGM” which stands for “My Grandmama”. The narrator often channels “MGM” for advice as she tries to succeed as a second-generation American.An L.A. Theatre Works full-cast performance featuring Yolanda Lloyd, Tony Plana, Rose Portillo, Ruben Sierra and Renee Victor.Directed by Peggy Shannon. Recorded before a live audience in June, 1992.

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