Other books that might interest you

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  Bad Roads (NHB Modern Plays)

  Natal'ya Vorozhbit

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  In the darkest recesses of Ukraine, a war is raging.
  A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action.
  Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.
  It was premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in November 2017, in a production directed by Vicky Featherstone. It was developed by the Royal Court International Department, and translated by Sasha Dugdale.

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  After Sylvia

  Sarah Corbett, Ian Humphreys

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  After Sylvia is an anthology of new writing celebrating the work and legacy of Sylvia Plath. Published by Nine Arches Press in October 2022, the book honours the 90th anniversary of Plath's birth through a range of compelling poems and thought-provoking essays by leading and up-and-coming poets and scholars from the UK and beyond.
  After Sylvia is shaped around five inspiring chapters, each exploring a key Plathian theme: Nature, Rebirth, Womanhood, Mothers & Fathers and Magic. Co-edited by Ian Humphreys and Sarah Corbett, contributors include Mona Arshi, Emily Berry, Mary Jean Chan, Heather Clark, Pascale Petit and Jacob Polley.
  This vital anthology sets out to help dispel the myth of Sylvia Plath as tortured genius destined to her fate, by expressing the power and complexity of her work, legacy and reputation as one of the most important and influential writers of the 20th century.
  Full list of contributors:
  Moniza Alvi, Romalyn Ante, Mona Arshi, Polly Atkin, Tiffany Atkinson, Sally Baker, Colin Bancroft, Emily Berry, Nina Billard Sarmadi, Caroline Bird, Sharon Black, David Borrott, Mary Jean Chan, Heather Clark, Angela Cleland, Jane Commane, Sarah Corbett, Jonah Corren, Gail Crowther, Mari Ellis Dunning, Samatar Elmi, Ruth Fainlight, Daniel Fraser, Rosie Garland, Victoria Gatehouse, Rebecca Goss, Annie Hayter, Gaia Holmes, Ian Humphreys, Julie Irigaray, Bhanu Kapil, Victoria Kennefick, Martin Kratz, Zaffar Kunial, Jennifer Lee Tsai, Carola Luther, Karen McCarthy Woolf, Roy McFarlane, Nina Mingya Powles, Mark Pajak, Caleb Parkin, Pascale Petit, Jacob Polley, Niamh Prior, Shivanee Ramlochan, Clara Rosarius, Devina Shah, Penelope Shuttle, Jean Sprackland, Laura Stanley, Paul Stephenson, Degna Stone, Dorka Tamás, Anastasia Taylor-Lind, Peter Wallis, Tom Weir, Sarah Westcott, Merrie Joy Williams, Sarah Wimbush, Tamar Yoseloff.

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  Casual Conversation

  Renia White, Aracelis Girmay

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  A Blessing the Boats Selection with a Foreword by Aracelis Girmay, Renia White’s debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy. 
  
  
   
  Renia White’s debut poetry collection strikes up a conversation, considering what’s being said, what isn’t, and where it all come from. From her vantage point of Black womanhood, White probes the norms and mores of everyday interactions. In observations, insights, and snippets of speech, these poems look to the unspoken thoughts behind our banter, questioning the authority of not only the rule of law but also of our small talk itself—the concepts we have accepted and integrated without pause.
  
   
  Casual Conversation imagines a new way of knowing, a way that encourages us to think through how we structure and stratify ourselves, inviting something strange and other to spill out. White challenges us to question whether there is anything casual about this life, even as she invites us to consider other logics and to think alongside each other. This book gives space to hold what we fear out of formality: consequence, embarrassment, anger. It plays, it tarries, it disrupts. It pulls apart what seems sound in an effort to see: what did we make here? How’s it going? 
   
  Read by the author.

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  Ballads of Lost Haven: A Book of...

  Bliss Carman

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  This collection of lyric poems evokes the sea in every line, from birth (A Son of the Sea) to death (Outbound). The smells, sights and sounds of the Canada's East Coast feature prominently. (Summary by Sean Michael Hogan)

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  Eumenides

  Aeschylus

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  The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. 
  In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother. However, through the intervention of Apollo, Orestes is able to escape them for a brief moment while they are asleep and head to Athens under the protection of Hermes. Seeing the Furies asleep, Clytemnestra's ghost comes to wake them up to obtain justice on her son Orestes for killing her.

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  Dailies & Rushes - Poems

  Susan Kinsolving

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  A National Book Critic’s Circle Award-finalist: the “late but brilliant debut” volume that rocketed the acclaimed poet to prominence (The New York Times).   In her first full-length volume of poems, Susan Kinsolving demonstrates an elegant mastery of craft that can only be achieved through decades of refinement. Dailies and Rushes is both a debut collection and a major work by an accomplished poet. Indeed, as Carol Muske points out in her review of this book for The New York Times, “each poem here seems an accomplishment, in the sense of a realized expression as well as structural finality.”   With disarming insight, brutal irony, and playful half-buried puns that hit both the eye and the ear, “Kinsolving’s poems skate with a dark elegance on the thin ice between the upper air and a deepening sorrow, between the day’s figures and memory’s pattern. But she’s headed towards love: the distant shore, the beckoning warmth; and by the end of Dailies & Rushes she has gotten herself—and, to our delight and gratitude, brought us as well—triumphantly there” (J. D. McClatchy).

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