Other books that might interest you

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  Love is Where it Falls - An...

  Simon Callow

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  Simon Callow's candid and moving memoir of his passionate friendship with legendary literary agent Peggy Ramsay.
  'This extraordinary memoir brilliantly evokes one of the most formidable and influential figures in recent British cultural history, Peggy Ramsay, muse, patron and scourge of the post-Look Back in Anger generation... Those of us who loved her will be astonished by the vivid accuracy of Simon Callow's portrait; but even those ignorant of her existence will surely be touched, fascinated and challenged' Christopher Hampton, Sunday Times
  'This is the story of an unusual love affair - between a writer and his agent... Callow has allowed Peggy to play the leading role in this book and she emerges triumphantly: perceptive, funny, unexpected and passionately devoted to the truth about the art she loved the most' John Mortimer, Observer
  'Exquisite... Perhaps the best theatrical memoir of our day' David Hare

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  Bill Pickett: The Life of the...

  Charles River Editors

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  The Wild West made legends out of many men and women through the embellishment of their stories, but it was Buffalo Bill Cody who truly brought the Wild West to life and provided the images that people still associate with the 19th century West today. Though he had a long career that spanned service in the Civil War, trapping, and even a stint with the Pony Express, Buffalo Bill eventually became synonymous with his world-famous Wild West Show. By depicting stereotypical Western scenes like riding the Pony Express, and gunfights between cowboys and Indians, Buffalo Bill became one of the men most responsible for establishing how the public remembered the Wild West, and the show influenced subsequent film and literature. The show also featured several kinds of activities that are still part of rodeos today, including riding bucking broncos, roping livestock, and target shooting.  
  	Almost absent in the perceptions of modern America is the comprehension of African Americans participating so prolifically in the building of the nation. Print fiction idealizing the cowboy life to Eastern readers would not depict what had ignited the war for which so many had an utter revulsion. The black man of the post-war years did not inspire the white spirit so essential for reveling in the old system. The 20th century’s television and cinematic offerings operated on the same drive, and the existence of black cattle workers was all but blotted out. Indeed, many of the modern age are barely aware that an African-American ever “stepped foot on the West bank of the Mississippi River.”[1] No one saw the black cowboy on screen or in print, the two information industries that shaped our perception of America’s westward expansion. Therefore, a collective assumption that they must never have existed at all was nationally internalized.

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  The Best American Crime...

  Thomas H. Cook, Otto Penzler,...

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  Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.

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  Herman Melville - Chapter &...

  Herman Melville

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  Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life. 
   
  An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure. 
   
  In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another. 
   
  Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.    
   
  1 - Chapter & Verse - Herman Melville - An Introduction 
  2 - Bartleby the Scrivener - Part 1 by Herman Melville 
  3 - Bartleby the Scrivener - Part 2 by Herman Melville 
  4 - Billy in the Darbies by Herman Melville 
  5 - The Eagle of the Blue by Herman Melville 
  6 - John Marr and Other Sailors by Herman Melville 
  7 - A Dirge for McPherson by Herman Melville 
  8 - Gettysburg by Herman Melville 
  9 - The March into Virginia by Herman Melville 
  10 - The Released Rebel Prisoner by Herman Melville 
  11 - The Martyr by Herman Melville 
  12 - Monody by Herman Melville 
  13 - Immolated by Herman Melville 
  14 - The Fiddler by Herman Melville

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  Putin - The Reign of Vladimir...

  My Ebook Publishing House

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  This is the book to read if you want to understand how Vladimir Putin sees the world and why he has become one of the gravest threats to American security.An Author's Republic audio production.

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  Unravelled - A Family Lost and...

  Fanny Mills

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  In Unravelled the author unpicks the threads of her comically nuclear family with its deep silences to find what lay hidden, never to be spoken of.
  Beneath the carefully woven fabric of her family life, she finds clash of cultures – on one side Jews fleeing the pogroms of Eastern Europe, and on the other the highest levels of the British aristocracy, from the Earl of Erroll of White Mischief fame to the Twenties socialite Mimi Wimborne. The writer and thinker John Berger mysteriously links both worlds. She finds two grandmothers whose bids to find freedom and fulfilment ended in utter disaster. Her parents, shiny young communists of the 1950s airbrushed both women out of history. But what happens when you deny the past? How do you negotiate your sense of identity?

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