Editora: Tales of Terror
Steve Hutchison reviews 50 of the best zombie movies. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked from best to worst. How many have you seen?
The dreary aspects of Soviet housing and one family’s attempt to “exchange” its tiny Moscow apartment for a larger one. Adapted from a novella by the respected Russian writer Yuri Trifanov, as translated by playwright Michael Frayn.An L.A. Theatre Works full-cast performance featuring:Ian Abercrombie as Viktor’s FatherRosalind Ayres as LenaSharon Bamber as Aunt AhenyaJoyce Blair as Viktor’s MotherBarbara Bosson as LoraPeter A. Jacobs as Kalugin and FelixMartin Jarvis as ViktorZosukuma Kunene as AlikAnna Sophie Loewenberg as NatashkaVonetta McGee as TanyaMarian Mercer as Lena’s MotherRobin Nordli as Factory Director and Funeral OratorWilliam Palmieri as Snitkin and othersJohn Randolph as Viktor’s GrandfatherMelissa Smigley as Marina, and Girl Next DoorMalachi Throne as Lena’s FatherTranslated and adapted by Michael Frayn. Directed by Robert Robinson. Recorded before a live audience in Santa Monica, CA in April, 1992.Ver livro
Simon Goodman's grandparents came from German-Jewish banking dynasties and perished in concentration camps. His father rarely spoke of their family history or heritage. But when he passed away, and Simon received his father's old papers, a story began to emerge. The Gutmanns, as they were known then, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives. With the help of his family, Simon initiated the first Nazi looting case to be settled in the United States.Ver livro
Screenplays and scripts from the playwright of The Normal Heart. “A valuable showcase of an important writer’s early career.”—The Bay Area Reporter Larry Kramer has been described by Susan Sontag as “one of America’s most valuable troublemakers.” As Frank Rich writes in his Foreword to this collection of writings for the screen and stage, “his plays are almost journalistic in their observation of the fine-grained documentary details of life . . . that may well prove timeless.” The title work, the Oscar-nominated screenplay for Women in Love, is a movie “as sensuous as anything you’ve probably ever seen on film” (The New York Times). The screenplay is accompanied by Kramer’s reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies’ Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. “Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us.” (from The American Academy of Arts and Letters citation). Women in Love “A visual stunner and very likely the most sensual film ever made.”—New York Daily News “Throughout Larry Kramer’s literate scenario, the Lawrentian themes blaze and gutter. The sooty mind-crushing coal mines that Lawrence knew like the back of his hand are re-created in all their malignance. The annealing quality of sex is exhibited in the most erotic—and tasteful—lust scenes anywhere in contemporary film.”—TimeVer livro
What Kirkus describes as a "masterful revelation about life and art imitating each other in maintenance and repair" in a starred review, Dwell Time is an illuminating debut memoir by one of the few prominent Latinas in the field of art and architectural conservation; a moving portrait of a Cuban Jewish family’s intergenerational trauma; and a story about repair and healing that will forever change how you see the objects and places we cherish and how we manage damage and loss. Renowned art conservator Rosa Lowinger spent a difficult childhood in Miami among people whose losses in the Cuban revolution, and earlier by the decimation of family in the Holocaust, clouded all family life. After moving away to escape the “cloying exile’s nostalgia,” Lowinger discovered the unique field of art conservation, which led her to work in Tel Aviv, Philadelphia, Rome, Los Angeles, Honolulu, Charleston, Marfa, South Dakota, and Port-Au-Prince. Eventually returning to Havana for work, Lowinger suddenly finds herself embarking on a remarkable journey of family repair that begins, as it does in conservation, with an understanding of the origins of damage. Inspired by and structured similarly to Primo Levi’s The Periodic Table, this first memoir by a working art conservator is organized by chapters based on the materials Lowinger handles in her thriving private practice – Marble, Limestone, Bronze, Ceramics, Concrete, Silver, Wood, Mosaic, Paint, Aluminum, Terrazzo, Steel, Glass and Plastics. Through Lowinger’s relentless clear-eyed efforts to be the best practitioner possible while squarely facing her fraught personal and work relationships, she comes to terms with her identity as Cuban and Jewish, American and Latinx.Ver livro
In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West. This book is a must-read for history buffs and sports lovers alike, offering a unique perspective on the Wild West through the lens of Hawaiian cowboys. HarperCollins 2024Ver livro
Steve Black interviewed Rik Emmett, vocalist, guitarist and founding member of Triumph, in the fall of 2016.Ver livro
