Publisher: Tales of Terror
Steve Hutchison reviews 50 of the best zombie movies. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked from best to worst. How many have you seen?
In 'Video Translation by AI: A Threat to the Film and Dubbing Industry,' the author delves deep into the seismic shifts brought about by artificial intelligence in the realms of cinema and voice-over. As groundbreaking technologies like HeyGen redefine the boundaries of video translation, this book navigates the intricate balance between innovation and tradition. Through meticulous analysis, firsthand accounts, and compelling case studies, it examines the potential risks and rewards of AI's growing influence. From the apprehensions of actors and dubbing artists to the broader implications for global storytelling, this book is a definitive guide to an industry in flux. Essential reading for film buffs, technologists, and industry insiders.Show book
Sound shapes our world in invisible but profound ways, and here Caspar Henderson brings his characteristic curiosity, knowledge and sense of wonder to the subject to take us on an exhilarating journey through the heard universe. A Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, and contains quiet pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, to the meditative resonance of a temple bell and the improvisational melodies of jazz, this is a celebration of all things auricular. The preface is read by Cerys Matthews, and the rest of the book by the authorShow book
Scriptings’ Reader-Format „Political Scenarios“ wird in Zusammenarbeit mit Archive Books und dem E-Book-Verlag EECLECTIC herausgegeben. Ziel ist es, sorgfältig ausgewählte Skripte und Texte von Künstler*innen zu veröffentlichen, die sich weder auf akademische noch auf rein literarische Schreibformen beziehen, sondern „Text“ als integralen Bestandteil einer zeitgenössisch-politischen Kunstpraxis einbetten.Show book
Songs for My Father is a raw and honest collection of free verse poetry about the author’s relationship with her father. It chronicles how his anger and abuse left her emotionally trapped for many years, and how she found her way back into herself through her art.Katherine Lazaruk takes the reader through her early childhood experiences, drawing connections between how family, music, and learning shaped the writer and artist within her. It is a poignant window into the things that so often go unspoken, the elephants in the rooms of our families. Readers who have experienced what it means to be the outsider or scapegoat in their family of origin will be uplifted by this vision of how to break cycles of abuse and reclaim themselves through therapeutic and artistic journeys.Songs for My Father is at times dark, at times uplifting, and always deeply human.Show book
“If I couldn't laugh, I'd rather die.” – Claudette Colbert The 1930s were the height of the classical Hollywood era, known for lavish studio productions by heavyweights like MGM, RKO, Warner Brothers, Paramount, and 20th Century Fox, which were operating at the height of their powers. Every major studio possessed a long roster of contract players, and films were released at such a rapid pace that it made for an especially competitive environment within the industry. Even while America remained in the throes of the Great Depression, the film industry continued to flourish, and movies easily supplanted the theater as the main attraction for American entertainment. Indeed, it would be no exaggeration to claim that the film industry reached its zenith during the decade precisely because it offered an affordable (if very temporary) escape from the anxieties of the economic woes of the era. When the American Film Institute ranked its top 50 screen legends of the 20th century, many of the people named had careers spanning several decades, but one of them managed the feat despite living less than three decades. Ranked as the 22nd greatest actress of the 20th century, Jean Harlow was on the screen for less than 10 years, but in that time the “Blonde Bombshell” became the most popular actress of the 1930s, eclipsing superstars like Joan Crawford and Norma Shearer along the way. In fact, the platinum blonde accomplished that feat as a leading lady for just five years before her premature death of renal failure at the age of 26. Carole Lombard has been memorialized in many fitting ways as an actress, and one of her biggest contributions to Hollywood was the blond archetype that the film industry used successfully for decades in screwball comedies, paving the way for the success of women like Marilyn Monroe. Perhaps the most remarkable aspect of that fact is that it was actually based on Carole’s gushing personality.Show book
'You don’t have to be able to hum Mozart to find this book utterly engrossing . . . I couldn’t put it down' - Joanna LumleyAn expertly researched and vividly written account of Mozart’s formative trips to Italy. At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover.Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivalesque birthplace of public opera. All the while Mozart was absorbing Italian culture, language, style and art, and honed his craft. He met the challenge of writing Italian opera for Italian singers and audiences and provoked a variety of responses, from triumph and admiration to intrigue and hostility: in a way, these Italian years can be seen as a microcosm of his whole life.Evocative, beautifully written and with a profound understanding of eighteenth-century classical music, Mozart in Italy reveals how what he experienced during these Italian journeys changed Mozart – and his music – for ever.Show book
