Other books that might interest you

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  Silent No Longer Collection -...

  The Brickley Bray Project

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  “Let all our voices gather and rise, up to the heavens and fill the sky.” Be Silent No Longer Pop Poetry Fusion These are compelling words, to be certain. They are The Brickley Bray Project’s call to action. As much as we believe we should act, or do, or participate, we all have difficulty taking that first step. The Brickley Bray Project wants that first step to be easy. Just listen. That’s all that’s required. And it is effortless. Diane Bray’s words are simple, rhyming, and straight to the point. Bill Bray has created music amidst inspiration from Diane’s words, allowing the tempo to unfold from the poetic rhythm and the music to evolve from the message. 
   
  The Silent No Longer Collection
   
   began as eight verses of a poem; written to express Diane’s solidarity with and support for the 99%/Occupy movements. It grew to a twenty-one verse call to action. As each day another social or humanitarian issue needed to be addressed, another verse came to life. Bill’s idea was to put the music around the poem becoming their Poetry Fusion, Be Silent No Longer. Thereafter, Diane’s words and Bill’s music became a Poetry Fusion mix of issues and positive messages of solutions. Some are as simple as thinking peace. All you need to do is click a button and listen as you go about your day. Let The Brickley Bray Project inspire you to stay informed, remain focused, and believe in a positive future. Remember, “Together We are One.”

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  Rashtrakuta Empire - Military...

  Rolf Hedger

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  The Rashtrakutas were one of the most powerful dynasties in Indian history, ruling vast territories across the Deccan and beyond. Their origins, however, remain a subject of debate among historians due to conflicting inscriptions and interpretations. Some sources trace their roots to the Kannada-speaking regions, while others suggest connections to northern India. Despite the uncertainty, it is widely accepted that the Rashtrakutas emerged as a prominent force in the Deccan by the 8th century. 
  The dynasty first gained prominence under the rule of Dantidurga, who established Rashtrakuta authority by overthrowing the Chalukyas of Badami. However, evidence suggests that the Rashtrakutas had been a significant regional power even before his reign. The earliest references to the name "Rashtrakuta" appear in inscriptions from the 6th and 7th centuries, indicating that they were already influential feudatories before rising to imperial status. Some scholars believe they originally served as administrators or military governors under the Chalukyas before asserting their independence. 
  The question of the dynasty’s ethnic and linguistic identity has long been debated. Some sources claim that they were of Kannada origin, citing inscriptions and literary works composed in the Kannada language under their patronage. Others argue that they may have had northern Indian roots, pointing to their interactions with Rajput and Gurjara clans. Regardless of their precise origins, the Rashtrakutas embraced the cultural diversity of the Deccan, ruling over a population that spoke multiple languages, including Kannada, Sanskrit, and Marathi.

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  The Rose Tattoo

  Tennessee Williams

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  In the wake of World War II, a poor widow named Serafina lives with her only daughter Rosa in a Sicilian community on Louisiana’s Gulf Coast. As Rosa grows to maturity, Serafina is forced to reconcile the values of the New World with the deeply-held pain of her past. 
   
  
   
  This L.A. Theatre Works recording reunites Mercedes Ruehl and Anthony LaPaglia, who starred in the 1995 Broadway production that earned a Tony Award for Best Revival of a Play, and Drama Desk Awards for both actors.
   
  
   
  Recorded at the Skirball Cultural Center, Los Angeles in December 1999.
   
  
   
  Directed by Richard Masur
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Emily Bergl as Rosa
   
  Marieclare Costello as Peppina and Bessie
   
  Tim DeKay as Jack
   
  Brent Hinkley as a Doctor and Salesman
   
  Anthony LaPaglia as Alvaro
   
  Carol Locatell as Guiseppina
   
  Kate Mulligan as Estelle, Miss Yorke
   
  Antonia Ray as Assunta
   
  Peggy Roeder as The Strega 
   
  Mercedes Ruehl as Serafina
   
  Vincent Schiavelli as Father DeLeo
   
  Claudette Sutherland as Violetta and Flora
   
  
   
  Stage Manager and Live Sound Effects: Jane Slater
   
  Assistant Stage Manager: Cary Thompson
   
  Radio production by Raymond Guarna

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  Classic Beer Radio Commercials -...

  Various Various

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  This fascinating and historical audio program includes actual radio commercials for the following classic beers: Hamm's, Killian's Irish Red, Lucky, Miller, Miller High Life, Milwaukee's Best, Pabst Blue Ribbon, Rheingold, Schaefer's, Schlitz, Walter's

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  Drawing Hands and Feet

  Šárka Darton

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  This practical and inspiring book explains how to draw realistic hands and feet. With a focus on the importance of practice and observation, it looks first at fundamental anatomy and external structures before explaining how to simplify form and develop your own artistic style. With over 300 images, this book is a detailed and impressive guide for all artists keen to master these key subjects.

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  Why Bushwick Bill Matters

  Charles L. Hughes

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  In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups. 
   
  Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of “Chuckie” to vulnerable verses in songs such as “Mind Playing Tricks On Me,” to discuss his portrayals of dwarfism, addiction, and mental illness. Hughes also explores Bill’s importance to his era and to the longer history of disability in music. A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny. Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.

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