Verlag: Tales of Terror
Steve Hutchison reviews 100 amazing horror films from the 1970s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
During the decades of his world fame as sage and preacher as well as author of War and Peace and Anna Karenina, Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.Zum Buch
Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. The contents are published for the very first time in this work. Representing photos and descriptions of art and sculpture, of everyday utensils and everyday activities, all dating from the beginning of the twentieth century, these are the archives of ethnic groups in Siberia who for the most part have fougth tenaciously to maintain their historical traditions. The authors brilliantly convey their enthusiastic admiration for the peoples who have so successfully and for so long contended against both hostile environment and political dominance.Zum Buch
Lillian Diana Gish (October 14, 1893 - February 27, 1993) was an American actress whose career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was called the First Lady of American Cinema, and is credited with pioneering fundamental film performance techniques. She was nominated for the Academy Award for Best Supporting Actress for Duel in the Sun and in 1971, she was awarded an Academy Honorary Award for her career achievements. Despite being better known for her film work, she was also accomplished on stage, and was inducted into the American Theater Hall of Fame in 1972. The following recording is from a 1950 interview.Zum Buch
For the first time, the choreographer of Michael Jackson, Madonna, Björk, and many others reveals stage stories through his extraordinary journey. Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, life backstage where it is sometimes necessary to manage a few whims of the stars, his successes and his disappointments. It is a dive into the heart of the world of dance.Zum Buch
Why attractive things work better and other crucial insights into human-centered design Emotions are inseparable from how we humans think, choose, and act. In Emotional Design, cognitive scientist Don Norman shows how the principles of human psychology apply to the invention and design of new technologies and products. In The Design of Everyday Things, Norman made the definitive case for human-centered design, showing that good design demanded that the user's must take precedence over a designer's aesthetic if anything, from light switches to airplanes, was going to work as the user needed. In this book, he takes his thinking several steps farther, showing that successful design must incorporate not just what users need, but must address our minds by attending to our visceral reactions, to our behavioral choices, and to the stories we want the things in our lives to tell others about ourselves. Good human-centered design isn't just about making effective tools that are straightforward to use; it's about making affective tools that mesh well with our emotions and help us express our identities and support our social lives. From roller coasters to robots, sports cars to smart phones, attractive things work better. Whether designer or consumer, user or inventor, this book is the definitive guide to making Norman's insights work for you.Zum Buch
Richie and Mike provide direct practical guidance on the skills and knowledge necessary for jazz to be passed on and performed well. The conversational tone of the book makes for entertaining and worthwhile reading. Those who have been teaching jazz for a long time will appreciate Richie's stories and his fearless opinions on jazz including how the teaching and learning of it are evolving (for good and for bad). For readers new to teaching, they will gain a perspective and perhaps some greater insight into jazz education that your students want from you and benefit from. Justin DiCioccio of the Manhattan School of Music called it the best book on jazz education he's ever read. Why?Because of the stories that will capture student's attention on things like the art of jazz time (swing), dynamics, 'wrong' notes, the right amount of notes, and how the masters think about musicA view of what can and cannot be taught in the process of making students better jazz playersHow to be more motivating and effective with studentsA candid and pointed review of the film, Whiplash, and what it teaches us to defend against in our roles as jazz educatorsFly on the wall insight into one of Richie's most inspired trio recordings with George Mraz and Al Foster. Students of jazz will appreciate:How to choose the right school for one's personal needs and ambitionsMany of the skills that musicians need in order to be successful that are not taught in the classroomHow best to use some of the more popular digital tools for learning and practicing jazzRichie's telling of the blow-by-blow experience of group interaction while recording the Tune "Nardis" with George Mraz and Al Foster A chapter is dedicated to a review of the movie Whiplash, a film about a college jazz gig band led by a tyrannical conductor played by J.K. Simmons.Zum Buch
