Editora: Tales of Terror
This book contains 66 reviews of horror films written and ranked by critic and blogger Steve Hutchison. Each description includes five ratings (stars, story, creativity, acting, quality), a synopsis and a review. All 66 movies present a plausible threat. How many have you seen?
Hear TikTok sensation and master storyteller Annie Korzen -- SEINFELD's Doris Klompus -- offer her best and most pithy thoughts on marriage, family, career, food, and living well!Ver livro
The Han Dynasty, one of the most influential periods in Chinese history, emerged from the collapse of the Qin Dynasty in 206 BCE. After years of harsh rule under Qin Shi Huang, widespread unrest and rebellion led to the fall of the Qin. In the power vacuum that followed, Liu Bang, a commoner-turned-military leader, rose to prominence and ultimately established the Han Dynasty. His leadership and political acumen laid the foundation for a dynasty that would last over four centuries, shaping China’s governance, culture, and identity. Liu Bang, later known as Emperor Gaozu, was originally a minor official under the Qin. Unlike his aristocratic rivals, he came from humble origins, making him a unique figure in Chinese history. As the Qin administration crumbled due to heavy taxation and forced labor policies, numerous factions vied for control. The most significant of these was the Chu-Han Contention, a prolonged struggle between Liu Bang and Xiang Yu, a powerful general of noble descent. Liu Bang, known for his ability to rally support from various social classes, ultimately defeated Xiang Yu at the Battle of Gaixia in 202 BCE. This victory marked the official beginning of the Han Dynasty, with Liu Bang declaring himself emperor. Once in power, Liu Bang sought to distance his rule from the harsh legalist policies of the Qin. He adopted a more lenient and pragmatic approach, blending Confucian ideals with centralized governance. Although he retained elements of Qin’s bureaucratic structure, he reduced the severity of laws and punishments, earning the trust of the people. To ensure stability, he granted land and titles to his loyal followers, creating a semi-feudal system that allowed regional kings to govern under the central authority of the emperor. This balance between centralization and decentralization was a defining characteristic of early Han rule.Ver livro
Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program. Drawing upon a transnational archive of materials, including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to reposition the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.Ver livro
In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.Ver livro
The Man Who Had All the Luck is a charming story of the fate of a young Midwestern man whose fortune shines on him while it passes over everyone else around him. The play wrestles with the unanswerable - the question of the justice of fate, and how it is that one man fails and another, no more or less capable, achieves some glory in life. An L.A. Theatre Works full-cast performance featuring Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder and Tegan West.Ver livro
Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators—or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. Every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and growing cult fandom. Quantum Criminals presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters, making for a musical companion unlike any other. Quantum Criminals is a singular celebration of Steely Dan's musical cosmos.Ver livro
