Outros livros que poderiam interessá-lo

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  Hockey's Original 6 - Great...

  Mike Leonetti

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  “Hockey historians will appreciate the precision action shots taken of the first cohort of NHL stars . . . a record of how hockey has evolved.” —Winnipeg Free Press   The hockey stars of the 1950s and ’60s—Rocket Richard, Gordie Howe, Dave Keon, Bobby Hull, Jean Beliveau, Terry Sawchuk, Tim Horton, and others—were some of the most passionate players in National Hockey League history. These skillful and often colorful athletes played exhilarating hockey and were national heroes in a time when only six teams and fewer than 150 players battled for the Stanley Cup.  Hockey’s Original 6 celebrates the most dynamic players and exciting moments of the era in more than 120 photographs from the legendary Harold Barkley Archives, including a number of never—or rarely seen—images. From 1942 until the early ’70s, Barkley was the Toronto Star’s leading sports photographer. He pioneered the use of electronic flash to capture stop-action hockey, and his dramatic work—both black and white and vibrant color—define the pre-expansion period.   Two informative essays by Mike Leonetti—hockey historian, archivist, and prolific sportswriter—set Barkley and the photos in context, and short image captions illuminate the players and their feats. The late hockey legend Jean Béliveau provides a personal and insightful foreword.   “Will take your breath away . . . a collection that captures players’ grimaces, suture tracks, missing teeth and Brylcreem-lacquered hair; their primitive equipment, joy and considerable pain, even the depth of snow beneath their tubular-steel blades, the individual planks of lumber that were the arena boards, and the octagonal orange crests on the Tyer Rubber Co. pucks whose impact has smudged the fire-engine-red goalposts.” —The Montreal Gazette

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  Christmas Carol Collection 2011

  Various Various

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  LibriVox volunteers bring you this year's selection of 25 sacred and secular carols and Christmas songs, in English, German and Latin.

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  Sports Workout: Volume 3 - Team...

  Antonio Smith

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  Smith Show Media presents Sports Workout: Volume 3 written by Antonio Smith. This collection of fitness music is perfectly mixed, set at just the right pace to help you perform a high-energy, body-moving workout.

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  Degas

  Nathalia Brodskaya

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  Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous painter’s memory retained the particularities of movement of horses wherever he saw them. After his first rather complex compositions depicting racecourses, Degas learned the art of translating the nobility and elegance of horses, their nervous movements, and the formal beauty of their musculature. Around the middle of the 1860s Degas made yet another discovery. In 1866 he painted his first composition with ballet as a subject, Mademoiselle Fiocre dans le ballet de la Source (Mademoiselle Fiocre in the Ballet ‘The Spring’) (New York, Brooklyn Museum). Degas had always been a devotee of the theatre, but from now on it would become more and more the focus of his art. Degas’ first painting devoted solely to the ballet was Le Foyer de la danse à l’Opéra de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier) (Paris, Musée d’Orsay). In a carefully constructed composition, with groups of figures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each one is moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. This is why Degas moved from the theatre on to the rehearsal halls, where the dancers practised and took their lessons. This was how Degas arrived at the second sphere of that immediate, everyday life that was to interest him. The ballet would remain his passion until the end of his days.

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  Camille Pissarro (1830-1903)

  Klaus H. Karl

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  Camille Pissarro was a pivotal figure of Impressionism, perhaps the world’s most famous art movement. He also tackled different forms of Neoimpressionism, while maintaining very personal characteristics in his art all throughout his life. A key figure in the Impressionist movement and a participant in every one of their exhibitions, Camille Pissarro (1830-1903) was considered the patriarch of the group. Born in the Danish West Indies, he travelled to Venezuela, and studied with Corot in France, who influencedhis early works and who triggered his passion to paint outdoors. His style evolved as he progressed in life, influenced too by the debateswith his fellow-painters.After the outbreak of the Franco-Prussian War, he moved to England, but his style of painting, which was a forerunnerof the"Impressionism", did not do very well.Like Degas, Pissarro was a great draughtsman. His representations of rural and urban life are often closely intertwined with his social concerns and anarchist beliefs. A quintessential artist ahead of his time, Pissaro sold very few works during his lifetime.

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  Louise Nevelson - A Passionate Life

  Laurie Lisle

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  Louise Nevelson, one of the most important American sculptors of the twentieth century, was a beautiful woman who lived so audacious a life that by the time of her death she was a legend both inside and outside the art world.   Born Leah Berliawsky in Czarist Russia in 1899, she grew up in Maine, ostracized as a Jew and a foreigner. At twenty she escaped to Manhattan as Mrs. Charles Nevelson, eventually leaving her husband for a life devoted to art. She lived and loved with lusty abandon, often in poverty and obscurity, until she finally achieved fame and fortune at sixty. “This biography of a monstre sacre is a tale of hard-tacks heroism and heedless swipes at those who dared to love her,” said Interview magazine.   Nevelson found inspiration in cubism, primitive art, and her own unconscious, creating a rich iconography of images. With black, white, or gold paint and perfect placement, she transformed old pieces of wood picked up on the street into powerful sculptures.   In later years she appeared in mink eyelashes and flamboyant costumes, all the while going to her studio every day before dawn to add to the astonishing body of work now in collections of museums around the world.   Laurie Lisle interviewed Nevelson before the artist’s death in 1988, as well as her lovers, family members, artist friends, and many others. This biography provides fascinating insights and information discovered in archives and public records, letters and diaries, and the artist’s own prose and poetry.   Now in a revised e-book edition, Louise Nevelson: A Passionate Life is the only biography of this important American sculptor. It is “impressive in its thoroughness, which nonetheless results in ‘good reading’ by virtue of its interweaving of personal and professional information, its eclectic introduction of psychological analysis, and a phraseology that appreciates both the pain and the joy surrounding Nevelson’s eccentric behavior,” according to Woman’s Art Journal.

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