Other books that might interest you

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  The Thibodaux Massacre - Racial...

  John DeSantis

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  On November 23, 1887, white vigilantes gunned down unarmed black laborers and their families during a spree lasting more than two hours. The violence erupted due to strikes on Louisiana sugar cane plantations. Fear, rumor and white supremacist ideals clashed with an unprecedented labor action to create an epic tragedy. A future member of the U.S. House of Representatives was among the leaders of a mob that routed black men from houses and forced them to a stretch of railroad track, ordering them to run for their lives before gunning them down. According to a witness, the guns firing in the black neighborhoods sounded like a battle. Author and award-winning reporter John DeSantis uses correspondence, interviews and federal records to detail this harrowing true story.

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  The Gateway Arch

  Tracy Campbell

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  This “fascinating, engaging” history of St. Louis’s monument to American expansion reveals a story of greed, discrimination, and community displacement (NextSTL.com).    Rising to a triumphant height of 630 feet, the Gateway Arch is one of the world’s most widely recognized structures and attracts millions of tourists to St. Louis every year. Envisioned in 1947 but not completed until the mid-1960s, its story is one of innovation and greed; civic pride and backroom deals. Weaving together social, political, and cultural perspectives, historian Tracy Campbell uncovers the complicated and troubling history of this iconic symbol.   In this revealing account, Campbell shows that the so-called Gateway to the West was the scheme of shrewd city leaders who were willing to steal an election, destroy historic buildings, and drive out communities in order to make downtown St. Louis more profitable. Campbell also tells the human story of the architect Eero Saarinen, whose prize-winning design brought him acclaim but also charges of plagiarism, and who didn’t live to see the completion of his vision.

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  Claude Lorrain and artworks

  Sergei Daniel

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  Claude Gellée, called Claude Lorrain was neither a great man nor a lofty spirit like Poussin. His genius cannot, however, be denied and he was, like Poussin, a profoundly original inventor within the limitations of a classical ideal. He too spent most of his life in Rome though the art he created was not specifically Italian, but French. For more than two centuries afterwards everyone in France who felt called upon to depict the beauties of nature would think of Lorrain and study his works, whether it be Joseph Vernet in the eighteenth century or Corot in the nineteenth. Outside France it was the same; Lorrain was nowhere more admired than in England. There is an element of mystery in the vocation of this humble and almost illiterate peasant whose knowledge of French and Italian was equally poor, and who used to inscribe on his drawings notes in a strange broken Franco-Italian. This mystery is in some way symbolic of that with which he imbued his pictures, le mystère dans la lumière. This admirable landscapist drew from within himself the greatest number of extraordinary pictures, in which all is beauty, poetry and truth. He sometimes made from nature drawings so beautiful that several have been attributed to Poussin, but in his paintings his imagination dominates, growing in magnitude as he realised his genius. He understood by listening to Poussin and watching him paint that a sort of intellectual background would be an invaluable addition to his own imagination, visions, dreams and reveries.

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  You Never Give Me Your Money -...

  Peter Doggett

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  “Peter Doggett’s book about the Beatles’ split is a real page-turner.” — Annie Lennox “Enthralling… Impossible to put down.” — The IndependentAcclaimed journalist Peter Doggett recounts the previously untold story of the dramatic final chapter in the lives, loves, and legal battles of John, Paul, George, and Ringo—aka The Beatles—from their breakup in 1969 to the present day. Called “refreshingly straightforward and highly readable” by The Daily Telegraph (London), You Never Give Me Your Money is the dramatic and intimate story of the breakup and aftermath of The Fab Four as it’s never been told before.

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  Mathematics in Twentieth-Century...

  Robert Tubbs

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  The author of What Is a Number? examines the relationship between mathematics and art and literature of the 20th century. 
   
  During the twentieth century, many artists and writers turned to abstract mathematical ideas to help them realize their aesthetic ambitions. Man Ray, Marcel Duchamp, and, perhaps most famously, Piet Mondrian used principles of mathematics in their work. Was it coincidence, or were these artists following their instincts, which were ruled by mathematical underpinnings, such as optimal solutions for filling a space? If math exists within visual art, can it be found within literary pursuits? In short, just what is the relationship between mathematics and the creative arts? 
   
  In this exploration of mathematical ideas in art and literature, Robert Tubbs argues that the links are much stronger than previously imagined and exceed both coincidence and commonality of purpose. Not only does he argue that mathematical ideas guided the aesthetic visions of many twentieth-century artists and writers, Tubbs further asserts that artists and writers used math in their creative processes even though they seemed to have no affinity for mathematical thinking. 
   
  In the end, Tubbs makes the case that art can be better appreciated when the math that inspired it is better understood. An insightful tour of the great masters of the last century and an argument that challenges long-held paradigms, this book will appeal to mathematicians, humanists, and artists, as well as instructors teaching the connections among math, literature, and art. 
   
  “Though the content of Tubbs’s book is challenging, it is also accessible and should interest many on both sides of the perceived divide between mathematics and the arts.” —Choice

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  Upbeat - The Story of the...

  Paul MacAlindin

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  The story of the National Youth Orchestra of Iraq is here told by its musical director, from its inception to its eventual end. The NYOI came through the most difficult and dangerous of times to produce fine music not only in Iraq but also in Britain, Germany and France. A beacon of hope and achievement, the young musicians and their tutors made bridges across their own ethnic divisions. They made great music in the most trying and tragic of circumstances and became their country's best ambassadors in 5,000 years.

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