Editorial: Nick Hern Books
A story of domestic servitude and abuse of power, as authoritarian Kat, her ageing mother, Ma, and their teenaged slave, Maudie, jostle for power – and affection – in their dilapidated London home. The Strongbox by Stephanie Jacob was first performed as part of the 2018 VAULT Festival, London. Also available in the collection Plays from VAULT 3.
Pulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American tradition. “The poems in this book reflect my deep respect for and appreciation of words. . . . I believe that poetry is the highest form of verbal expression. Although I have written in other forms, I find that poems are what I want and need most to read and write. They give life to my mind.” One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing—most notably the Native American oral tradition—are the centerpiece of his work. This luminous collection demonstrates Momaday’s mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape. The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief. “I feel his presence close by in my blood and imagination,” Momaday writes, “and I sing him an honor song.” Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest. The Death of Sitting Bear evokes the essence of human experience and speaks to us all.Ver libro
The Cathay poems appeared in a slim volume in 1915. They are, in effect, Ezra Pound’s English translations/interpretations from notebooks written by the Japanese scholar Ernest Fenollosa. Pound, not knowing any Chinese or Japanese at all, promptly created a new and somewhat complex style of translation, as he had done with words from several other languages. The Cathay poems are primarily written by the Chinese poet Li Po, refered to throughout these translations as Rihaku, the Japanese form of his name. These poems came to have a profound influence on 20th Century poetry, spawning, among other things, the Imagist movement, and helped in the generation of widespread interest in Asian literature and thought. Also included in this collection are two poems from Pound’s 1912 collection Ripostes. “The Seafarer” is another of Pound’s experiments in translation, this one from the Anglo-Saxon. (Summary by Alan Davis-Drake)Ver libro
Praised for the exquisite refinement of her lyric poetry, Sara Teasdale's Flame and Shadow has been a favorite since it was first published in 1920. Although Sara Teasdale won the Pulitzer Prize for her book Love Songs in 1918, Flame and Shadow is considered to be one of her best works. Her insightful poems sing with her reverence for nature and beauty, her philosophy of love and loss. copyright 2021 (P) alenbeebooks AnnaLisa Bodtker is the narrator of the popular audiobooks The Rainbow and the Rose by Edith Nesbit, and With Trumpet and Drum by Eugene Field. Cover Image: Sunset at Tewaukoa National Wildlife Refuge by Al Sapa, U.S. Fish and Wildlife Service.Ver libro
Daniel Sluman's bleak brilliance in the terrible is a masterclass in the power of poetry to confront difficult subject matter with accuracy and painstaking openness. These are rigorous and exacting poems, that dare to go to some of the darkest places and speak with stark precision. These poems may be stripped down, intense and utterly frank, but they are not without deep reserves of sincerity and beauty. Sluman writes of the heady cocktail of being alive, where loss, love, sex, close shaves with mortality and sharp narratives of pain and suffering are explored with concise and humane clarity. "Daniel Sluman's new collection explores acute and chronic, emotional and physical pain (and, albeit less often, pleasure) with a raw, compelling urgency. At times playful, at times harrowing, the terrible always brims with life." – Carrie Etter "Vivid and honest poems of intense experience, in which no wound is too deep to be cauterised by language. " – Jean SpracklandVer libro
Life itself could never have been sustainable without seabirds. As Adam Nicolson writes: "They are bringers of fertility, the deliverers of life from ocean to land." A global tragedy is unfolding. Even as we are coming to understand them, the number of seabirds on our planet is in freefall, dropping by nearly 70% in the last sixty years, a billion fewer now than there were in 1950. Of the ten birds in this audiobook, seven are in decline, at least in part of their range. Extinction stalks the ocean and there is a danger that the grand cry of the seabird colony, rolling around the bays and headlands of high latitudes, will this century become little but a memory. Seabirds have always entranced the human imagination and NYT best-selling author Adam Nicolson has been in love with them all his life: for their mastery of wind and ocean, their aerial beauty and the unmatched wildness of the coasts and islands where every summer they return to breed. The seabird's cry comes from an elemental layer in the story of the world. Over the last couple of decades, modern science has begun to understand their epic voyages, their astonishing abilities to navigate for tens of thousands of miles on featureless seas, their ability to smell their way towards fish and home. Only the poets in the past would have thought of seabirds as creatures riding the ripples and currents of the entire planet, but that is what the scientists are seeing now today.Ver libro
In an island kingdom, Don Armando dreams of a dragon-slaying adventure like heroes used to perform. And in a laboratory in a gleaming city, scientist Haplo Nous tinkers towards an atom bomb. Past, present and future collide in Andrew Wynn Owen's rip-roaring tale, full of rhythmical fireworks and joyous anachronism. This is a clash between chivalric heroics and modern scientific enquiry, and a shaggy-dog story taking in farmers, fisherpeople, flying machines and general derring-do.Ver libro
