Twenty
Stella Benson
Maison d'édition: Bu Classics Books
Synopsis
These twenty poems offer a lyrical window into a sensitive mind, capturing the fragile beauty of life and the stark impact of war through poignant, concise verse.
Maison d'édition: Bu Classics Books
These twenty poems offer a lyrical window into a sensitive mind, capturing the fragile beauty of life and the stark impact of war through poignant, concise verse.
Caleb Parkin's dark and mischievous second poetry collection Mingle stirs up the toxicities between landscapes, ecosystems and bodies, in poems bubbling over with hyper-wealth and haunted by tarnished ideals. Through creatures, compounds and chemicals, the poems probe what makes up our world's matter, and how we use it for good or ill. From gold to hydrocarbons, radioactive gardening to viral memes, the resulting mixture is a potent poetic cocktail… Here, intimate connections and grand narratives are unsettled; we are implicated in prickly histories and weird futures and the natural world reminds us of its unruliness – as well as our own. Reflections warp in noxious ponds and voices distort and echo in uncanny landscapes. At times hyperreal and surreal, adventurous and technicolour, Mingle fizzes with the possibilities of queered language and altered states of poetic form.Voir livre
Grandfather's Robin offers poems about People, Fellow Creatures, Society, Ekphrasis, Scenes and Moods, Survival, and Short Poems. They were written over several years, in response to people seen, read about, or known, and in response to creatures seen, read about, or known. Other poems respond to group and social behaviour, and reflect responses to works of art. Some poems are prompted by the natural world, urban and village life, and thoughts about the survival of all beings. The short poems offer instants both serious and humorous. “So many reasons to enjoy Gillian Bickley’s luminous poetry – humour, depth and wisdom. ... Lovely and evocative, Bickley’s powers of observation and precise, selective description lend many of these poems the power of fine portraiture, a sepia photograph, where we see into the eyes, where we discover essence.” — Jack Mayer, poet (Poems from the Wilderness) “In this work, Gillian Bickley affords us a glimpse into her perspective. She invites us to reflect on the rich tapestry of life and our shared human experience. Why should you read this collection? Because there is no greater privilege than intimacy.” —Mary-Jane Newton poet (Of Symbols Misused, Unlocking) “... poems as moments of tranquility in which we can encounter lives unrolling in times that ... are anything but. To make a record such as this is a good resolution indeed, and I am pleased that Gillian has chosen for the cover a moment of tranquility I painted. As Mrs. Dorothy Collins might have said, reflecting, as these poems do, the quietness of a life-long practice, ‘Very well!’” —Steven Schroeder, ChicagoVoir livre
For the multitaskers, the overreactors, the silent screamers and the quiet lovers Everybody Is a Poem: Midlife in Rhymes is Jan Brierton's second collection. Inspired by Jan's popular podcast these 52 poems delve into the darkest and brightest moments of our day, month or year. Combining rhyme and illustration, Jan puts simple words to those deepest of feelings. She riffs on menopause, midlife, the mental load, friendships, relationships, loss and self-acceptance. Plain-speaking and completely relatable, each poem is served with Jan's signature combination of humour, wit and poignancy. This is poetry for everybody.Voir livre
This selection of poems by a new author was triggered by the tragic death of his 28-year-old daughter. So the collection begins with loss and the aftermath of loss: the hope of the author that his daughter and he may be reunited in the life to come. This hope underlies many of the poems. This is clearly articulated in ‘Osler and Son’, where a father grieves for loss of his son in World War I but in a stoical, unexpressed manner. The author records his childhood experience of emotions being held back in ‘Boys Don’t Cry John’. While some poems look back, most are contemporary, such as those inspired by the lockdown and the Ukraine War. The author advocates expression of feelings. This is powerfully expressed in relation to his experience of Friendship, both past and present. Transcendental beauty is a theme in the metaphysical poems ‘The Colour Blue’ and ‘Roman Glass’. However, each poem is unique. Many of them speak from the heart and have an emotional impact. The author hopes that these will resonate with readers.Voir livre
Love and Shadows is a collection of insightful and compelling poetic pieces that grasps the raw chasms of human emotions. This collection has been written by a young woman who has trodden the path of spiritual awakening and is inviting you to follow her into the process of self-healing. She shares bits and pieces of what she has learned about love, hope, freedom, sorrow, despair, bravery, resilience, and beauty. Her pieces are a unique blend of both traditional and contemporary styles that is conveyed in an objective way, making it easy for readers to understand. Her work captivates and draws readers to revisit it time and again and inspires long after it is read.Voir livre
A lyrical wilderness of power, wealth, leisure and desire, the poems of Country Club freewheel across state lines with panache and flagrant feeling. In this bold debut from Andy McGuire, all passions – even unpleasant ones – stare down the barrel of a world in which freedom is the fifty-first state, and love is the eleventh province. The manatee wades out of the water and roars at the sightseersThat one of them owes him a drink.From the beach below the boardwalk, cock-a-doodle-do!What about a Christmas bowlcut over by the mangrove manatees!Because in Florida there are FloridiansAnd they are born Floridians at large.Every motionCan’t stop its own ocean.The oceans' motions make mistakes.Some of the dying are unspeakableIn their thinness, poorly disguised meat mannequins.The mosquitoes are so bigThey bleed you like a pig.Being eaten alive is an acquired taste.Voir livre