Editora: Publishdrive
A hauntingly beautiful collection of poems that navigates the raw depths of love, loss, and longing. Each verse captures the silent battles of the soul, the ache of nostalgia, and the quiet resilience of the human heart. A journey through fading embraces, unspoken words, and the poetry of absence.
Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. “We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations. Indeed, while John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse?Ver livro
LibriVox volunteers bring you 11 recordings of Old Chants by Walt Whitman. This was the Fortnightly Poetry project for May 15, 2011.Walter "Walt" Whitman was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.(summary by Wikipedia)The first edition of Leaves of Grass was very small, collecting only twelve unnamed poems in 95 pages. Whitman continued to expand the editions until the ninth and final edition of almost 400 poems.(summary by David Lawrence)Ver livro
This is a volume of poems by Amy Lowell, published in 1914."Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." (Josephine Preston Peabody, 'The Boston Herald', 1916)Ver livro
This is the final installment in Sophocles's Theban Plays, following Oedipus Rex and Oedipus at Colonus. Oedipus's daughter Antigone deliberately breaks the laws of Thebes when she buries her brother's body and is sentenced to death. She clashes with Creon, the King of Thebes, over what constitutes justice and morality: the laws of the state or the laws of the individual. (Summary by Elizabeth Klett)Cast: Antigone: Elizabeth KlettIsmene: Arielle LipshawCreon: Bruce PirieHaemon: mbEurydice: Lucy PerryTiresias: Martin GeesonGuard: Algy PugChorus, Second Messenger: Lars RolanderMessenger: David GoldfarbNarrator: David LawrenceAudio edited by: Elizabeth KlettVer livro
The Communist Manifesto was conceived as an outline of the basic beliefs of the Communist movement. The authors believed that the European Powers were universally afraid of the nascent movement, and were condemning as "communist," people or activities that did not actually conform to what the Communists believed. This Manifesto, then, became a manual for their beliefs.In it we find Marx and Engel's rehearsal of the idea that Capital has stolen away the work of the artisan and peasant by building up factories to produce goods cheaply. The efficiency of Capital depends, then, on the wage laborers who staff the factories and how little they will accept in order to have work. This concentrates power and money in a Bourgeois class that profits from the disunity of workers (Proletarians), who only receive a subsistence wage.If workers unite in a class struggle against the bourgeois, using riot and strikes as weapons, they will eventually overthrow the bourgeois and replace them as a ruling class. Communists further believe in and lay out a system of reforms to transform into a classless, stateless society, thus distinguishing themselves from various flavors of Socialism, which would be content to have workers remain the ruling class after the revolution.The Manifesto caused a huge amount of discussion for its support for a forcible overthrow of the existing politics and society. (Summary by Mark F. Smith)Ver livro
The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother. However, through the intervention of Apollo, Orestes is able to escape them for a brief moment while they are asleep and head to Athens under the protection of Hermes. Seeing the Furies asleep, Clytemnestra's ghost comes to wake them up to obtain justice on her son Orestes for killing her.Ver livro
