Outros livros que poderiam interessá-lo

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  The Aerospace Professor - The...

  Jeffery Battle

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  "We Cannot Rise Above, Until We Begin to Look Above" - Jeffery Battle, The Aerospace Professor 
  Experienced the life of the author Jeffery Battle, also known as The Aerospace Professor: The Man and The Brand. He is also the President and Chief Executive Officer (CEO) of Battle Enterprises, LLC and its subsidiary The Aerospace Professor Company. With a small amount of imagination, the sheer continuation of true-life experiences of The Aerospace Professor is similar to what a Tom Hanks character like Forrest Gump might go through. His autobiography and experiences from childhood to maturity, detail an incredible number of adverse circumstances and perceived setbacks while uncovering unlikely success stories despite the gravity of the events individually. 
  Witness the emotional, dynamic, and riveting journey throughout the development of his flagship aerospace advocacy business with philanthropic values. His direct and indirect associations served as sources of strength. Read more about The Aerospace Professor and Taraji P. Henson, Tuskegee Airman General Benjamin O. Davis, Jr., Congresswoman Shirley Chisholm, Golden Frinks, The U.S. Air Force, The Haliwa-Saponi Tribe, Brooke Simpson (The Voice), Representative John D. Hall, William Earl “Bootsy” Collins, Oprah Winfrey, John Mellencamp, and Charlie Wilson. Remember to always “Look Above.” 
  The mantra of The Aerospace Professor’s brand is “Look Above” which means that each day, we should continuously strive to perform at least a level higher than we originally intended. Be excited about every day in your life! Seek strength in all that motivates you and work towards not only doing your best, but doing your very best! Challenge yourself by questioning what “Look Above” means for you each day. Be flexible and adapt, seeking to eliminate failure as an option, and remember to always "Look Above". For more information, please visit our company website. 

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  Gaze Back

  Marylyn Tan

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  Winner of the Singapore Literature Prize (Poetry 2020) 
   
  What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? 
   
  Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. 
   
  GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.

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  The Rupture Tense - Poems

  Jenny Xie

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  Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory  
  transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged. 
   
  The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end  
  of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.

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  The Orchid Folios

  Mok Zining

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  “When you take an orchid out of its pot, you must first loosen the roots’ hold on the soil. Late last evening as I unravelled the braids of the shattered phalaenopsis, I saw how the ends were white and shrivelled from neglect. You have to do it gently—it’s like combing hair. I remember Mum’s fingers running through mine, and mine through hers, until the final months when all of it started to fall.” 
   
   
  A pot shatters. An arrangement falls apart. A florist finds herself amidst the scattered leaves of history. At once a poetry collection and a documentary novella, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. While the Orchid has shaped the fantastical narratives that govern our multiracial City in a Garden, it continues to shape-shift and bloom on its own terms, challenging us to imagine a decolonised Singapore. This is the organism at the heart of The Orchid Folios—by turns stark and unruly, documenting and challenging the narratives that are the roots of our national consciousness.

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  Sand and Foam

  Kahlil Gibran

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  A collection of inspirational aphorisms, parables, and poems by the acclaimed author of The Prophet.Published in 1926, Sand and Foam showcases Kahlil Gibran’s ability to capture complex ideas in just a line or two. As he touches on themes like faith, humanity, youth, knowledge, greed, and apathy, his words are sure to motivate and inspire readers in search of guidance in their daily lives. Gibran was a Lebanese American writer, poet, visual artist, and philosopher. His work The Prophet has been translated into over one hundred languages and has not been out of print since it was originally published in 1923. Fans of Gibran’s work include David Bowie, Johnny Cash, John Lennon, and Elvis Presley.

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  Frieze

  Olga Dermott-Bond

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  Frieze by Olga Dermott-Bond is an astonishing and spellbinding debut poetry collection. Goddesses, saints, dead girls, creatures, mothers, and muses all gather in this collection to confide their secret histories and desires. Voices are recovered from canvas, from behind museum glass, from the pages of literature and the tales of Irish folklore, to explore what can be recaptured and what remains still out of reach.
  'In these tender poems, Olga Dermott-Bond conjures a gallery in which we enter every painting, a museum where we slip inside glass cases and come out changed.' - Miriam Nash
  From a bold voice in women's poetry. Frieze is art obsessed and darkly magical, with a touch of gothic. Akin to poets like Victoria Kennefick, Helen Ivory and Pascale Petit.

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