Tradutor Herbert Allen Giles
Editora: e-artnow
Strange Stories from a Chinese Studio is a set of short stories by Pu Songling. Presented here are early cases of a literary tradition of accounts of the weird and the strange, which Pu memorably fused in his writing.
"one of the best horror stories ever written. Maybe the best in the English language." - Stephen King A tense and creepy horror story, The Great God Pan revolves around the mysterious "Mrs Vaughan" and the tide of death she leaves in her wake. Can she be stopped? What connection does she have to a certain illegal experiment performed some twenty years earlier? Or horrendous goings on at a sleepy welsh rural village? Inspired by his experiences at the ruins of a pagan temple in Wales. "The Great God Pan" received positive approval from Oscar Wilde, Lovecraft and others, and is considered a Horror Masterpiece. Narrated by Michael Ward.Ver livro
As the painting of The Temptation of Christ hangs ominously on the wall, young Samuel Morgan is plagued by its haunting presence. But it's not just the painting that's causing him anguish. Samuel's involvement in the occult with an insane witchcraft scientist, Alan Wilson, has set free a terrifying demon—Beelphegor—with devastating effect. Desperate for a solution, Samuel's mother, Marilyn Morgan, seeks help from doctors and psychiatrists. But their support is ineffective in the face of such malevolent forces. In a last-ditch effort, Marilyn turns to Reverend Stephen Mason, a priest-counsellor known for his expertise in exorcisms. But before he can begin the daunting task of driving out the demon that possesses Samuel, Reverend Mason must first overcome his own faltering faith and uncertainties about God. As the battle between good and evil rages on, the stage is set for a final showdown between the reverend and the demonic Beelphegor on holy ground—where the fate of Samuel's soul hangs in the balance.Ver livro
Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London. She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12. Thereafter several popular periodicals published her poetry, stories and articles. In addition she also illustrated some of her own writings and painted scenes from books she had read. This talent was not supported by her parents, who saw an artist’s life as scandalous. Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage. Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing. Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established. Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off. In reality her emotional attachments were almost exclusively with women. From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892. During this relationship other women also entered and left her life. Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology. Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation. To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare. She was 60. In this supernatural tale Edwards constructs superb characters that, as the tension rises, leads to an ending laced with revelation and fear.Ver livro
Civilization has fallen. The public revelation that shapechangers are real, secretly living among ordinary people, has brought down the government and spread complete chaos. Shaw and Captain Case, both mutated by the monstrous Wendigo, must face the conspiracy of werewolves that successfully ended humanity’s dominance. Ex-detective Lenny and cryptid-hunter Dandy struggle to survive as America collapses around them. In this horrific new world, vicious armed gangs prey on the weak and helpless. There is no future, no hope. But there is Rose. The hybrid child of human and cryptid, she is the only chance of bringing together all the warring species. If she can survive…Ver livro
Growing up in Boston, Chloe Mayfield has always felt a special affinity for the ocean. The salt-filled breezes, fresh lobster from the bay, and familiar songs of the sailors maneuvering their ships in and out of the harbor are just a few of the things she loves. Dead knights washing up on the shoreline? Not so much. When a figure dressed like he’s from Arthurian England winds up in the city morgue, Chloe sets out to investigate. Soon she hears rumors telling of a very special sword reported to be in the city. The mighty Excalibur has reached New England, and there is no shortage of people willing to kill to obtain it. One in particular is keeping her awake at night. Chloe had better buckle up and buckle down, because all sources seem to agree: Merlin is coming to Boston.Ver livro
A curious traveler. A forbidden tomb. A name best left unspoken. When Mr. Wraxall digs into the past of a long-dead Swedish nobleman, he unearths more than just history. Something stirs beneath the surface—something ancient, waiting, watching. M. R. James at his most chilling, Count Magnus is a masterpiece of restrained horror, where dread builds slowly and silence says more than screams. Atmospheric, eerie, and unforgettableVer livro
