Outros livros que poderiam interessá-lo

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  Reverse Engineering

  Joseph O'Neill, Irenosen Okojie,...

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  Seven of the best recent short stories, disassembled by their authors.
  An innovative anthology revealing the inspiration, the ideals and the work involved in a great short story. Reverse Engineering brings together contemporary classic stories with their authors' discussions of how they were written.

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  Demir-Kaya - From their pens to...

  Alexander Kuprin

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  Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. 
  At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. 
  Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’.  Leaving the military he left for Kiev to work for local newspapers.  He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev.  
  In the years that followed further controversial works and acclaim followed.  His comments on the regime meant he was also put under secret police surveillance.   
  As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health.  
  The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants.  As Civil War raged he took his family to Helsinki and then on to Paris. 
  Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise.   
  In May 1937, the Kuprin’s returned to Moscow.  He now saw his work published but wrote almost nothing new.  In 1938 his health rapidly deteriorated.  Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus.  
  Alexander Kuprin died on 25th August 1938.

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  The Uber Chronicles - Mini...

  Rakesh Gambhir

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  In a collection of short tales inspired by his experiences, Gambhir reveals insight into his interactions with housewives, students, ex-cons, bootleggers, seekers, and healers pursuing side gigs in an economic revolution. From a Buddhist monk-in-training who drove an Uber to make ends meet while questioning the evils of materialism to a former circus daredevil seeking the infinite calm in Key West to a Somalian transplant relying on her faith to drive in treacherous weather, Gambhir’s stories delve beneath the surface of the mundane and the ordinary to provide a fresh look into the people, places, and cultures that comprise our big beautiful world. 
  The Uber Chronicles is a volume of bite-sized stories that highlight the wisdom and insight gathered from an Uber passenger’s short conversations with his drivers while en route.

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  The Beast in the Cave

  H. P. Lovecraft

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  Title: The Beast in the Cave 
  Author: H.P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1918 
  Public Domain: Yes 
  Series Placement: Number 22 in the Timeless Terrors series 
  Description: 
  The Beast in the Cave by H.P. Lovecraft is an early yet striking example of the author’s mastery of atmosphere and psychological horror. Set deep within the winding passages of Kentucky’s Mammoth Cave, the story follows a man who becomes hopelessly lost in total darkness. As his torch burns out and his sense of direction fails, the oppressive silence gives way to the sound of something moving — something that should not exist in such depths. 
  With mounting dread, the narrator’s fear transforms into primal terror as he realizes he is not alone in the cavern’s endless blackness. What begins as a struggle against isolation turns into a confrontation with a horror born of darkness itself. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures the story’s claustrophobic tension and chilling final revelation. While the text is in the public domain, this narration is an original work and copyright © 2025 Jonathan Dunne. 
  This audiobook is part of Timeless Terrors, a series dedicated to resurrecting classic horror — works from masters of the macabre, retold in haunting new performances for a modern audience. 
  Listeners should prepare for a descent into pitch-black terror, where every sound could signal the approach of something unspeakable lurking in the dark.

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  Grimm's Unfiltered Fairy Tales:...

  Jacob Grimm, Wilhelm Grimm

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  This is not a children's book.
  
  This is the Brothers Grimm as they were meant to be heard: raw, unflinching, and stripped of all sanitization. Here, the fairy tales return to their origins—oral folklore steeped in the brutality of peasant life, where punishment is grotesque, justice is arbitrary, and magic is a harbinger of dread, not wonder.
  
  Inside the Codex of the Damned:
  
  The Lost Transcripts
  New English translations of tales banned for 200 years:
  — A "Cinderella" where stepsisters carve their feet to fit the slipper
  — "The Juniper Tree" with its cannibalistic lullabies
  — Unpublished drafts where Snow White's "resurrection" is a necromantic ritual
  
  Artifacts of Terror
  200+ unretouched 19th-century engravings — gallows silhouettes, hag-mouths agape, villages choked by wolf-haunted forests. These aren't illustrations; they're psychological maps of pre-industrial dread.
  
  Themes That Flay the Soul:
  ▫️ Scarred Flesh as Pedagogy
  Mothers who salt their children's wounds. Kings demanding a hundred severed fingers.
  
  ▫️ Magic as a Curse, Not a Gift
  Wells that grant wishes in exchange for blindness. Spindles that birth comas, not kisses.
  
  ▫️ Justice Without Witnesses
  Thieves boiled in their own greed. A "happy ending" is merely surviving to see dawn.
  
  Why This Book Exists:
  Academic rigor meets gothic horror. Translated directly from Jakob Grimm's personal notes — including his annotations on how oral storytellers "sang" these tales to audiences half-mad with malnourishment. For collectors of forbidden folklore and lovers of Angela Carter's darkest prose.

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  Anathema - From their pens to...

  Alexander Kuprin

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  Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. 
  At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. 
  Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’.  Leaving the military he left for Kiev to work for local newspapers.  He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev.  
  In the years that followed further controversial works and acclaim followed.  His comments on the regime meant he was also put under secret police surveillance.   
  As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health.  
  The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants.  As Civil War raged he took his family to Helsinki and then on to Paris. 
  Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise.   
  In May 1937, the Kuprin’s returned to Moscow.  He now saw his work published but wrote almost nothing new.  In 1938 his health rapidly deteriorated.  Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus.  
  Alexander Kuprin died on 25th August 1938.

  Ver livro