Otros libros que te pueden interesar

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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  Prima Facie

  Suzie Miller

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  'Every winner might be the one who loses the next day.'
  Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.
  But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.
  Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.
  After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.
  It won Best New Play at both the Olivier Awards and the WhatsOnStage Awards in 2023.

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  My Mother's Funeral: The Show

  Kelly Jones

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  Abigail's mum is dead. But it turns out she can't afford her to be. Did you know how expensive it is to die? It's £4,000 for the funeral. Extra for flowers. And even more if you want sausage rolls. Otherwise, she'll get a council funeral and an unmarked grave.
  In her work as a playwright, Abigail has been asked to write about something raw, from her 'unique working-class lens'. Something that will make the audience feel gratifyingly bad about themselves. And so, to afford the funeral, she has to write about her mum.
  Kelly Jones's My Mother's Funeral: The Show playfully tackles the inequalities we face around death, and the cost of turning your loved ones into art. It was co-produced by Paines Plough; Mercury Theatre, Colchester; Belgrade Theatre, Coventry; Landmark Theatres and Royal & Derngate, Northampton – and premiered in 2024 at the Belgrade, before a UK tour including a run at Paines Plough's Roundabout at the Edinburgh Festival Fringe, where it won a Fringe First Award and a Summerhall Lustrum Award.

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  Encore

  Tony L. Harris

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  INSPIRED BY TRUE EVENTS! This is a dramatic suspense filled love story that provides an in-depth behind-the-scenes glimpse into the fast-pace and mysterious world of transportation-logistics.  The year is 1981 and life as young Tony once knew it is about to change forever. Come aboard and check out this young hero's journey as he learns how to navigate the fast lanes of life, love, and logistics in Southern California.

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  Gandamak's Fury: The Road from...

  Gaurav Garg

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  This audiobook is narrated by an AI Voice.   
  The year is 1842. The British Empire’s bold venture into Afghanistan has dissolved into a horrific nightmare. After installing the unpopular Shah Shuja Durrani on the throne in Kabul, the occupying forces under the inept command of General Elphinstone find themselves besieged, their political envoy Sir William Macnaghten brutally murdered by Wazir Akbar Khan, leader of the Afghan resistance. 
  Forced into a humiliating capitulation, the sixteen thousand souls of the British column – soldiers, sepoys, and a vast multitude of civilian camp followers – begin their infamous winter retreat. "Gandamak's Fury: The Road from Kabul" charts this catastrophic journey, a ninety-mile exodus from the Afghan capital towards the distant hope of Jalalabad, a path that would become a byword for military disaster. 
  "Gandamak's Fury: The Road from Kabul" is an unflinching, epic portrayal of one of history’s most harrowing military retreats. It explores the catastrophic consequences of imperial hubris, the brutal realities o

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  The Supine Cobbler

  Jill Connell

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  A contemporary clinical abortion in the spirit of a Western.
    
     
  The Doctor introduces the gang: The Supine Cobbler (wanted), her estranged sister (dead by hanging), her former best friend (missing, presumed dead) and her apprentice (a turncoat). Together they negotiate integrity in a lawless world. The Supine Cobbler is an unsentimental legend and a true story. It is a hero myth for girls.
    
     
  Praisefor the productions of The Supine Cobbler:
    
     
  ‘The show is like nothing you’ve ever seen before.’
    
     
  – Theatre Reader
    
     
  ‘Jill Connell … is consistently one of the most innovative playwrights in the country.’
    
     
  – Vue Weekly
    
     
  ‘The Supine Cobbler is brilliant, subversive and deeply hilarious. The play is about an abortion – but also: waiting, haunting, cheating, hurting, daring and the private cultivation of one’s humanity. It is singular and surprising and epic and lean as Bowie. You cannot help but talk about this play. It is the work of a lover and a rebel. To miss it, would be to miss a master in her early bloom.’
    
     
  – Claudia Dey, author of Trout Stanley and Stunt
    
     
  ‘I love this absolutely idiosyncratic play. It’s very funny, moving and sharp, and the only work of art about abortion I can think of that doesn’t sentimentalize or simplify the experience, but gets the strangeness and banality of it exactly right.’
    
     
  – Sheila Heti, author of How Should a Person Be?

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