Outros livros que poderiam interessá-lo

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  Sosso Empire - The Warriors Who...

  Rolf Hedger

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  The Sosso Empire emerged during a period of great upheaval in West Africa, following the decline of the once-powerful Ghana Empire. The Sosso people, a group of warriors and rulers, capitalized on the weakening of Ghana to establish their dominance in the region. Their rise was marked by military aggression, strategic leadership, and a desire to control the lucrative trade routes that had long been the backbone of West African wealth. 
  The origins of the Sosso people remain somewhat obscure, but they were likely a subgroup within the greater Soninke-speaking population that had once formed the core of the Ghana Empire. As Ghana’s power waned due to external invasions and internal struggles, smaller states sought to assert their independence. The Sosso, led by a series of ambitious leaders, were among the most successful in carving out a new political and military identity for themselves. 
  One of the most defining moments in the rise of the Sosso Empire was the ascent of Sumanguru Kanté, a warrior-king whose leadership transformed Sosso into a dominant force. Sumanguru’s reputation as a ruthless and determined leader spread quickly. He capitalized on the disintegration of Ghana by taking control of its former capital, Koumbi Saleh, and imposing his rule over the surrounding regions. His conquest of Ghana marked a shift in power, with Sosso assuming the role of the dominant state in the region.

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  We Are All Musicians Now - The...

  Zack O'Malley Greenberg

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  Ever wonder how legendary linebacker Bobby Wagner applies Jay-Z's entrepreneurial lessons to his football career? Or what studying the music business taught graffiti pioneer Fab 5 Freddy about distributing his art? Any entrepreneur or professional can gain a greater understanding of what's happening in the world -- from trends like NFTs to changes in the broader business climate -- by observing what has happened to (and because of) musicians. Doing so offers a path to wrapping one's brain around what may yet be coming down the pike in any industry. Take the shift from analog to digital, in which vinyl and cassettes were replaced by CDs long before DVDs conquered VHS. Or the move from physical to virtual, where Napster decimated record stores even as bricks-and-mortar retailers like Blockbuster blindly chugged toward their doom. In "We Are All Musicians Now," former Forbes senior editor Zack O'Malley Greenburg educates and enlightens while offering the audience backstage passes to the most fascinating industry transformations of the past fifty years.

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  Emoting

  Lyon-Jean Magnifique

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  Emoting is a chapbook that explores the delicate and often overwhelming nature of human emotions through a series of evocative, introspective short-form narratives and poems. Each piece captures a fleeting moment, a spark of feeling, or an emotional truth that lingers long after the reader has read the words. From joy to sorrow, from rage to quiet contemplation, the chapbook delves deep into the nuances of the emotional landscape, challenging readers to confront their own complex inner worlds. 
    
  With stark imagery and raw, unfiltered language, Emoting invites readers to experience the vulnerability and power that comes with expressing the things we often leave unspoken. Through fragmented narratives and moments of stillness, piece after piece illuminates the ways in which we process and navigate our feelings in a world that sometimes demands we keep them hidden. 
    
  At its core, Emoting is a celebration of the emotional spectrum — reminding us that our emotions, however messy or difficult, are what make us human. Each narrative and poem serves as an intimate exploration of what it means to feel deeply and to allow those feelings to shape our lives, even in their most chaotic and untamed forms.

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  The Art and Business of Songwriting

  Larry D. Batiste

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  In this valuable resource guide for both beginners and professionals, veteran songwriter, producer, arranger, vocalist, music director, and educator Larry D. Batiste shares practical advice and tips from his decades of experience in ways that are bound to help all listeners improve their songwriting skills. Through this book, listeners will learn the craft of professional songwriting, including the ins-and-outs of song structure, lyric and melody writing, and the essential elements of a hit song. From the start, Batiste incorporates exercises to help songwriters strike upon ideas for song titles, concepts, and stories that will appeal to their audience. He also discusses critical business aspects of songwriting, such as copyrighting, publishing, royalties, networking, and digital media. In addition to the fundamentals, the listener will learn how to build their songwriting career, generate income, build an online community and fanbase, release music independently, expertly place their songs, and navigate the world of digital music. Throughout the book are interviews with iconic songwriters and producers such as Peter Asher, Lamont Dozier, and Narada Michael Walden, as well as independent recording artists, including Fantastic Negrito, a winner of multiple Grammy Awards, and Meklit Hadero.

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  Bruce Springsteen's Born in the USA

  Geoffrey Himes

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  When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, ""one, two, one, two, three, four,"" followed by the droning synth chords of ""Born in the U.S.A."" Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line (""Born down in a dead man's town"") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, ""Nowhere to run. Nowhere to go."" It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength—building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff—it was clear that the singer was ready to make a stand.

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  We are what we listen to - The...

  Dr. Patricia Caicedo M.D.

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  In this groundbreaking union of art and science, soprano, musicologist, and physician Patricia Caicedo explores the connection between music-its performance, how we listen to it, why we enjoy it-and health.Drawing on the latest research and musical examples, Caicedo reveals:- How the brain works when you listen to and make music.- The relationship between rhythm, movement, and health.- The relationship between pleasure, emotion, and music.- How music has been a crucial element of the human experience since the beginning of the species and how it is fundamental for maintaining communities.- The importance of music in pain and death.- How music increases your creativity and produces happiness and a sense of purpose in life.We are what we listen to: the impact of music on individual health will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, transdisciplinary investigation that contextualizes the music and its effects on historical, scientific, and social levels. It is an essential book for music lovers and everybody seeking to improve their mental and physical health. 
  "This thoroughly researched written book results from a lifetime of careful study and wide experience. It contains revelations on virtually every page concerning the therapeutic benefits of music." Dr. Walter Clark, Professor of Musicology, University of California Riverside. 
  "I appreciate this book because it is written in a way that activates the reader's senses in a way that not only informs but efficiently urges us to participate creatively, letting the music do its magic to us." Alfons Karabuda, President International Music Council.

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