Outros livros que poderiam interessá-lo

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  Asian Shorts

  Owen Jones, Trevor Aindow,...

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  Asian Shorts came about because of a sequence of events on one weekend in May 2015. A friend was telling me that he had several short stories with Asia as a backdrop, I was saying that I had a few as well, another friend sent me an email that he wanted to write a short on Pattaya, and one of my Thai cousins sent me her latest photo, the one on the cover of this book. 
  It was like somebody was trying to tell me something, or several were anyway.

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  The Hunger

  A.D. Starrling

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  Discover the origin of the love story behind Empire.  
  1695. Spanish Netherlands.  
  The war between King Louis XIV and the League of Augsberg reaches a pivotal moment at the Siege of Namur.  
  When the besieged French army starts to mount an increasingly fierce resistance, Bastian immortal Conrad Greene and his company of elite intelligence operatives are sent to Liège to track down the traitor supplying the enemy with stocks of a new, powerful gunpowder.  
  Frustrated at every turn, an unexpected visit from Conrad’s superior results in a surprising addition to his team. Can the captain resist his all-consuming attraction for immortal Laura Hartwell long enough to solve the mystery of the gunpowder plot?  
  The Hunger is a short story set in the riveting world of A.D. Starrling’s award-winning supernatural thriller series Seventeen.

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  Forgotten Authors The - Volume 6...

  Frederick Cowles

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  Victorian Tales of the Weird - A...

  Nick Rennison

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  From a dancing automaton running amok at a ball, to a prehistoric beast lurking in the depths of a Yorkshire cave, this anthology explores the nature of the 'old weird', and unordinary stories which go outside the boundaries of everyday life.
  The anthology includes not only stories by well-known writers like Sir Arthur Conan Doyle and Jerome K. Jerome, but also by long-forgotten authors such as D. F. Hannigan and Reginald Bacchus. Focusing on the idea and history of what can be classified as 'old weird', compared to the 'new weird', Rennison applies experience and knowledge of Victorian literary history to bring these supernatural tales to the surface.

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  The Lame Priest - Settlers and...

  Susan Morrow writing as S Carleton

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  Susan Morrow was born in Halifax in Nova Scotia in 1864.   
   
  Little is known of her life although she preferred to write under pseudonyms, one of which she shared with her sister, or as S Carleton, an abbreviated version of her name which gave the illusion of a male identity presumably to give her books a more rugged and male personality given their content. 
   
  Her books only seem to have been published from 1900 onwards when she was in her mid-30’s by which time she had married and became Susan Carleton Jones. 
   
  She died in 1926.   
   
  In ‘The Lame Priest, a story of life on harsh terrain is amplified by the possibility that a werewolf lurks nearby.

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  Cohen of Trinity - From their...

  Amy Levy

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  Amy Levy was born in London, England in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. 
  Her education was at Brighton High School, Brighton, before studies at Newnham College, Cambridge; she was the first Jewish student when she arrived in 1879, but left after four terms. 
  Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’. 
  Her poetic writings reveal feminist concerns; ‘Xantippe and Other Verses’, from 1881 includes a poem in the voice of Socrates's wife. ‘A Minor Poet and Other Verse’ from 1884 comprises of dramatic monologues and lyric poems. 
  In 1886, Amy began a series of essays on Jewish culture and literature for the Jewish Chronicle, including ‘The Ghetto at Florence’, ‘The Jew in Fiction’, ‘Jewish Humour’ and ‘Jewish Children’. 
  That same year while travelling in Florence she met the writer Vernon Lee. It is generally assumed they fell in love and this inspired the poem ‘To Vernon Lee’. 
  Her first novel ‘Romance of a Shop’, written in 1888 is based on four sisters who experience the pleasures and hardships of running a London business during the 1880s. This was followed by Reuben Sachs (also 1888) and concerned with Jewish identity and mores in the England of her time and was somewhat controversial. 
  Her final book of poems, ‘A London Plane-Tree’ from 1889, shows the beginnings of the influence of French symbolism. 
  Despite many friendships and an active life, Amy suffered for many years with serious depressions and this, together with her growing deafness, led her to commit suicide by inhaling carbon monoxide on September 10th, 1889. She was 27.

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