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Publisher: Lulu.com
This book is a collection of poems covering romance, passion, love, and life.
Lucy Kirkwood's sharp comedy looks at power games and privacy in the media and beyond. Carrie's getting them out for the lads, Charlotte's just grateful to have a job, Sam's being asked to sell more than his body, and Aidan's trying to keep Doghouse magazine from going under. Set in the cut-throat media world, Lucy Kirkwood's timely new comedy exposes power games and privacy in the age of Photoshop. [NSFW = Not Safe For Work, online material which the viewer may not want to be seen accessing in a public or formal setting such as at work.]Show book
A luminous journey exploring the life of Dijana Polancec: professional romantic, eternal optimist and accidental prostitute. Winner of the John Whiting Award, 2010 Produced by acclaimed theatre company Clean Break. it felt empty premiered at the Arcola Theatre, London in October 2009. 'unflinching... theatre that provokes in the best way, without lurid melodrama or sentimentality, but with wit and tenderness... demands that we watch and listen' The Times 'superb... deeply painful and profoundly disturbing' The StageShow book
Jane and Toni are immaculate, iconic, accommodating flight attendants. They're here for your safety, your comfort and your pleasure. Or so you think. But 30,000 feet below them their seemingly perfect lives are rapidly unravelling. In the sky, over the sea and in cheap hotel rooms around the world, they can feel the ground shake beneath them. Something is rising up, something which cannot be ignored. And it's calling out for them. If they're going to survive what's coming, something needs to change. Poetic, unpredictable and explosive, Stef Smith's play Enough is a fragmentary and intense journey into female friendship, and unearths what happens when you can no longer be the woman people want. Enough premiered at the Traverse Theatre, Edinburgh, as part of the 2019 Edinburgh Festival Fringe.Show book
Two women from very different worlds: Karen has built a picture-perfect life while Gail struggles to keep hers together. When Gail re-enters Karen's life from out of the blue, she brings with her everything Karen has been running from… Katherine Chandler's tense, revealing play explores what it means to care for one another and asks who, in a time of increasing disconnect, we expect to look after us. Thick as Thieves was premiered at Theatr Clwyd, Mold, in October 2018, in a co-production between Clean Break and Theatr Clwyd. Acclaimed theatre company Clean Break produces ground-breaking plays with women writers and actors at the heart of its work. Founded in 1979 by two women prisoners who needed urgently to tell their stories through theatre, the company today has an independent education programme delivering theatre opportunities to women offenders and women at risk, in custodial and community settings.Show book
Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author. Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph) Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian). The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy. 13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard). Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)Show book
Lucy Kirkwood's new play is about families and particle physics. It premieres at the National Theatre, London, in July 2017. Alice is a scientist. She lives in Geneva. As the Large Hadron particle collider starts up in 2008, she is on the brink of the most exciting work of her life, searching for the Higgs Boson. Jenny is her sister. She lives in Luton. She spends a lot of time Googling. When tragedy throws them together, the collision threatens them all with chaos.Show book
