Outros livros que poderiam interessá-lo

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  Eumenides

  Aeschylus

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  The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. 
  In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother. However, through the intervention of Apollo, Orestes is able to escape them for a brief moment while they are asleep and head to Athens under the protection of Hermes. Seeing the Furies asleep, Clytemnestra's ghost comes to wake them up to obtain justice on her son Orestes for killing her.

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  The Narrative Poetry - Listen to...

  William Shakespeare

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  Despite William Shakespeare being regarded as the most significant figure in the Western literary canon, relatively little is known about his early life and his later ‘lost years’.  Even the exact date of his birth is uncertain. 23rd April generally accepted to be the date of his birth, could be a scholarly mistake amplified by the coincidence of it also being the date of his death.  
   
  What is known for certain is that Shakespeare was born to middle class, but probably illiterate parents, John and Mary, in Stratford-upon-Avon in 1565 and baptised there on the 26th April.  He was the third of eight children and the first and eldest surviving son of the remaining five.  
   
  It’s assumed he attended, King’s New School the nearby grammar school, but no records from the time still exist.  However, information on the standardised curriculum that did exist, introduced the young Shakespeare to the disciplines of mathematics, Greek, law, classical history and Latin which greatly influenced his writing. 
   
  At 18, in some haste, he married Anne Hathaway, his senior by 8 years and pregnant with their first child Susanna who was to be followed by the twins, Hamnet and Judith.   Little else is known until in 1590 Shakespeare probably comes to London as by 1592 he becomes relatively well known – first as an actor and then, of course, as a playwright despite some early criticism for having a writing style of his better educated contemporaries and not of his own lower status.  
   
  His iconic status now spans global literature and stems directly from the magnitude of his plays, both tragedies and comedies, and his poetry which is often cited as some of the greatest love poetry ever written.  His legacy endures despite the passing of centuries. 
   
  William Shakespeare died at Stratford-upon-Avon on the April 23rd, 1616.  He was 52. 
   
  01 - The Narrative Poetry of William Shakespeare - An Introduction 
  02 - Venus and Adonis - Part 1 by William Shakespeare 
  03 - Venus and Adonis - Part 2 by William Shakespeare 
  04 - A Lovers Complaint by William Shakespeare

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  The Ruins of Nostalgia

  Donna Stonecipher

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  What is it to feel nostalgia, to be skeptical of it yet cleave intently to the complex truths of feeling and thought? In a series of 64 gorgeous, ramifying, unsettling prose poems addressing late-twentieth- and twenty-first century experience and its discontents, The Ruins of Nostalgia offers a strikingly original exploration of the misunderstood phenomenon of nostalgia as both feeling-state and historical phenomenon. Each poem, also titled The Ruins of Nostalgia, is a kind of lyrical mini-essay, playful, passionate, analytic. Some poems take a location, memory, conceit, or object as their theme. Throughout the series, the poems recognize and celebrate the nostalgias they ironize, which are in turn celebrated and then ironized again. Written often in the fictional persona of the first-person plural, The Ruins of Nostalgia explores the rich territory where individual response meets a collective phenomenon.[sample poem]The Ruins of Nostalgia 13Where once there had been a low-end stationery store minded by an elderly beauty queen, there was now a store for high-end espresso machines minded by nobody. Where once there had been an illegal beer garden in a weedy lot, there was now a complex of luxury lofts with Parisian-style ivory façades. Where once there had been a bookstore and a bike shop and a bakery, there was now a wax museum for tourists. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been farms there were now subdivisions. Where once there had been subdivisions there were now sub-subdivisions. We lived in a sub-subdivision of a subdivision. We ourselves had become subdivided—where once we had merely been of two minds. * Where once there had been a river there was now a road. A vocal local group had started a movement to break up the road and "daylight" the river, which still flowed, in the dark, underneath the road. * Could we daylight the farms, the empty lots, the stationery store, the elderly beauty queen, the city we moved to? Was it still flowing somewhere, under the luxury lofts, deliquescing in the dark, inhabited by our luxury selves, not yet subdivided, because not yet whole? * Could we daylight the ruins of nostalgia?

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  John Gabriel Borkman (NHB...

  Henrik Ibsen

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  John Gabriel Borkman, once an illustrious entrepreneur, has been brought low by a prison sentence for fraud. As he paces alone in an upstairs room, bankrupt and disgraced, he is obsessed by dreams of his comeback.
  Downstairs, his estranged wife plots the restoration of the family name. When her sister arrives unannounced, she triggers a desperate showdown with the past.
  Henrik Ibsen's most contemporary play and his penultimate, John Gabriel Borkman is gripping, penetrating and savagely funny. This version by Lucinda Coxon premiered at the Bridge Theatre, London, in September 2022, directed by Nicholas Hytner, with a cast led by Clare Higgins, Simon Russell Beale and Lia Williams.

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  Eleonora: The Last Testament of...

  Julian Fortman

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  Eleonora of Somerset Hall: A Victorian Romance of Love, Betrayal, and Freedom 
  In Victorian England, Lady Eleonora Somerset is trapped in a gilded cage where her beauty is a commodity and her future a transaction. But beneath her exquisite gowns beats a heart yearning for a fierce, untamed freedom. A loveless marriage teaches her that to survive, she must take control. Her rebellion begins with a stolen, forbidden book, awakening a desire that will change everything. 
  Her quest for freedom leads her from a passionate affair with a charismatic officer to the ruthless salons of Paris. There, she must choose between the intellectual dominance offered by an enigmatic Marquis and the raw power of an American industrialist. 
  Eleonora becomes a formidable queen of her own making, a master of money and influence. But as her power grows, she discovers her throne is the most gilded cage of all, forcing her to confront the heartbreaking cost of the love she abandoned. 
  Perfect for fans of sweeping historical romances with strong female characters, complex moral dilemmas, and the intricate social worlds of Downton Abbey and Philippa Gregory. 
  Will Eleonora find redemption, or is her empire of ashes the last testament of a heart that learned too late? 
   

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  rock flight

  Hasib Hourani

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  rock flight is a book-length poem that follows a personal and historical narrative to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.
  'rock flight is relentlessly potent. Merging resistance and poetry, Hasib Hourani writes back—against the "suffocating state" and imperial forces. Be ready to be transformed by Hourani's diasporic anticolonial poetics.' — Don Mee Choi
  'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.' — Maxine Beneba Clarke

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