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  All Appears Ordinary

  Freya Bantiff

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  Quirky but connected, All Appears Ordinary invites us to look again at the day-to-day aspects of our lives. Big themes of relationships, the environment and childhood are handled lightly, maintaining a pervasive hopefulness. These poems are fearless in their desire to face everything wrong in the world and still say, 'Let me love this existence a little while longer'.
  Extraordinary and illuminating, Freya Bantiff's All Appears Ordinary is a winner of the 2023 New Poets' Prize.

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  Dracula

  Bram Stoker

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  Dracula is a novel by Bram Stoker, published in 1897. It is an epistolary novel with no single protagonist. The narrative is related through letters, diary entries, and newspaper articles. 
  It was mostly written in the 1890s and drew extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name Dracula in Whitby's public library while on holiday, thinking it meant devil in Romanian. 
  Dracula is one of the most famous pieces of English literature. Many of the book's characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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  Love is the bridge - Tales of...

  Vikas Agarwal

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  What if your deepest longing belonged to someone who lived before you? 
  Spanning continents and generations, Love is the Bridge is an epic tale of three love stories—one of forbidden desire, one of sacred surrender, and one of a soul divided across time. 
  From New York’s boardrooms to Rumi’s Konya, from a Berlin haunted by memory to the vanished gardens of Shiraz and Kabul, Arian Nazrani’s journey begins as a search for truth. At the helm of a crumbling tech company, he finds himself unraveling—caught between the demands of a fading world and the stirrings of a deeper call. 
  When he uncovers his uncle Masud’s lost diary—a poetic chronicle of heartbreak and mystical awakening—Arian is drawn into a world where time dissolves, and love transcends lifetimes. 
  In the whirl of sacred rhythm, past and present collapse—and Arian glimpses a love that once lived through Masud, and now lives again through him. 
  This is a story of longing. 
  Of exile and return. 
  Of love that survives death and distance. 
  Because time is an illusion. 
  And love is the bridge.

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  The Armchair Detective Mystery...

  Ian Shimwell

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  A chance meeting with a mysterious old man...Unearth the mystery of the Mayflower Court flats, and play find-the-lady at the murky, yet majestic, manor house.This is the first two plays of the groundbreaking, cozy mystery series, The Armchair Detective.

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  Spring Forward Mrs James! - A...

  JR. ROBERT C. BRABHAM, ALICE R....

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  The creator of Slinky, Dick James, was an engineer who took a mistake in his work place and saw the potential to make a mark on the world, and increase his fame and fortune. But he sacrificed and gave up his family and even his creation to chase after mere vapors of what he thought he wanted. He leaves Betty, his children, and the company in shambles with a load of debt. Betty, whose own background was lonely and left her desperate for love, rises to the occasion and pulls the family and the company out of the dark place they were left and they all find a better future. And, even notoriety. Betty even discovers love that is well beyond what she could imagine – in the people and family who surround her.

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