Editora: Sanzani
The epics of Homer, the Iliad and the Odyssey, in Samuel Butler’s famous prose translation. An immortal poetry poem from greece that from ancient past teach us about philosophy, loves and war.
"There is no tick box for this poem. This poem grew up on benefits. This poem pays higher rate tax. This poem isn't in an anthology. This poem doesn't have a glottal stop." Josephine Corcoran's inventive and unflinching debut poetry collection asks us to consider what it is we're really here for. Bold and unsentimental, her remarkable poems trace the lifelines of where we've been and where we're going to, and they aren't afraid to ask difficult questions of where we are now, either. Corcoran's dexterity allows her to get under the skin of each poem, and to explore other lives with the same attentiveness and concision she brings to her own experiences. What Are You After is also fearlessly personal and political; these resolute poems celebrate outspoken women, working class and immigrant lives, and they refuse to look away from the harsh realities of inequality, austerity, and poverty. Throughout, the haunting texture of history, of long gone places and lost voices, is discernible just beneath the surface of the everyday present like a mirror's delicate silvering. These poems are a rare gift; tender, incisive and real.Ver livro
To celebrate May Day, LibriVox volunteers bring you six different recordings of May Day, by Sara Teasdale. This was the weekly poetry project for the week of April 30th, 2006.(Summary by Annie Coleman)Ver livro
An extraordinary listening experience! Hear Nikki Giovanni read from her newest collection of poems! One of America’s most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart. For more than fifty years, Nikki Giovanni’s poetry has dazzled and inspired readers. As sharp and outspoken as ever, she returns with this profound book of poetry in which she continues to call attention to injustice and racism, celebrate Black culture and Black lives, and and give readers an unfiltered look into her own experiences. In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her Black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “”When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life. Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul.Ver livro
P. T. Barnum exposes some of the chief humbugs of the world with his usual entertaining style. He looks at medicine and quacks, ghosts, witchcraft, religious humbugs, money manias, adventurers, personal reminiscences, and much more. (Summary by Barry Eads)Ver livro
I'm ill-equipped   for this. I sit     by a fake fireplace that frames a real flame.   I've been crossed     by two crows today. 'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: “O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.�* Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar “Dear Reader�* or Dickinson's “Dear Master�* ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’ — Hoa Nguyen, The Boston Review ‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart underassault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,�* all, an original act of aesthetic violence and pure, dauntless, love.’ — Lynn Crosbie ’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,�* Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.�* Striking that balance between one-liners and mourning is no small feat.‘ —Trillium Award Jury Citation Praise for Paper Radio: ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.’ — Bob HolmanVer livro
LibriVox volunteers bring you 15 different recordings of What think you I take my pen in hand? by Walt Whitman. This was the weekly poetry project for the week of April 29th, 2007.Ver livro
