Outros livros que poderiam interessá-lo

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  The Lion in Winter

  James Goldman

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  It's a typical family Christmas for the Plantagenets, complete with backstabbing, double-crossing, and rampant infidelity. James Goldman's brilliant historical drama pits King Henry II against the strong-willed Eleanor of Aquitaine, brought to life by Alfred Molina and Kathleen Chalfant.  
   
  
  
  Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in December 2001. 
   
  
  
  Director: Rosalind Ayres
  Producing Director: Susan Albert Loewenberg
  An L.A. Theatre Works Full-Cast Performance Featuring:
  Lars Carlson as John
  Kathleen Chalfant as Eleanor of Aquitaine
  Kevin Daniels as Richard Coeur De Leon
  Spencer Garrett as Philip Capet
  Laurel Moglen as Alais Capet
  Alfred Molina as Henry Plantagenet
  Steven Sutcliffe as Geoffrey
  
  Recording Engineer/Sound Designer/Editor: David Kelly For Voicebox Studios, Los Angeles"

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  1972: The Future of Sex (NHB...

  Ensemble The Wardrobe

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  It's 1972. An era of possibility and polyester and pubic hair.
  Ziggy Stardust is on Top of the Pops, Penny is writing an essay on Lady Chatterley's Lover and Christine is watching Deepthroat. Brian is confused. Our parents are 20 and they're having sex.
  The Wardrobe Ensemble's play 1972: The Future of Sex is a 90-minute romp through the ins and outs of those excellently awkward first sexual encounters. Devised by the company, the show uses The Wardrobe Ensemble's trademark inventive theatricality, irreverent humour and spectacular ensemble moments to tell the story of three couples having sex for the first time in 1972.
  1972: The Future of Sex was first staged by The Wardrobe Ensemble at Latitude Festival and Shoreditch Town Hall in 2015, before playing the Edinburgh Festival Fringe.
  '[Has an] emotional underpinning that turns an entertaining romp full of spot-on period detail into something deeper and more poignant' - Guardian

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  Brighton Beach Memoirs

  Neil Simon

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  In Neil Simon’s darkly funny memoir of his family in 1930’s Brooklyn, fourteen-year-old Eugene is preoccupied by his passion for the Yankees and his lust for his beautiful cousin, Nora. Eugene’s comic growing pains contrast with the darker issues troubling his family: poverty, illness and the growing Nazi threat to relatives in Europe. Simon creates a Brooklyn universe full of memorable characters, humor and truth. A BBC co-production.An L.A. Theatre Works full-cast performance featuring Max Casella, Peter Michael Goetz, Valerie Harper, Alexana Lambros, Anna Sophie Loewenberg, Jonathan Silverman and Joyce Van Patten.

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  Ticker-Tape

  Rishi Dastidar

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  From politics to pop, from the UK to California, wherever digital heartbeats flutter and stutter, Ticker-tape is a maximalist take on 21st century living. Rishi Dastidar's first full collection showcases one of contemporary poetry's most distinctive voices, delivering effervescence with equal servings of panache and whiplash-quick wit.
  Here is sheer madcap ingenuity and also impressive breadth; ranging from odes of love to deconstructed diversity campaigns and detonations of banter's worst excesses, plus appearances from ex-SugaBabes, a shark who comes to tea, to the matters of matchstick empires and national identity. Ticker-tape is bold, adventuresome and wry – an unmissable and irrepressible debut.

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  The Pool

  Paul Laurence Dunbar

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  LibriVox volunteers bring you 20 recordings of The Pool by Paul Laurence Dunbar. This was the Weekly Poetry project for May 20, 2012.Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was an African American poet, novelist, and playwright of the late 19th and early 20th centuries. Much of his popular work in his lifetime used a Negro dialect, which helped him become one of the first nationally-accepted African American writers. Much of his writing, however, does not use dialect; these more traditional poems have become of greater interest to scholars.(Summary by Wikipedia )

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  Shelley: Selected Poems and Prose

  Percy Bysshe Shelley

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  The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He was wise enough, however, to realize that his efforts were ineffective, and he chose instead, not to attempt to reshape society, but to transform the individual, to inspire his readers to a greater love of beauty, of nature, and especially of each other. To this end, he poured forth a profusion of gorgeous verse overflowing with brilliant imagery, all aimed at uplifting the good and the beautiful, the free and the loving, while denouncing the social forces that tended to suppress them.Unfortunately, it was Shelley’s fate to be misunderstood by the people of his own time. He was vilified as an evil influence, a free thinker and free lover whose ideas should be abhorred. He pictured himself in his poetic tribute to Keats, “Adonais,” as an outcast or a martyr, a “phantom among men, companionless,” bearing a brand upon his brow like that of Cain or of Christ. His life was unorthodox, but his nature was highly sympathetic and filled with devotion to those who were ground down by life and the pressures of a callous society. Perhaps the greatest testimonial was paid to him in letters written by Lord Byron (who, incidentally, disagreed with his political ideas): “...he is, to my knowledge, the least selfish and the mildest of men--a man who has made more sacrifices of his fortune and feelings for others than any I ever heard of.” “Shelley...was, without exception, the best and least selfish man I ever knew. I never knew one who was not a beast in comparison.” (Introduction by Leonard Wilson)

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