Outros livros que poderiam interessá-lo

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  On Writing and Failure - Or the...

  Stephen Marche

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  Writing is, and always will be, an act defined by failure. The best plan is to just get used to it.
  		 
  Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin's advice just to endure, where living with the struggle and the pointlessness of writing is the point.

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  America Made Me a Black Man - A...

  Boyah J. Farah

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  NAACP Image Award Nominee · NPR Best Book of 2022 
  A searing memoir of American racism from a Somalian-American who survived hardships in his birth country only to experience firsthand the dehumanization of Blacks in his adopted land, the United States. 
  “No one told me about America.”  
   Born in Somalia and raised in a valley among nomads, Boyah Farah grew up with a code of male bravado that helped him survive deprivation, disease, and civil war. Arriving in America, he believed that the code that had saved him would help him succeed in this new country. But instead of safety and freedom, Boyah found systemic racism, police brutality, and intense prejudice in all areas of life, including the workplace. He learned firsthand not only what it meant to be an African in America, but what it means to be African American. The code of masculinity that shaped generations of men in his family could not prepare Farah for the painful realities of life in the United States.  
  Lyrical yet unsparing, America Made Me a Black Man is the first book-length examination of American racism from an African outsider’s perspective. With a singular poetic voice brimming with imagery, Boyah challenges us to face difficult truths about the destructive forces that threaten Black lives and attempts to heal a fracture in Black men’s identity.

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  Character - Life Lessons in...

  Robert L. Dilenschneider

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  Whether in politics, science, religion, or a myriad of other fields, our national character seems in jeopardy. What's missing? What trait did the men and women throughout history have that drove society to be the best that it could be? In these twenty-nine inspiring portraits, respected adviser Robert L. Dilenschneider explores the achievements of the leaders and groundbreakers who shaped our age, as well as their lessons in life and in business that can provide a blueprint for our future. 
   
   
   
  In what ways did character manifest itself in Nelson Mandela, who triumphed over the direst adversities? In Florence Nightingale and Edith Cavell, who transformed the nursing profession during war and in great peril to themselves? How did Walt Disney find the tenacity to become an iconic entrepreneur? How did loyalty to his fellow soldiers in Vietnam informed John McCain's entire worldview? Character—a vital dimension in public and private life—unifies their legacies and others. 
   
   
   
  From a respected older generation of mentors comes invaluable advice and hopeful direction for the young leaders, innovators, and influencers of tomorrow.

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  Happy People Are Annoying

  Josh Peck

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  Narrated by Josh Peck 
  A wonderfully candid memoir from one of the most recognizable faces of a generation, actor, writer, Youtuber, and television superstar, Josh Peck. In his warm and inspiring book, Josh reflects on the many stumbles and silver linings of his life and traces a zigzagging path to redemption. Written with such impressive detail and aching honesty, Happy People are Annoying is full of surprising life lessons for anyone seeking to accept their past and make peace with the complicated face in the mirror. 
  Josh Peck rose to near-instant fame when he starred for four seasons as the comedic center of Nickelodeon’s hit show Drake & Josh. However, while he tried to maintain his role as the funniest, happiest kid in every room, Josh struggled alone with the kind of rising anger and plummeting confidence that quietly took over his life. 
  For the first time, Josh reflects on his late teens and early twenties. Raised by a single mother, and coming of age under a spotlight that could be both invigorating and cruel, Josh filled the cratering hole in his self-worth with copious amounts of food, television, drugs, and all of the other trappings of young stardom. Until he realized the only person standing in his way...was himself. Today, with a string of lead roles on hit television shows and movies, and one of the most enviable and dedicated fanbases on the internet, Josh Peck is more than happy, he’s finally, enthusiastically content. 
  Happy People are Annoying is the culmination of years of learning, growing, and finding bright spots in the scary parts of life. Written with the kind of humor, strength of character, and unwavering self-awareness only someone who has mastered their ego can muster, this memoir reminds us of the life-changing freedom on the other side of acceptance.

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  What Happened to Belén - The...

  Ana Elena Correa

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  ""There are many women like Belén whose names we don’t know, but whose stories are just as important. An uplifting chronicle of one woman’s fight for justice.""—Kirkus Reviews (starred review) 
  Foreword by Margaret Atwood 
  The heartbreaking true story of an Argentinian woman imprisoned for having a miscarriage—an injustice that galvanized a feminist movement and became a global rallying cry in the fight for reproductive rights. 
  In 2014, Belén, a twenty-five-year-old woman living in rural Argentina, went to the hospital for a stomachache—and soon found herself in prison. While at the hospital she had a miscarriage—without knowing she was pregnant. Because of the nation’s repressive laws surrounding abortion and reproductive rights, the doctors were forced to report her to the authorities. Despite her protestations, Belén was convicted and sentenced to two years for homicide. 
  Belén’s imprisonment is a glaring example of how women’s health care has become increasingly criminalized, putting the most vulnerable—BIPOC, rural, and low-income—women at greater risk of prosecution. Belén’s cause became the centerpiece of a movement to achieve greater protections for all women. After two failed attempts to clear her name, Belén met feminist lawyer Soledad Deza, who quickly rallied Amnesty International and ignited an international feminist movement around #niunamas—not one more—symbolized by thousands of demonstrators around the globe donning white masks, the same kind of mask Belén wore when leaving prison. The #niunamas movement was instrumental in pressuring Argentine president Alberto Fernández to decriminalize abortion in 2021.  
  In this gripping and personal account of the case and its impact on local law, Ana Correa, one of Argentina’s leading journalists and activists, makes clear that what happened to Belén could happen to any woman—and that we all have the power to raise our collective voices and demand change. 
  Translated by Julia Sanches

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  Hollywood’s Favorite Screwball...

  Editors Charles River

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  “If I couldn't laugh, I'd rather die.” – Claudette Colbert 
  The 1930s were the height of the classical Hollywood era, known for lavish studio productions by heavyweights like MGM, RKO, Warner Brothers, Paramount, and 20th Century Fox, which were operating at the height of their powers. Every major studio possessed a long roster of contract players, and films were released at such a rapid pace that it made for an especially competitive environment within the industry. Even while America remained in the throes of the Great Depression, the film industry continued to flourish, and movies easily supplanted the theater as the main attraction for American entertainment. Indeed, it would be no exaggeration to claim that the film industry reached its zenith during the decade precisely because it offered an affordable (if very temporary) escape from the anxieties of the economic woes of the era. 
  When the American Film Institute ranked its top 50 screen legends of the 20th century, many of the people named had careers spanning several decades, but one of them managed the feat despite living less than three decades. Ranked as the 22nd greatest actress of the 20th century, Jean Harlow was on the screen for less than 10 years, but in that time the “Blonde Bombshell” became the most popular actress of the 1930s, eclipsing superstars like Joan Crawford and Norma Shearer along the way. In fact, the platinum blonde accomplished that feat as a leading lady for just five years before her premature death of renal failure at the age of 26. 
  Carole Lombard has been memorialized in many fitting ways as an actress, and one of her biggest contributions to Hollywood was the blond archetype that the film industry used successfully for decades in screwball comedies, paving the way for the success of women like Marilyn Monroe. Perhaps the most remarkable aspect of that fact is that it was actually based on Carole’s gushing personality. 

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