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  A Woman First: First Woman - A...

  Selina Meyer

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  A hilarious parody memoir for the beloved Veep character portrayed for seven seasons by Emmy-winner Julia Louis-Dreyfus. 
   
  Born and raised deep in the American heartland of God-fearing suburban Maryland, young Selina Eaton learned to love her country and her fellow man from her parents, Catherine, a sportswoman, dog lover, and philanthropist, and Gordon, or “Daddy” as she always called him, a businessman and entrepreneur. From an early age, Selina, an active, curious, happy-go-lucky child, showed an uncanny ability to relate to others and to solve their real-world problems with real-world solutions. In this she was inspired by her idol: feminist, humanitarian, stateswoman, and first lady, Eleanor Roosevelt. 
   
  Eleanor Roosevelt maintained a lively relationship with many prominent figures of her time, including Adlai Stevenson, John F. Kennedy, Albert Schweitzer, and probably Pablo Casals. She inspired countless women to break out of the established roles for women in society, among them the pioneering aviatrix Amelia Earhart, with whom she flew several times. 
   
  Dubbed the “Queen of the Air,” Amelia Earhart captivated the nation both with her bravery, skill, and daring when flying her planes and when challenging society’s hidebound attitudes as to what constituted a proper place for women. America mourned when she disappeared mysteriously somewhere in the Pacific during an attempted around-the-world flight in 1937. Speculation continues to this day as to Amelia’s ultimate fate, even as hope has faded that she may yet be found alive. 
   
  With wit, wisdom, eloquence, and fearless honesty, Selina Meyer reveals for the first time what really goes on in the halls of power, including the ultimate hall, the White House. It’s all here: the triumphs, the tragedies, the personalities, and the momentous events that have shaped our times, brought together in a page-turning tale told as only Selina Meyer could tell it. Selina Meyer’s compassion, her sense of humor, her grace, and her uncommon willingness to bare her heart make this story revelatory, beautifully rendered, and unlike any other president’s memoir ever written. First Woman: A Woman First would be a fitting title for a book about Selina Meyer, Eleanor Roosevelt, or Amelia Earhart, but in this case, it is about Selina Meyer.

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  Cinderella

  George Calderon

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  If you are expecting glass slippers and pumpkin coaches, look elsewhere... This is "a pantomime as Ibsen would have written it, if only it had occurred to him to write one." Set on a "bleak and cheerless heath overlooking the fjord" we meet Ibsenesque heroine Mrs. Inquest, her step-daughter Hilda, and her daughter Hedda, who is engaged to be married to the unfortunate Tesman. Thus begins Calderon's hilarious Ibsenesque version of Cinderella.  NOTE from the editor of the volume, published in 1922 after Calderon's death: This play is hardly more than a rough draft, written when the idea was fresh and put aside to be worked on when the right moment should come. Unhappily it never came; but even in its present form the play has seemed too characteristic of its author to be lost, and it is therefore printed as it stands.Devotees of Ibsen will recognise many names and references, but may not appreciate Calderon's irreverent parody of the master's work. People who know but do not like Ibsen may well find it very funny. (Summary by Ruth Golding)Cast listMrs. Inquest: Ruth GoldingHedda, her daughter, a distinguished fashionable person: TriciaGHilda, her stepdaughter: Helen TaylorMadam Helseth, her servant: Xe SandsAunt Judy, her sister: Maria KasperMopsyman, Aunt Judy's dog: Clara SnyderStockfish: mbTesman, his son (Acts I and II): David BarnesTesman (Act III): Ian KingA Demon: icyjumboA Fairy: Lucy PerryA Hired Waiter: EzwaAn Italian Waiter: Laurie Anne WaldenA German Waiter: Robert SteinerA Chamberlain: Zames CurranStage directions and sound effects: David LawrenceAudio edited by Ruth Golding

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  I Lucifer - Finally the Other...

  Glen Duncan

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  “A fiendishly sharp, intelligent examination of modern human life that is as funny as hell.” —The Times (London)   The end is nigh and the Prince of Darkness has just been offered one hell of a deal: reentry into Heaven for eternity—if he can live out a well-behaved life in a human body on earth. It’s the ultimate case of trying without buying and, despite the limitations of the human body in question (previous owner one suicidally unsuccessful writer, Declan Gunn), Luce seizes the opportunity to run riot through the realm of the senses. This is his chance to straighten the biblical record (Adam, it’s hinted, was a misguided variation on the Eve design), to celebrate his favorite achievements (everything from the Inquisition to Elton John), and, most important, to get Julia Roberts attached to his screenplay. But the experience of walking among us isn’t what His Majesty expected: instead of teaching us what it’s like to be him, Lucifer finds himself understanding what it’s like to be us.   By an author hailed by the Times Literary Supplement as one of Britain’s top twenty young novelists, I, Lucifer is “a masterpiece . . . startlingly witty, original and beautifully written” (Good Book Guide).   “Duncan’s witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed.” —Booklist

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  Questions to Ask Your Kids | 60...

  Sina Kim-Renken

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  Hi and welcome! 
  The way we communicate nowadays, via email, WhatsApp, or Twitter, is different. That's for sure. But that doesn't mean our good old face-to-face conversation is out of date. 
  This collection of 60 conversation starters will help you connect. The concept is very straightforward, and you will find yourself in a deep conversation in no time. 
  Each question you are about to hear is followed by 3 minutes of music. If you are not interested in one of the questions, simply skip the chapter to hear the next one. If you need more time, pause the audiobook and press play when you are finished talking. 
  What is inside:60 Questions to ask your kidsEach followed by 3 minutes of musicStraightforward conceptShort introduction 
  Enjoy! 
  Oh and before I forget, you can find other editions from this series and a bundle.

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  A Fairy Tale of New York

  J. P. Donleavy

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  The tale of a handsome modern-day prince in the gutters of New York by the author of The Ginger Man—“a writer of explosive, winning imagination” (The New York Times Book Review).   After studying abroad in Europe, Cornelius Christian—born in Brooklyn and raised in the Bronx—has returned to New York City with a cultured accent, refined manners, and the corpse of his wife who died shipboard.   Charismatic but penniless, he takes a job with a funeral director to pay for the burial expenses. There, he meets the desirous and wealthy widow Fanny Sourpuss. But she’s only his first conquest—one that impels Cornelius on an adventure of rescue through Manhattan, from street brawls to calamitous affairs; from a hooker’s fury to murder; from the subway sewers of a dirty city to its towering castles. But how long can the acquired charms of the prince last, how long can he care, and who’ll be there to rescue him?   In Cornelius Christian, who sings of life’s goodness in the wake of disaster, J. P. Donleavy created one of his most indelible, infuriating, and irresistible characters—a “parody of the fairy tale hero, lusting after fallen princesses in honky-tonk New York” (The Harvard Crimson).   “No contemporary writer is better than Donleavy at his best.” —The New Yorker   “Fast, funny and addictive.” —The Guardian

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  No Birds Sing Here

  Daniel V. Meier Jr.

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  The search for the literary life. Satire at its Best!
  
  In this indelible and deeply moving portrait of our time, two young people, Beckman and Malany set out on an odyssey to find meaning and reality in the artistic life, and in doing so unleash a barrage of humorous, unintended consequences.
  
  Beckman and Malany's journey reflects the allegorical evolution of humanity from its primal state, represented by Beckman's dismal life as a dishwasher to the crude, medieval development of mankind in a pool hall, and then to the false but erudite veneer of sophistication of the academic world.
  
  The world these protagonists live in is a world without love. It has every other variety of drive and emotion, but not love. Do they know it? Not yet. And they won't until they figure out why no birds sing here.
  
  Meier's writing is precise and detailed, whether the situation he describes is clear or ambiguous.
  
  Fans of Franzen and Salinger will find Meier to be another sharp, provocative writer of our time.

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