Outros livros que poderiam interessá-lo

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  For The Record - The Best In The...

  Jan S. Kluth, Samantha Marshall

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  “For The Record: The Best In The Music Business Tell It Like It Is” is the ultimate compendium of insights and wisdom covering every aspect of today’s music business — from the fundamentals of songwriting to the cutting edge of marketing and digital distribution — direct from the mouths of the artists, executives and entrepreneurs who walk the walk. 
  The book contains a foreword by Roger Brown (President, Berklee College of Music) and exclusive one-on-one conversations with Robin Gibb of the Bee Gees (in one of the last interviews before his untimely passing), Kelly Rowland, Wyclef Jean, Ali Campbell of UB40 and executives such as Julie Greenwald (Chairman/COO, Atlantic Records) and John Paul DeJoria, the co-founder of Patrón Tequila and Paul Mitchell.

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  Burns & Allen Show Collection...

  Black Eye Entertainment

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  When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie's delivery got a bigger laugh than George's punch lines.The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work was as supporting players on CBS's The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Early on, the two did not play a married couple on the air. For a long time, they continued a 'flirtation act' with George as Gracie's most persistent suitor.But when the show's ratings began to sag toward the end of the 1930s, George decided it was time their real-life marriage was written into the show. The new format included husband-and-wife characters in a situation comedy setting. George's instincts were spot-on and The Burns & Allen Show went on to new heights, eventually making a successful transition to television. "Taking in a Veteran""Contest: Hollywood's Ideal Married Couple""George's Job in Washington DC""Listening to the Royal Wedding or Playing Poker" Guest, Jean Sablon"Their 15th Wedding Anniversary"Guest, Marie ("The Body") McDonald "Watching Neighbor's Daughter""Movie Contract for a Friend's Daughter""Gracie Dents the Car's Fender or Has She?""George and Gracie offered the lead in Dulcy""Going to the Racetrack"

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  Most Dramatic Ever - The Bachelor

  Suzannah Showler

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  The right reasons to fall in love with The Bachelor  
  When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the worlds favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchises genius, longevity, and power and parses what this means for both modern love and modern America./p pShe argues the show is both gameshow and marriage plot  an improbable combination of competitive effort and kismet  and that its both relic and prophet, a time-traveler from first-gen reality TV that proved to be a harbinger of Tinder. In the modern media-savvy climate, the show cleverly highlights and resists its own artifice, allowing Bachelor Nation to see through the fakery to feel the romance. Taking on issues of sex, race, contestants-as-villains, the controversial spin-offs, and more, emMost Dramatic Ever/em is both love letter to and deconstruction of the show that brought us real love in the reality TV era./p

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  Egon Schiele

  Jeanette Zwingenberger, Esther...

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  Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating that it is clear he was examining an anatomy more psychological, spiritual and emotional than physical. He painted many townscapes, landscapes, formal portraits and allegorical subjects, but it was his extremely candid works on paper, which are sometimes overtly erotic, together with his penchant for using under-age models that made Schiele vulnerable to censorious morality. In 1912, he was imprisoned on suspicion of a series of offences including kidnapping, rape and public immorality. The most serious charges (all but that of public immorality) were dropped, but Schiele spent around three despairing weeks in prison. Expressionist circles in Germany gave a lukewarm reception to Schiele’s work. His compatriot, Kokoschka, fared much better there. While he admired the Munich artists of Der Blaue Reiter, for example, they rebuffed him. Later, during the First World War, his work became better known and in 1916 he was featured in an issue of the left-wing, Berlin-based Expressionist magazine Die Aktion. Schiele was an acquired taste. From an early stage he was regarded as a genius. This won him the support of a small group of long-suffering collectors and admirers but, nonetheless, for several years of his life his finances were precarious. He was often in debt and sometimes he was forced to use cheap materials, painting on brown wrapping paper or cardboard instead of artists’ paper or canvas. It was only in 1918 that he enjoyed his first substantial public success in Vienna. Tragically, a short time later, he and his wife Edith were struck down by the massive influenza epidemic of 1918 that had just killed Klimt and millions of other victims, and they died within days of one another. Schiele was just twenty-eight years old.

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  Lighthouses

  Victoria Charles

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  The lighthouse, an indefatigable watchman, ceaselessly guides boats to their ports.This beacon of maritime signalisation has guided sailors since antiquity.The first known lighthouse appeared on the island of Pharos, and was the remarkable Lighthouse of Alexandria; however, it seems that volcanoes like Stromboli and its frequent eruptions were possibly at the origin of this invention, as the fires guided boats to their shores. Faced with the increasing development of modern navigational aids, these lone sentinels do not hold the same functional importance today. However, this work emphasises not only their role as a major architectural development, but also the place that they hold in the cultural heritage of the world. From the Lighthouse of the Whales (France) to the Lighthouse at the End of the World (Tierra del Fuego,Argentina), and passing by the Lighthouse of Green Island (Canada) and the Bell Rock Lighthouse (Scotland), this work invites the reader to rediscover the richness of these witnesses of other times.

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  Claudia Oshry: Disgraced Queen

  Claudia Oshry

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  As Instagram’s reigning disgraced queen, Claudia Oshry is taking on pop culture, and all that’s wrong with it, in an outrageous new stand-up special.

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