Publisher: Rosario
Theater. Any choice, from the family man to the priest, from the fundamentalist artist to the single woman for life, acquires value if it is carried out in a noble way. Otherwise one drowns in misery, despite the worthy res
The new year is here, and we're celebrating with some old radio sounds, including The Adventures of Maisie, Broadway is My Beat, and Mr. President. We'll also review the newest movies from Tom Hanks and Will Ferrell, have trivia contests and the latest in Hollywood news.A Falcon Picture Group audio production.Show book
The smoke was thick, the music was loud, and the beer was flowing. In the fast-and-loose 1980s, Jackson Station Rhythm and Blues Club in Hodges, South Carolina, was a festive late-night roadhouse filled with people from all walks of life who gathered to listen to the live music of high-energy performers. Housed in a Reconstruction-era railway station, the blues club embraced local Southern culture and brought a cosmopolitan vibe to the South Carolina backcountry.Over the years, Jackson Station became known as one of the most iconic blues bars in the South. It offered an exciting venue for local and traveling musical artists, including Widespread Panic, the Swimming Pool Qs, Bob Margolin, Tinsley Ellis, and R&B legend Nappy Brown, who loved to keep playing long after sunrise.The good times ground to a terrifying halt in the early morning hours of April 7, 1990. A brutal attack—an apparent hate crime—on the owner Gerald Jackson forever altered the lives of all involved.Show book
A practical guide to creating successful immersive theatre productions, by an experienced theatre-maker and practitioner. Placing the audience at the heart of a production – not as passive bystanders but as active participants – is the impetus behind the hugely varied work of leading immersive theatre companies such as Punchdrunk, OneOhOne and Hobo Theatre. Done well, it can generate powerful, gut-level emotional effects that will long outlast the production itself. Creating Worlds offers a step-by-step breakdown of the entire journey towards making an immersive theatre production, and covers everything you need to consider, including: - Deciding what kind of production you want to make, and the 'mission statement' for your piece - Understanding and anticipating audience behaviour - Planning and influencing journeys through the space - Balancing interaction with narrative - Giving your audience an active role, and navigating the thin line between free will and uncontrolled chaos - Managing complex rehearsals, and preparing your cast for the unexpected - Extending the audience experience outside of the performance - Generating innovative ideas and tactics for marketing your production Throughout the book, Jason Warren draws on his own experiences of creating immersive theatre work in a variety of styles and settings. Also included is a glossary of key terms, and a schedule to help you make the most of your rehearsal period. An essential how-to guide for theatre-makers, artists, students and teachers who want to create their own immersive theatre, Creating Worlds is also a fascinating read for those interested in the inspirations and ideas that fuel the performances they love.Show book
Die Dissertation Role Playing Materials untersucht die materielle Seite von Larp, Mixed Reality und Pen'n'Paper Rollenspielen. Wie kooperieren Gewandung, Virtuelle-Realität-Brille, oder ein Bleistift mit Erzählung und Spielregeln? Neben Antworten auf diese Frage versucht das Buch das Verständnis von Rollenspiel als eine Handlung zu erweitern, die nicht nur von Menschen geprägt wird. Role Playing Materials examines how larp, mixed and tabletop role-playing games work. Costumes, computers, pen and paper are not passive elements. Materials change and are changed during role-playing game sessions, because they work together with narrative and ludic elements. If we think about materials as social elements, how do they make role-playing games work? To answer this question, Role Playing Materials draws on ethnographic fieldwork among role-playing communities in Germany. The analysis draws upon the fields of game studies, and science, technology and society studies.Show book
Let's not beat around the bush, Covid made a total mess for musicians, producers, bands, DJs, road crew, venue owners, lighting engineers, and anyone else involved in the industry. The main lesson that I learnt from it all… Don’t put all your eggs in one basket. Now, during the aftermath of it all, we see the cost-of-living crisis, and now a recession… so, we need to find new ways to protect ourselves from anything that could endanger our livelihoods again in the future. I know the struggle and have sacrificed a lot over the last 3 years, working tirelessly to find ways to build myself back up to continue to thrive in this madness that we call a post-covid world. So, I wrote a book about it, giving you all the strategies and tools to help you easily build multiple streams of income from the skills that you already have as a producer/musician. Use my knowledge and experience to skip the struggle, evolve, and move up in the game... all while looking after your wellbeing and personal life at the same time. There are two types of people in this world: Those who go after what they want, and everybody else. Which one are you?Show book
The creators of Chicken Run and the Wallace & Gromit series share the inside story of their Oscar award-winning animation company. Aardman Animations was founded in 1972 by Peter Lord and David Sproxton. Joined by animator Nick Park in 1985, Aardman pioneered a quirky, lovable style of stop-motion animation and brought to life a string of unforgettable movies and television shows, including the highest-grossing stop-animated film of all time, Chicken Run. With A Grand Success!, Lord, Sproxton, and Park tell the 45-year history of Aardman. From their first short films, made on a lark on their kitchen table, to advertisements and music videos, A Grand Success! recounts the adventures and challenges of developing their own unique style, growing their business, working with famous actors, and conquering Hollywood, all while animating at 24 painstaking moves per second.Show book
