Other books that might interest you

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  A Writer Prepares

  Lawrence Block

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  Sometime in 1953, I knew with unusual certainty what I intended to do with my life. I would become a writer.By the time I was twenty-five, I had published over fifty books. Most of these bore pen names, and for a time I resisted acknowledging my early pseudonymous work. Then, in one astonishing and feverish week in 1994, I recalled those early years in fifty thousand words of memoir.A publisher contracted to bring out my memoir once I'd completed it. Instead I put it on a shelf and never looked at it again. Early in 2020, I had a fresh look at A Writer Prepares. By the time I was ready to stop, I'd written about my life as a writer well into 1966, when I'd completed The Thief Who Couldn't Sleep.A Writer Prepares, an examination of the first quarter century of one writer's life, is arguably the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity.

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  Cleopatra - Her History Her Myth

  Francine Prose

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  A feminist reinterpretation of the myths surrounding Cleopatra casts new light on the Egyptian queen and her legacy 
   
  The siren passionately in love with Mark Antony, the seductress who allegedly rolled out of a carpet she had herself smuggled in to see Caesar, Cleopatra is a figure shrouded in myth. Beyond the legends immortalized by Plutarch, Shakespeare, George Bernard Shaw, and others, there are no journals or letters written by Cleopatra herself. All we have to tell her story are words written by others. 
   
  What has it meant for our understanding of Cleopatra to have had her story told by writers who had a political agenda, authors who distrusted her motives, and historians who believed she was a liar? Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film. She challenges the common narratives driven by orientalism and misogyny and offers a new interpretation of Cleopatra’s history from the lens of our own era.

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  Liverpool Pals - 17th 18th 19th...

  Graham Maddocks

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  Liverpool Pals, is a record of duty, courage and endeavour of a group of men who, before war broke out in 1914, were the backbone of Liverpool's commerce. Fired with patriotism, over 4,000 of these businessmen volunteered in 1914 and were formed into the 17th, 18th, 19th and 20th (Service) Battalions of the King's (Liverpool Regiment); they were the first of all the Pals battalions to be raised, and they were the last to be stood down. It is commonly held that the North of England's Pals battalions were wiped out on the 1st July, 1916, certainly this befell a number of units, but the Liverpool Pals took all their objectives on that day. From then on they fought all through the Somme Battle, The Battle of Arras and the muddy hell of Passchendaele in 1917, and the desperate defence against the German offensive of March 1918.

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  The Riviera Set - Glitz Glamour...

  Mary S. Lovell

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  The Riviera Set reveals the story of the group of people who lived, partied, bed-hopped, and politicked at the Château de l'Horizon near Cannes, over the course of forty years from the time when Coco Chanel made southern French tans fashionable in the twenties to the death of the playboy Prince Aly Khan in 1960. 
  At the heart of dynamic group was the amazing Maxine Elliott, the daughter of a fisherman from Connecticut, who built the beautiful art deco Château and brought together the likes of Noel Coward, the Aga Khan, the Duke and Duchess of Windsor, and two very saucy courtesans, Doris Castlerosse and Daisy Fellowes, who set out to be dangerous distractions to Winston Churchill as he worked on his journalism and biographies during his "wilderness years" in the thirties. After the War the story continued as the Château changed hands and Prince Aly Khan used it to entertain the Hollywood set, as well as launch his seduction of and eventual marriage to Rita Hayworth. 
  Bringing a bygone era back to life, Mary Lovell cements her spot as one of our top social historians in this captivating and evocative new book.

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  We Are All Armenian - Voices...

  Aram Mrjoian

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  A collection of essays about Armenian identity and belonging in the diaspora.In the century since the Armenian Genocide, Armenian survivors and their descendants have written of a vast range of experiences using storytelling and activism, two important aspects of Armenian culture. Wrestling with questions of home and self, diasporan Armenian writers bear the burden of repeatedly telling their history, as it remains widely erased and obfuscated. Telling this history requires a tangled balance of contextualizing the past and reporting on the present, of respecting a culture even while feeling lost within it.We Are All Armenian brings together established and emerging Armenian authors to reflect on the complications of Armenian ethnic identity today. These personal essays elevate diasporic voices that have been historically silenced inside and outside of their communities, including queer, multiracial, and multiethnic writers. The eighteen contributors to this contemporary anthology explore issues of displacement, assimilation, inheritance, and broader definitions of home. Through engaging creative nonfiction, many of them question what it is to be Armenian enough inside an often unacknowledged community.

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  The Young Man

  Annie Ernaux

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  This is Annie Ernaux’s account of her passionate love affair with A., a man some thirty years younger, when she was in her fifties. The relationship pulls her back to memories of her own youth and, at the same time, leaves her feeling ageless, outside of time—together with a sense that she is living her life backwards. Amidst talk of having a child together, she feels time running its course and menopause approaching. The Young Man recalls Ernaux as the “scandalous girl” she once was but is composed with the mastery and the self-assurance she has achieved across decades of writing.

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