Outros livros que poderiam interessá-lo

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  Her Turn - From their pens to...

  D H Lawrence

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  David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. 
  He was educated at Beauvale Board School and became the first local boy to receive a scholarship to attend Nottingham High School. After 3 years he became a junior clerk in Haywood’s surgical appliances factory. He was also attempting a literary career which, in the short term, led to a teacher training position in Eastwood and later a teaching qualification from University College, Nottingham.  
  Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.  
  Wanting to write full-time he now began work on what would become ‘Sons and Lovers.   
  In 1912 he met the older and married mother-of-three Frieda Weekley. They eloped to Germany and here Lawrence could see for himself the growing tensions with France.  So keen was his interest that he was arrested and accused of being a British spy.  
  In early 1914 Frieda obtained her divorce and they returned to Britain to be married just days before the outbreak of war. Owing to her German parentage, and his own public dislike of militarism and violence, the couple were treated with contempt and suspicion throughout the war years.  
  Despite this he continued to write but his reputation in England was so tarnished and, mirrored by his own disdain for the country, he and Frieda left England in November 1919, first for Europe and then America via Ceylon and Australia. 
  They bought a ranch in Taos, New Mexico and visited Mexico several times. The third visit in March 1925 caused a near fatal attack of malaria. To convalesce they moved to Florence. Here he continued work on ‘Lady Chatterley’s Lover’ which for many years would cause controversy. A renewed interest in oil painting resulted in an exhibition in 1929 which was raided by the police and several works were confiscated.  
  D H Lawrence died of complications arising from a bout of tuberculosis on the 2nd of March 1930 in Vence, France.  He was 44.

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  Rory Land - The Up-and-Down...

  Timothy M. Gay

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  Timothy M. Gay writes that four-time major champion Rory McIlroy is "golf's ageless Opie Taylor," a superstar whose charm transcends national boundaries and enlivens the game. His swing is so powerful that Tiger Woods is teaching his own son to mimic Rory's action. 
   
   
   
  But a charismatic persona and a pretty swing don't translate into winning championships. Rory has failed to win another major and fallen short of achieving the career Grand Slam. 
   
   
   
  He's become a lightning rod, getting into a smackdown at the '23 Ryder Cup and, after his betrayal by PGA Tour brass, causing confusion by going from an impassioned opponent of a deal with the Saudi-backed LIV Golf to an outspoken proponent. 
   
   
   
  McIlroy is from Northern Ireland, a geopolitical anomaly where religion and patriotism have been used as bloody cudgels. Both sides of his family were battered by the North's sectarian Troubles. 
   
   
   
  Rory is a man essentially without a country, which might explain why he's become so obsessed with the Ryder Cup. Gay argues that McIlroy has invented his own fiefdom, which the author has dubbed "RORY LAND." 
   
   
   
  Rory Land tells the saga of a compassionate superstar living in a world where "money has no conscience."

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  Thomas Hardy - Christmas Carollings

  Andrew Norman

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  A tradition at Christmas was for the choir of local musicians and singers to assemble at the Hardys’ cottage, prior to setting out into the snow to do the rounds of local farms, homesteads, and manor house, in order to entertain their occupants. Hardy recreated this magical scene in Under the Greenwood Tree, published in 1872. 
  In the days when labouring classes worked long hours, and for the majority, material comforts were small, Christmas was a time (aside from the formalities of necessary religious observance,) for the exchanging of news, folklore, legend and jokes. For those fortunate enough to be invited to the Hardys’ cottage on Christmas Eve, there was the added bonus of food and drink to feed the body, and music – home-made of course – to lift the spirits and nourish the soul.  
  Hardy’s descriptions of such Christmases, as were celebrated by himself and his family, together with his colourful portrayals of characters – in particular the members of the ‘Mellstock Quire’ (Choir,) whom he described as his favourites - have delighted generations of his readers, and continue to do so.  
  This then, is the story of Thomas Hardy and of Christmas; of what that greatest of all Christian festivals meant to him, and of how his beliefs changed as the years progressed.

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  Soft Tissue Damage

  Anna Whitwham

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  'An astounding book, moving between shadow and light with an honesty and self-awareness I found completely compelling. There is a power to being vulnerable, but also a power to fighting back.Whitwham does both these things with eloquence and fire.' —JESSIE BURTON'Soft Tissue Damage places Whitwham firmly in the tradition of Joyce Carol Oates, Norman Mailer and other novelists who have evoked the blood and spit of the world's most brutal and beautiful sport.' —SAM PARKER, BRITISH GQ'A compelling, visceral and tender book about grief and loss, life and death, identity and sexuality, written by a daughter, a mother and an aspiring fighter.' —DONALD McRAE'This is prose that glints with truth.' —NIKITA LALWANISoft Tissue Damage tells the story of author ANNA WHITWHAM'S lifelong interest in boxing manifesting itself in the physical act of getting into the ring to fight. From her first tentative training sessions through bruising sparring and building up to a full-blooded fight, Whitwham charts the transformative impact the sport—and all its complicated implications—has on her during a profoundly difficult period dealing with the grief of losing her mother to cancer. Tender, insightful, honest and full of startling and original thought, this is a book that fully examines what the human body is both capable and incapable of, a book that examines what the human body truly means in its capacity for sexuality and violence, love and death, strength and vulnerability.

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  Both Not Half - 'Few people...

  Jassa Ahluwali

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  GOLD WINNER OF 'BEST NARRATOR' AT THE AUDIO PRODUCTION AWARDS. 'This guy has better Punjabi than both of us and he's only half Punjabi.' Only. Half. I stared at those words. The intent behind the comment was in no way malicious, but it hurt. I felt diminished. I felt like I was being robbed of something essential to me. And as I stared at my screen, realisation dawned. '#bothnothalf' I replied. For over twenty-five years, actor Jassa Ahluwalia described himself as 'half Indian, half English'. His fluent Punjabi always prompted bewilderment, medical staff questioned the legitimacy of his name, and the world of casting taught him he wasn't 'the right kind of mixed-race'. Feeling caught between two worlds, it wasn't long before Jassa embarked on a call to action: we need to change how we think and talk about mixed identity. By delving into the media we grew up consuming and the legacies of empire we have been taught, Ahluwalia asks: is there anything to be learnt from Rudyard Kipling? Why were movie stars urged to hide their mixed identities? To what extent did colonialism encourage or hinder mixed marriages? Is nationalism outdated? How can the politics of class and queer liberation inform our understanding of mixed identity? Both Not Half is a rallying cry for a new and inclusive future. It's a journey of self-discovery that unearths the historical roots of modern mixed identity as we know it, braving to deconstruct the binaries we have inherited and the narratives we passively accept. Part-memoir, part-manifesto: this is a campaign for belonging in a divided world.This immersive audiobook includes exclusive audio clips from Jassa 's Ted Talk, original audio from self-tapes, a bonus conversation with his sister Ramanique Ahluwalia, and much more.

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  Band of Sisters - American Women...

  Kirsten Holmstedt

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  Twelve American women serving in the military share their gripping personal stories of combat in Iraq. In Iraq, the front lines are everywhere—and everywhere in Iraq, no matter what their job descriptions say, women in the U.S. military are fighting. More than 155,000 of them have deployed to Iraq and Afghanistan since 2003—four times the number of women sent to Desert Storm in 1991. More than 430 have been wounded and over seventy killed—almost twice the number of American women killed in action in Korea, Vietnam, and Desert Storm combined.  But should women be in combat? Do they have what it takes to be warriors? Compelling questions once, but now empty because, more than ever, American women are in combat, and they are warriors. The real question is: What are their experiences of war? We haven’t heard their stories—until now. Band of Sisters presents a dozen groundbreaking and often heart-wrenching stories of American women in combat in Iraq, such as the U.S.’s first female pilot to be shot down and survive, the military’s first black female pilot in combat, a young turret gunner defending convoys, and a nurse struggling to save lives, including her own.  As one female service member said, “We love our country as much as any man, and we have made the same sacrifices as our brothers in arms.” Band of Sisters reveals those sacrifices for the first time. Praise for Band of SistersWinner of the 2007 American Authors Association Golden Quill AwardWinner of the 2007 Military Writers Society of America Founder's Award“An insightful, intimate portrait of America’s fighting women in Iraq. This is must reading.” —Charles Jones, author of Red, White, or Yellow?: The Media and the Military at War in Iraq “Lyrical, visceral, and potent. Kirsten Holmstedt sets a peerless standard as a raconteur with powerful stories of the valor of today’s women in combat.” —David J. Danelo, author of Blood Stripes and The Border“This overdue account . . . reads a swiftly as a thriller, but the thrills here come from the real sacrifices and valor of America’s fighting women.” —Ralph Peters, author of Never Quit the Fight and Wars of Blood and Faith“Inspirational and revealing.” —Paul Riechkhoff, executive director, Iraq and Afghanistan Veterans of America, and author of Chasing Ghosts

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