Editorial: Good Press
This is a collection of stories that are set in the time of the Crusades. They are not part of the fantasy stories that Howard is famous for. but can be classified as belonging to the pulp fiction genre.
The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce. But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some real gems from all manner of writers as their short stories and plays were remade for a radio audience. With high production values courtesy of the money from the shows sponsor, Philip Morris, the expert writers and cast delivered marvelous works, as we're about to find out.Ver libro
On I Didn't F*ck It Up, Katie Goodman proves there is a vast difference between a “guitar act” and a musical comedian. Katie writes and performs original funny songs that touch upon everything from the human foibles of adulthood to a communal sense of generalized despair.Ver libro
“A nuanced and convincing approach to evaluating the role of media in shaping African identities.” —James Burns, Clemson University This timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. Exploring questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. Thompson offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity. “Katrina Daly Thompson has made a fine contribution to scholarship on African cinema . . . This is a book that will enrich discussions of African film and media studies for years to come.” —African Studies Review “Thompson analyzes identity discourses through cinematic arts?films, documentaries, television programs, videos?consumed (whether or not produced) in Zimbabwe . . . . Beside bringing issues of race, financing, ethnicity, and language to the discussion, she also considers the 2001 Broadcasting Services Act, which was meant to liberalize the field and stem Western influence . . . Recommended.” —Choice “Katrina Daly Thompson’s study of Zimbabwean film and television presents a valuable addition to the ever-expanding corpus of analytical and historical studies on African film and media.” —Africa “Most compelling in Thompson’s study is her close attention to uses of language and culture, which she argues contest state-defined and state-controlled meaning in broadcast media. Recognizing culture as a socially negotiated process, the book uses critical discourse analysis to interrogate power structures and flows.” ?African ArtsVer libro
From the man shipped home in a rum barrel to the most dangerous woman in America, Chicago history comes to life in these tantalizing tales. "A wonderful bible of Chicago." WGN Living Landmarks of Chicago goes beyond the what, when, and where to tell the how and why of fifty Chicago landmarks. More than a book about architecture, these are stories of the people who made Chicago and many of its most popular tourist attractions what they are today. Each chapter is a vignette that introduces the landmark and brings it to life, and the book is organized chronologically to illustrate the development of the city's distinct personality. These fifty landmarks weave an interconnected tale of Chicago between 1836 and 1932 (and beyond). History lines Chicago’s sidewalks. Stroll down LaSalle or Dearborn or State and you’ll see skyscrapers that have been there for a century or more. It’s easy to scurry by, to dismiss the building itself, but a hunt for placards turns up landmarks every few feet, it seems. Here’s a Chicago landmark; there’s a National Historic landmark. They’re everywhere. Ironically, these skyscrapers keep the city grounded; they illustrate a past where visionaries took fanciful, impossible ideas and made them reality. Buildings sinking? Raise them. River polluting the lake and its precious drinking water? Reverse it. Overpopulation and urban sprawl making it challenging to get to work? Build up. From the bare to the ornate, from exposed beams to ornamented facades, the city’s architecture is unrestrainedly various yet provides a cohesive, beautiful skyline that illustrates the creativity of necessity, and the necessity of creativity.Ver libro
Bob Dylan is a singular figure defined by a lifetime of creative invention that has helped transform music, literature, pop culture, and even politics. This book provides a lively, accessible look at his art and music as seen by leading rock and pop critics and music scholars. The chapters are carefully integrated so that readers can take quick dives into specific topics ranging from the Blues to religious faith, civil rights, and American literature. Incorporating a rich array of new archival material, The World of Bob Dylan offers a comprehensive, informed and fresh account of the songwriter, artist, filmmaker, and Nobel Laureate whose unique voice has permanently reshaped our cultural landscape.Ver libro
At the age of 59, ballet dancer Mikhail Baryshnikov is still dancing. He recently opened the Baryshnikov Arts Center in New York City, which provides space and support for creating art.Ver libro
