Editorial: Good Press
"Red Nails" by Robert Ervin Howard is a captivating tale set in the realm of fantasy. As a classic work from the 1930s, this narrative delves into a world of sword and sorcery, where heroes and villains clash in epic battles. Howard's masterful storytelling and richly detailed universe make this a must-read for fans of speculative fiction and fantasy enthusiasts alike.
Enjoy the late Dave Cash and his silky smooth voice, as he takes you on a trip down memory lane, where two fingers were raised to the establishment and history was made. Dave was part of the first real British Pirate Radio station, where he was treated like a pop star, dabbled with drugs, and lived a life far richer in experience than most. Once on board, Cash partnered with Kenny Everett for the Kenny & Cash Show, one of the the most successful of all pirate radio programmes. Listen as he sheds light on some of histories more fascinating and controversial times with his first-hand account of the events that inspired the 2009 film "The Boat That Rocked". Enjoy a story like no other from a man who pushed boundaries to their very limits, a true radio rebel.In more recent years Dave Cash worked for BBC Radio Kent, having had previous spells at Radio London, BBC Radio 1, Capital Radio, Country 1035 and PrimeTime Radio. He even found his way in TV and film, hosting a few episodes of the BBC TV series Top of the Pops and appearing as himself in the cult hit Quadrophenia among other films. Unfortunately, Cash died suddenly on 21 October 2016, aged 74, putting an end to the remarkable life, of a remarkable man.Ver libro
Vision and Difference, published in 1988, is one of the most significant works in feminist visual culture arguing that feminist art history of is a political as well as academic endeavour.Pollock expresses how images are key to the construction of sexual difference, both in visual culture and in broader societal experiences. Her argument places feminist theory at the centre of art history, proffering the idea that a feminist understanding of art history is an analysis of art history itself.This text remains key not only to understand feminine art historically but to grasp strategies for representation in the future and adding to its contemporary value."Ver libro
This definitive biography of the silver screen legend is “a moving, lively, witty, sad book that revives once more the long dead Count Dracula” (Kirkus Reviews). Bela Lugosi won immediate fame for his starring role in the 1931 film Dracula—the role that would forever define his persona. After a decade of trying to broaden his range, Lugosi resigned himself to a career as the world's most recognizable vampire, often playing opposite his horror film rival Boris Karloff. When he died in 1956, Lugosi could not have known that vindication of his talent would come—his face would adorn theaters and his Hungarian accent would be instantly recognized across the globe. In 1974, silent film expert Arthur Lennig published The Count, a highly regarded biography of the unsung actor. Now Lennig returns to his subject with a completely revised volume more than twice the length of the original. The Immortal Count provides deeper insights into Lugosi's films and personality. Drawing upon personal interviews, studio memos, shooting scripts, research in Romania and Hungary, and his own recollections, Lennig has written the definitive account of Lugosi's tragic life.Ver libro
August Macke (1887-1914) was a master of German Expressionism, a movement which sprang up in the early 1900s with the intent to forego physical reality in search of its emotional counterpart, with a particular emphasis on expressing dark moods of tragedy and angst. Macke was a master of color and form, producing eye-catching canvases that evoke a strong sympathetic reaction in the viewer. He was equally at home portraying the sun drenched streets of Tunisia, the cloudy sky around the Bonn cathedral, and the faceless multitude of a crowded railway station. In this compelling text, Walter Cohen examines the brief life of an artist whose seemingly limitless potential was tragically cut short by his untimely death.Ver libro
This pictorial history of US aircraft carriers illustrates the many classes and types of carriers used by the navy from before WWII to the present day. In 1922 the US Navy commissioned its first small experimental aircraft carrier. This was followed into service by two much larger carriers in 1927 with five more being built— including three large Yorktown class—prior to the Japanese attack on Pearl Harbor. Then, to take the offensive against the Japanese Navy, the American Congress funded by far the largest carrier-building program in history. Since 1975, when the first of a fleet of ten nuclear-powered Nimitz class carriers was commissioned, The United States Navy’s fleet of carriers has optimized its superpower status and worldwide power projection. Yet these are due to be replaced in the decades to come with the even more sophisticated nuclear-powered Gerald R. Ford class. Compiled and written by Michael Green, Aircraft Carriers of the United States Navy contains superb images of all the different types of classes of carriers employed by the US Navy since 1922. These and its highly informative text and captions give the reader a broad overview of this fascinating subject.Ver libro
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.Ver libro
