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  Home Burial - Poem about the...

  Robert Frost

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  Robert Lee Frost was born on the 26th March 1874 in San Francisco, California. 
  His father found providing for the family a constant challenge and he died, when Frost was 11, from tuberculosis and left an estate valued at only $8.  The family moved east to Lawrence, Massachusetts, and a better life with his grandfather. 
  After graduating from High School, and then a few months at Dartmouth college, he returned home to take on a variety of menial jobs to help support his mother.  Their drudgery and poor money encouraged him to move in a different direction: a career as a poet. 
  He sold his first poem in 1894 for $15.  With this milestone he proposed to his high school sweetheart who declined as she was still studying at university.  The following year she graduated and they married.  A year later the first of their six children arrived.   
  After a stint at Harvard for two years he received the gift of a farm from his ailing grandfather.  Frost worked the farm and wrote unpublished poetry for several years before turning to a teaching position. 
  Upon the death of one of his children the grief-stricken family decided to quit everything and live in England, moving across the Atlantic in 1912.  The following year he published his first poetry book and with it came critical acclaim.  He was now in his late thirties. 
  The onset of World War I saw Frost return to America with a glowing reputation, and here he launched himself into a career of writing, teaching and lecturing.  
  In 1924 he received the first of four Pulitzer Prizes, for his book ‘New Hampshire: A Poem with Notes and Grace Notes’.  He received a second Pulitzer in 1931 for ‘Collected Poems’.  A third Pulitzer Prize was presented in 1937 for ‘A Further Range’.  His fourth Pulitzer was awarded in 1943 for ‘A Witness Tree’. 
  Frost was also nominated for the Nobel Prize in Literature 31 times. 
  During these years personal tragedy had enveloped him.  A daughter had died in her late 20s from the effects of her puerperal fever at childbirth, his wife had died of breast cancer, and a son had committed suicide.  
  Then, at the age of 86, was asked to read his poem ‘The Gift Outright’ at President John F Kennedy’s inauguration on the 20th January, 1961.  
  Robert Frost died on the 29th January 1963 in Boston of complications arising from prostate surgery.  He was 88.

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  (Un)Tethered - A Collection of...

  S.V. Segal

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  You bit me,And when you lost your tooth,You blamed me.I guess self-awarenessIs for people with caninesInstead of fangs.S. V. Segal’s debut poetry compilation, (Un)Tethered, pulls us into moments of conflict—both internal and external—and self-reflection as it explores universal themes of love, loss, death, growth, fear, and self-realization. But despite the timelessness of these themes, the poems are also distinctively Segal’s, conveying their unique experiences, depth of feeling, and struggles with identity and relationships. A striking collection that will embed in your memory.

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  The Imaginary Invalid

  Molière Molière, John Wood...

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  France's master comic playwright has a field day with the subjects of hypochondria and our blind obedience to doctors. Molière’s witty attack on the medical profession has more than a little resonance today. Translated by John Wood, adapted by Beth Milles.
   
  
   
  Recorded before a live audience at the Doubletree Guest Suites, Santa Monica in December 1997.
   
  
   
  Directed by Beth Milles
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  The Actor’s Gang Theatre Company:
   
  Molly Bryant as Toinette
   
  Tom Fitzpatrick as Diaforirus
   
  Laurence O’Keefe as Cleante
   
  Dan Parker as Argan
   
  Evie Peck as Louison
   
  Dina Platias as Angelique
   
  Stephen M. Porter as Thomas
   
  Michael Rivkin as Purgon
   
  Dean Robinson as Beralde
   
  Patti Tippo as Berline
   
  Chris Wells as Fleurant
   
  
   
  Technical Director: Raymond Guarna
   
  Foley Artist and Stage Manager: John Lovick
   
  Associate Producer: Susan Raab Simonson
   
  Original Music by Laurence O’Keefe

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  Poems Of Peace

  James Allen

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  Wordsworth held that every true poet was a teacher; and he said, “I wish either to be considered as a teacher, or as nothing.” The poems in this volume are designed to teach; and as instruction is best administered by methods which please while they elevate, the immediate object of these poems is to comfort, to bless, and to make happy; and, being framed on the principles of Truth, I doubt not that they will inspire men to embrace loftier ideals of life, draw them to a closer acquaintance with virtue, and lead them to a more intimate union with that perfect Wisdom whose ways are “ways of pleasantness,” and whose paths are “paths of peace.” 
  - James Allen 
  In this unusual departure from his usual practical and direct style, Allen here writes a series of thoughtful, reflective and inspirational poems laying out his unique thoughts in a new style.  
  Spiritual, secular, and deeply embedded in the genuine practice of faith, the book begins with Eolaus, an extended work following a man struggling through the depths of his spiritual sorrow, comforted and assailed by the vocies of earth and nature.  
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  James Allen wrote nineteen self-help books combining Buddhism, Confucianism, and classical Christianity between 1903 and 1912. Born to improvrished parents, one of whom was murdered when searching for work in America when Allen was fifteen, he went on to combine the esoteric and philosophical slant of eastern religions with the solid practicality and common-sense approach of a Victorian Englishman from Leicester.

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  The Orchid Folios

  Mok Zining

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  “When you take an orchid out of its pot, you must first loosen the roots’ hold on the soil. Late last evening as I unravelled the braids of the shattered phalaenopsis, I saw how the ends were white and shrivelled from neglect. You have to do it gently—it’s like combing hair. I remember Mum’s fingers running through mine, and mine through hers, until the final months when all of it started to fall.” 
   
   
  A pot shatters. An arrangement falls apart. A florist finds herself amidst the scattered leaves of history. At once a poetry collection and a documentary novella, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. While the Orchid has shaped the fantastical narratives that govern our multiracial City in a Garden, it continues to shape-shift and bloom on its own terms, challenging us to imagine a decolonised Singapore. This is the organism at the heart of The Orchid Folios—by turns stark and unruly, documenting and challenging the narratives that are the roots of our national consciousness.

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  Blues in Stereo - The Early...

  Langston Hughes

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  Publishers Weekly’s Top Ten Fall 2024 Poetry Books From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 and curated by award winning poet and National Book Award finalist, Danez Smith. Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life.  Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before. In the intimate pages of his handwritten journals,you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. He celebrates love as a tool of liberation in his poems and journal entries. His songs included showcase musicality of verse poetry. And the book even includes a play he co-wrote with Duke Ellington with a full score that experiments with rhythm and structure. Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. National Book Award nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.  

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