Editora: Seltzer Books
Selected and edited by Franklin Baker. According to Wikipedia: "Robert Browning (1812 – 1889) was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets."
Lillian Hellman examines a wealthy Southern family and the greed that tears them apart. Regina’s brothers have inherited their father’s wealth, while after years of neglect, her dying husband is determined to see she gets nothing. It will take every ounce of her ruthless guile to outwit her relations and assure herself a gilded future. Directed by Rosalind Ayres. Starring, in alphabetical order: Will Brittain as Leo Hubbard Tim DeKay as Ben Hubbard Heidi Dippold as Birdie Hubbard Jamie Harris as Oscar Hubbard Jared Harris as Horace Giddens Larry Powell as Cal Molly C. Quinn as Alexandra Giddens Albie Selznick as William Marshall Joanne Whalley as Regina Giddens Karen Malina White as Addie Sound Effects Artist, Aaron Lyons. Piano solos and duets played by Nicholas Hormann and Katie Hume. Script Supervisor, Daniel Trostler. Music Supervisor, Ronn Lipkin. Production Manager, Katie Friesen. Associate Artistic Director, Anna Lyse Erikson. Editor, Julian Nicholson. Recording Engineer, Sound Designer and Mixer, Mark Holden for The Invisible Studios, West Hollywood. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA, in October of 2018.Ver livro
WINNER OF THE 2022 PULITZER PRIZE IN POETRYWINNER OF THE 2021 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRYWINNER OF THE 2022 PEN/VOELCKER AWARD FOR POETRY COLLECTIONWINNER OF THE 2021 LOS ANGELES TIMES BOOK PRIZE FOR POETRYA resplendent life in sonnets from the author of Four-Legged Girl, a finalist for the Pulitzer Prize"The sonnet, like poverty, teaches you what you can do / without," Diane Seuss writes in this brilliant, candid work, her most personal collection to date. These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss's working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare. Like a series of cels on a filmstrip, frank: sonnets captures the magnitude of a life lived honestly, a restless search for some kind of "beauty or relief." Seuss is at the height of her powers, devastatingly astute, austere, and—in a word—frank.Ver livro
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.Ver livro
These poems contemplate the poet's native land of Russia, while at the same time casting a jaundiced eye on the alien culture of America, where he spent the final years of his life. Whether absorbed by the world of literature (particularly his fellow poets) or relating real-life experiences, Loseff conjures up a restless, frequently disturbing universe, full of complex imagery, rich literary allusion and formal experiment. Lev Loseff was born in 1937, grew up in Leningrad and worked as a journalist in northern Sakhalin, and as a magazine editor and children's playwright. He emigrated to America in 1976, where he later taught Russian literature at Dartmouth College, New Hampshire. He died in the USA in 2009. G.S. Smith was Professor of Russian at the University of Oxford from 1986 to 2003. He translated the bilingual anthology Contemporary Russian Poetry (1993), and worked in collaboration with Lev Loseff for many years. This book is also available as an ebook: buy it from Amazon here.Ver livro
The author of Mount Analogue explores an uncharted path to the authentic self in this enlightening volume of poetic meditations. For Rene Daumal, true living can only be experienced after the facade of self-identity has been stripped away through a kind of metaphysical suicide. As he states in the second poem of this collection, “The individual mind attains its absolute through successive negations. I am that which thinks, not that which is thought.” In Le Contre-Ciel, Daumal invites his readers to venture with him on this Existential journey. Through philosophically contemplative poems, he acts as both chronicler and guide to the process of regeneration-through-negation in pursuit of genuine self-knowledge.Ver livro
Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged.The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.Ver livro
