Otros libros que te pueden interesar

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  God Gave Rock and Roll to You -...

  Leah Payne

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  Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. 
   
   
   
  Salvation came in a most unlikely form. When a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement—and its members, more colloquially, as "Jesus freaks"—the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). 
   
    
   
  In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.

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  Raise Some Shell: Teenage Mutant...

  Richard Rosenbaum

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  Celebrating the persistence of Turtle Power Raise Some Shell critically and cleverly examines the origins, evolution, and impact of the Ninja Turtles phenomenon ― from its beginning as a self-published black-and-white comic book in 1984, through its transformation into a worldwide transmedia phenomenon by the middle of the 1990s, and up to the sale of the property to Nickelodeon in 2009 and relaunch of the Turtles with new comics, cartoons, and a big-budget Hollywood film. With the eye of contemporary cultural studies and the voice of a true lifelong Turtles fan, Rosenbaum argues that the Turtles’ continuing success isn’t mere nostalgia, but rather the result of characters, and a franchise, that mutated in a way that allowed the to survive and thrive in a post-modern world.

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  Fishin in the sky

  Teddy Hayes, Norman Jordan

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  This drama that explores what happens to an African American family in 2015, when an inheritance becomes the focal point that leads to the discovery of things about thmselves that are both revealing and forever life changing. 
  The main cast of seven characters include a widow, her two children, a brother and a sister in law. 
  This is the kind of mainstay drama that will pull and push the reader and audience and in the process make one ask and comtemplate questions about the complex nature of family relationships. 
  This drama is the third part of an African American trilogy called "Urban Outcries."

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  Long Train Runnin' - Our Story...

  Pat Simmons, Chris Epting, Tom...

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  For the first time, the incredible true story of the legendary band, The Doobie Brothers, written by the founding members. 
  Only a very few rock bands that have had the longevity, success, and drama of The Doobie Brothers. Born out of late 1960s NoCal, they stood alongside their contemporaries The Grateful Dead, The Allman Brothers, and many others as an iconic American rock band. The train was rolling along, hits were flowing like wine, and arenas were packed with fans who wanted to see them live... then Tom Johnston, the band’s front man and lead guitarist, almost died. 
    
  The Doobies' train came to a screeching halt. All of a sudden the band started contemplating the end of the road only seven years into their career, just as things were taking off. 
    
  This was actually far from the end. A soul-steeped backup singer for Steely Dan named Michael McDonald took a shot at singing some of the Doobies' songs on tour, and all of a sudden a new chapter in the Doobie Brothers' story began. The band changed their sound and had numerous number one hits with their new front man. Tom recovered from his health issues, but the band had moved on. When it came time for a reunion concert in the ’80s, Tom got the call and was back in the mix. They’ve been touring ever since and maintain a massive fan base the world over. 
    
  Never before have they shared their story, in their own words. In Long Train Runnin’ they’ll change that. 
    
  Contributor Bio(s) 
  PAT SIMMONS and TOM JOHNSTON are founding members of The Doobie Brothers, 4 time Grammy winners and Rock and Roll Hall of Famers. Their album Best of the Doobies has sold more than 12 million copies, achieving the rare Diamond Certification (less than 100 albums have done this). 
    
  CHRIS EPTING is the author of many books including the music memoir Adrenalized (with Phil Collen). As a music journalist he has written extensively for the Huffington Post, Ultimate Classic Rock and many others.

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  Midcentury Modern Style - An...

  Karen Nepacena

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  It may seem daunting to design a midcentury modern–inspired home, but up-and-coming interior designer Karen Nepacena shows that by using just a few design guideposts anyone can make any room feel like a set from Mad Men or The Queen’s Gambit. Showcasing real-life client redesigns, Nepacena goes room by room—and outside—offering bite-sized ways to create comfortable, stylish, and inviting spaces along the way. Full of approachable insider tips and tricks, easy DIYs, and important historical context, you’ll learn how to create inspired, livable spaces full of mid-mod charm without the need for large-scale renovations or a big budget. Featuring the photography of Christopher Dibble.

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  Why the Beach Boys Matter

  Tom Smucker

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  Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock. No other group can claim the Ronettes and the Four Seasons as early 1960s rivals; the Mamas and the Papas and Crosby, Stills and Nash as later 1960s rivals; and the Beatles and the Temptations as decade-spanning counterparts. 
   
  This is the first book to take an honest look at the themes running through the Beach Boys’ art and career as a whole and to examine where they sit inside our culture and politics—and why they still grab our attention.

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