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  A Very Short Romance - From...

  Vsevolod Garshin

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  Vsevolod Mikhailovich Garshin was born on 14th February 1855 in what is now Dnipro in the Ukraine, but then part of the Russian Empire. 
  After attending secondary school he studied at the Saint Petersburg Mining Institute.  
  Wars between and on behalf of Empires were a regular feature of the decades then.  Garshin volunteered to serve in the Russian army at the beginning of the Russo-Turkish War in 1877.  
  He began as a private in the Balkans campaign and was wounded in action.  By the end of the war, in 1878, he had been promoted to officer rank.  
  By now Garshin, having previously published some articles and reviews in newspapers, wished to devote himself to a literary career.  The decision made he resigned his army commission. 
  His time as a soldier provided rich experiences for his early stories. His first ‘Four Days’ was related as the interior monologue of a wounded soldier left for dead on the battlefield for four days, face to face with the corpse of a Turkish soldier he had killed, gained him early admiration as an author of note.  
  He wrote perhaps only 20 stories, but their influence was immense, although in these more modern times he is barely remembered and lives in the more prolific shadows of others.  His characters are superbly worked into stories that come alive in the intensity and reality of his prose.   
  Garshin’s most well-known story is ‘The Red Flower’, also known as ‘Scarlet Blossom’ and is easily amongst the first rank of stories dealing with mental health issues.  
  Despite early literary success, he himself experienced periodical bouts of mental illness.   
  In one such bout Garshin attempted to commit suicide by throwing himself down the stone stairs leading into his apartment building.  Although not immediately fatal, Vsevolod Garshin died as a result of his injuries in a St Petersburg hospital on 5th April 1888.  He was 33.

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  Great Gatsby The: Original 1925...

  Francis Scott Fitzgerald

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  The Great Jazz Age Novel_______The 1925 Original Version, with Classroom History_______The Great Gatsby is considered F. Scott Fitzgerald's magnum opus, exploring themes of decadence, idealism, social stigmas, patriarchal norms, and the deleterious effects of unencumbered wealth in capitalistic society, set against the backdrop of the Jazz Age and the Roaring Twenties. At its heart, it's a cautionary tale, a revealing look into the darker side to the American Dream."When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"—it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men..."

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  Contrairy Mary - From their pens...

  Edwin Pugh

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  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Edwin Pugh.

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  Weird Tales: Best of the Early...

  H. P. Lovecraft

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  This anthology from the acclaimed journal of fantasy, sci-fi, and horror fiction collects some of the most unforgettable stories from the early years. Founded in 1922, Weird Tales is an iconic literary publication and the forerunner to today’s pulp and speculative genres. Within these pages you’ll find some of the best of the classic stories originally published in Weird Tales during the years 1926 and 1927, now available in a single volume.  This Weird Tales anthology features spectral visions, world-conquering spiders, demonic paintings, and more, in stories by legendary authors such as Seabury Quinn, E. Hoffman Price, Greye La Spina, Edward Hamilton, Frank Belknap Long Jr., H. Warner Munn, August W. Derleth, A. Merritt, and H. P. Lovecraft.

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  Forgotten Pulp Fiction Presents...

  A.J. Shuck

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  Journey into the gothic heart of the past! This series uncovers the forgotten ghost stories that captivated readers in the roaring 20s. Experience the chilling atmosphere of a world on the brink of change, where the lines between reality and the supernatural blurred. Explore the macabre tales of haunted houses, vengeful spirits, and the chilling power of the unknown. 
  Each haunting tale within this edition is a masterful blend of suspense and eerie atmosphere, crafted by writers who fascinated readers with their vivid imaginations and an uncanny ability to weave fear into words. From spectral apparitions that linger in abandoned mansions to unsettling encounters with the unknown on fog-laden streets, these stories explore the thin line between life and the afterlife, reality and the supernatural. 
  Perfect for fans of ghostly lore, lovers of vintage literature, and anyone drawn to the thrill of the macabre, these "Ghost Stories" deliver an unforgettable reading experience. Discover the chilling encounters and ghostly legends that have stood the test of time, reanimating the art of traditional storytelling. As shadows fall and whispers linger, prepare to be captivated by the eerie enchantment of these classic tales. Will you dare to turn the page?

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  Lilith

  George MacDonald

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  First published in 1895, Lilith stands as one of George MacDonald’s most enigmatic and haunting works, a blend of fantasy, theology, and metaphysical speculation. Revered by literary giants such as C.S. Lewis and J.R.R. Tolkien, MacDonald’s fiction does not merely tell stories—it beckons readers into a deeper reality where moral and spiritual truths are woven into the very fabric of narrative. 
  Lilith is not a conventional fantasy. Instead, it is a dreamlike descent into questions of life, death, identity, and salvation. The protagonist, Mr. Vane, a reserved scholar, stumbles into a surreal realm beyond the physical world, where he encounters spectral beings, timeless landscapes, and the mysterious figure of Lilith—a being of both terrible beauty and tragic consequence. The novel explores the path from self-will to self-surrender, drawing heavily on Christian mysticism, Platonism, and a deep reverence for divine grace.

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