Weitere Bücher, die Sie mögen werden

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  Heart of a Lioness - The True...

  Irene Gleeson, Nicole Partridge

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  Building an oasis of hope in a desert of despair 
  AT 37, Irene Gleeson was a broken woman. Her marriage had crumbled, her children were out of control, and she had spiralled into a deep depression.Her life changed when she walked into a small beachside church and encountered God.Ten years later, she was on a plane bound for northern Uganda to rescue war-affected children.Armed with nothing but faith, courage and dogged determination, Irene sold her beach home, said goodbye to family, and hauled her tiny caravan 13,000 kilometres to Kitgum, an isolated community besieged by Joseph Kony and his brutal rebel group, the LRA.Under the shade of a mango tree,"Mama Irene" gathered the children of war and taught them to sing, and read and write by scratching letters in the dust. And then, for the next twenty two years together with the locals, forged a ministry that would transform the lives of thousands of former child soldiers, a work now applauded by the rest of the world. Heart of a Lioness bursts with drama and glows with miracles, a tale that brings Africa's culture and characters to life, capturing the horrors of war, the heartache of poverty, and the healing power of God's love through one woman. This story will captivate your imagination, challenge your beliefs and demonstrate that, regardless of who you are, or where you've come from, with God, anything is possible.

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  Death on Hold - A Prisoner's...

  Burton W. Folsom, Anita Folsom

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  In January 1983 Burt Folsom read a story in Time about Mitch Rutledge, a man on death row with an IQ of 84 who said he was sorry for what he did. "Forget him," the last line of the story read. But Burt wrote Mitch a letter and discovered a man more interesting and intelligent than the article revealed. 
  Burt and his wife, Anita, began a  friendship with Mitch and saw him become a leader and role model for others in prison, teaching himself to read and write (starting with copying down the spelling of items he knew from TV commercials) and becoming a national spokesman on prison life. 
  Death on Hold is the amazing story of their friendship, and of grace, reconciliation, and redemption for a man without hope who was given a future.

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  Pride and Prejudice - Performed...

  Jane Austen

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  As one of Jane Austen’s most beloved works, Pride and Prejudice has delighted listeners since its first publication in the early 19th Century. 
  Here, all 61 chapters are masterfully brought to life by seasoned actor and vocal artist Stephanie Poppins. Her bright and energetic performance expertly captures Austen’s signature wit and tone. And her attention to detail, her literary background, and her commitment to auditory excellence, makes this a captivating listen. 
  Pride and Prejudice is a historical romance, which delves into themes of love, social class, and individual agency. 
  It revolves around the life of Elizabeth Bennet, the second of five sisters from a modest but genteel family, who is doing her best to navigate the pitfalls of societal expectation, whilst supporting her siblings who have not set the best example by their irresponsible parents. 
  This is the first audiobook in the Neworld Classics Collection. 
  Published by Neworld Books Limited. 
  Soundtrack written and produced by Jean Miles Carter

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  Personal Recollections of Early...

  William Westgarth

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  Son of John Westgarth, surveyor-general of customs for Scotland, was born at Edinburgh, in June 1815. He was educated at the high schools at Leith and Edinburgh, and at Dr Bruce's school at Newcastle-on-Tyne. He then entered the office of G. Young and Company of Leith, who were engaged in the Australian trade, and realizing the possibilities of the new land, decided to emigrate to Australia. He arrived in Melbourne, then a town of three or four thousand inhabitants, in December 1840.When the new colony was constituted Westgarth headed the poll for Melbourne at the election for the legislative council. He had had many activities during the previous 10 years.He revisited Australia in 1888 and was everywhere welcomed. When the Melbourne international exhibition was opened he walked in the procession through the avenue of nations alongside Mr Francis Henty, then the sole survivor of the brotherhood who founded Victoria. As a result of his visit two volumes appeared Personal Recollections of Early Melbourne and Victoria, in 1888, andHalf a Century of Australasian Progress, in 1889. Returning to Great Britain Westgarth died suddenly at Edinburgh on 28 October 1889. He married in 1853 and left a widow and two daughters.

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  Derek Jarman: The Authorised...

  Tony Peak

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  Tony Peake enjoyed unprecedented access to the visionary artist's archives in order to bring the extraordinary life of Derek Jarman to the page.
  
  
  This authorised and unique biography covers Jarman's story from the bleakness of post-war Britain and his RAF childhood, to student life at The Slade and his work as a designer, painter and filmmaker. It tells how energetic home filmmaking with dazzling friends led to distinctive feature films including Sebastiane, The Tempest, and Caravaggio. There were collaborations with the likes of Sir John Gielgud and Tilda Swinton and Jarman was also at the forefront of popular culture, producing distinctive music videos for Pet Shop Boys and The Smiths.
  
  
  Alongside his art and a significant body of writing, Jarman created a singular garden in the shingle surrounding Prospect Cottage at Dungeness in Kent, which has become a site of memorial, celebration and pilgrimage. He became known as an impassioned and provocative spokesperson not only for gay men, but for anyone oppressed by bigotry.
  
  
  Derek Jarman died of AIDS-related causes in February 1994 and Peake describes his inimitable courage and grace in the face of painful death, and the legacies Jarman left behind.
  
  
  With new contributions from Olivia Laing and Jon Savage.

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  The Way They Were - How Epic...

  Robert Hofler

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  It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. 
   
   
   
  Screenwriter Arthur Laurents wrote the role of Katie with Barbra Streisand in mind. Casting Hubbell was another matter. Robert Redford, already a superstar, was reluctant to play what he perceived as the "Ken doll" to Streisand's lead, and demanded his role be changed and expanded. Laurents resisted, telling director Sydney Pollack, "You'll ruin the movie if it ends up being about two people. It's Katie's story, not Hubbell's." Despite his protests, ten writers were brought on to rework the script. 
   
   
   
  Laurents's fears were well founded, and the first preview was disastrous. Producer Ray Stark and Pollack cut several scenes, upsetting Streisand and Laurents. Yet the edits worked. Such was the movie's success that Redford was open to making a sequel, though the script was never greenlit. 
   
   
   
  Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

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