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  The Way of a Man with a Maid -...

  Richard Marsh

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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  Still So Strange

  Amanda Downum

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  The World Fantasy Award Finalist: “It’s Clive Barker crossed with Tanith Lee set to a Siouxsie and the Banshees beat, and I loved every second of it.” —Gemma Files, Shirley Jackson Award–winning author of Experimental Film Welcome to a world of monsters, ghosts, and witches, both seductive and terrifying. In the first collection of short fiction from the author of the Necromancer Chronicles, reality shifts and shimmers with potent magic. More than twenty works, including two poems, feature characters who will steal your heart just as easily as your soul. In “Wrack,” a fisherman becomes so enchanted by a mermaid that the call of the waves becomes impossible to resist. When a killer comes to “Dogtown,” he learns that his bark isn’t worse than the bites of the locals. A dying artist returns to Ireland, where the faerie she has always loved tempts her with eternal life, as long as she leaves her humanity on the shore like so much “Flotsam.” And in “Smoke & Mirrors,” the circus comes to a town strangely bereft of ghosts, thanks to a demonic being conducting a train to the netherworld. With prose that is “gently pulling, promising beautifully cold oblivion in smothering darkness,” Amanda Downum transports you to sweltering southern swamps and the labyrinthine streets of Old World cities, proving without a doubt that “she’s one of the very best dark fantastical writers working today” (Bracken MacLeod, author of Closing Costs). “Ethereal, atmospheric, and mysterious.” —Elizabeth Bear, Hugo Award–winning author of Machine “These stories range from the melancholic to the downright chilling, and deftly evoke both the truly strange and the very human.” —Liz Bourke, author and reviewer for Tor.com and Locus

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  Black Coffee

  Agatha Christie

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  Sir Claud Amory's formula for a powerful new explosive has been stolen, presumably by a member of his large household. Sir Claud assembles his suspects in the library and locks the door, instructing them that the when the lights go out, the formula must be replaced on the table -- and no questions will be asked. But when the lights come on, Sir Claud is dead. Now Hercule Poirot, assisted by Captain Hastings and Inspector Japp, must unravel a tangle of family feuds, old flames, and suspicious foreigners to find the killer and prevent a global catastrophe.

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  Hungry - A Good Women Story

  Halle Hill

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  A teenager is dragged by her beloved aunt to Weight Watchers and spirals toward harmful eating habits. Meanwhile, her dad is struggling with complications from diabetes, and her mom is escaping into the arms of someone unexpected. Hungry is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

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  The Passion of the Billionaire

  Alex Tusk

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  Step into the opulent world of Prestige Textiles, where ambition meets desire, and secrets simmer beneath the surface. Alex Rosen, the charismatic billionaire and CEO, is a force to be reckoned with. A master of his domain, he commands attention and respect—but his heart is locked away, guarded by a past he can’t escape. 
  When Mia Collins, a spirited and talented designer, lands an internship at the illustrious company, she is both thrilled and intimidated. From the moment they meet, the air crackles with an undeniable chemistry that ignites a fierce attraction. Mia is drawn to Alex’s intensity, while he finds her passion refreshing amidst the cutthroat world of fashion. 
  As their worlds collide, passion ignites in unexpected ways. Secret meetings and stolen kisses lead to a whirlwind romance that pushes the boundaries of their professional lives. Yet, as Mia delves deeper into the complexities of Alex’s life, she uncovers the vulnerabilities hidden behind his confident facade. 
  In "The Passion of the Billionaire," indulge in a seductive journey of love, lust, and the high stakes of a world where desire can either bind them together or tear them apart. Will Mia be able to break down Alex's walls, or will the shadows of his past keep them from a future filled with passion? Get ready for a thrilling ride where every whisper and touch holds the promise of more.

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  Top 10 Short Stories The - The...

  Oscar Wilde

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  In the late 19th Century, a literary movement arose across both prose and poetry, that championed the idea that art should exist for its aesthetic value, unburdened by moral or social obligations.  As a consequence, it challenged the strict moral codes of the Victorian era, often exploring themes associated with eroticism, forbidden desires, artificiality, the ravages of time, beauty, death, and decay which were often perceived as transgressive, even taboo. 
  Within its ranks are a who’s-who of unconventional and confrontational talent as well as perhaps its greatest exponent; Oscar Wilde, whose embracing of moral rebelliousness and unmasking of Victorian hypocrisy sums up the movement’s greatest achievement.

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