Outros livros que poderiam interessá-lo

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  Book of 19 Nocturnes

  Jim Holyoak

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  ‘Book of 19 Nocturnes’ is an inter-genre fantasy. The phantasmagorical tale follows the wandering mind and feet of a woman made of wood, named Book, who befriends other monsters as she navigates a lonely, labyrinthine realm. Set in the forests and mountains of a world where the sun never rises, Book’s story unfolds with a surrealistic, dream-logic. 
  Defying easy categorization, this audio-drama is akin to an illuminated manuscript or a grimoire—a magical book. It blends elements of graphic novels, dream diaries, field journals, prose poetry and illustrated fairy tales. Night-owl / artist / author Jim Holyoak wrote and drew the book over 19+ years, often during his perambulations in the wilds of Scandinavia, British Columbia, and the Himalayas. It is best listened to over the course of 19 nights. 
  For fans of authors like: William Blake, Haruki Murakami, Ursula K. Le Guin, Tove Jansson, Tim Burton, and Terry Pratchett's radio-dramas. Also available for purchase is a 500-page, fully illustrated, e-book version of 'Book of 19 Nocturnes,' (which is best viewed in colour on an iPad or larger).  
  Published by flaskpublishing.com 
  ©2024 Jim Holyoak (P)2024 Jim Holyoak

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  Oasis' Definitely Maybe

  Alex Niven

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  Oasis’s incendiary 1994 debut album Definitely Maybe managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis ‘everymen’: Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping. Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as “Live Forever,” “Supersonic,” and “Cigarettes & Alcohol.” In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years.

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  Hallelujah Junction - Composing...

  Jon Adams

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  John Adams is one of the most respected and loved of contemporary composers, and "he has won his eminence fair and square: he has aimed high, he has addressed life as it is lived now, and he has found a language that makes sense to a wide audience" (Alex Ross, The New Yorker). Now, in Hallelujah Junction, he incisively relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial "docu-operas." Adams offers a no-holds-barred portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. He describes the process of writing, rehearsing, and performing his renowned works, as well as both the pleasures and the challenges of writing serious music in a country and a time largely preoccupied with pop culture.Hallelujah Junction is a thoughtful and original memoir that will appeal to both longtime Adams fans and newcomers to contemporary music. Not since Leonard Bernstein's Findings has an eminent composer so candidly and accessibly explored his life and work. This searching self-portrait offers not only a glimpse into the work and world of one of our leading artists, but also an intimate look at one of the most exciting chapters in contemporary culture.

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  GLOBO ARTE MAY 2022 ISSUE - AN...

  Globo Arte team

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  Hi guys this is the MAY 2022 Magazine issue, which contains artists interviews to inspire artists, and so much more to help the artist in their art career,it contains artist interviews, art-related topics articles and question of the month, step of the month and social media updates

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  Life Belongs to the Loud

  Forrest Lonefight

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  Azul Morgan, a young Native / Indigenous woman is the next rock star to break. Trapped in M-town, Iowa during the "Next Seattle" Midwest Music Scene explosion during the aftermath of 9/11, she takes her guitar named, Mocha, & her composition notebook, The Bastard Chronicle, to write the greatest songs ever & form the perfect band. 
  Through the chaos she finds her tribe outside her native tribal roots in two amazing dudes, Rick, a womanizing drummer/singer, and Jesus, a cross-dressing guitarist. The three find the musical chemistry they've been looking for. Their unique new band are poised to take over the world-at-war. Azul writes about it all in The Bastard Chronicle, in her hilarious voice, as her past, present, & future collide in a coming-of-age story never told before in an era of the music scene when anything was possible. 
  This is author Forrest Lonefight's debut novel.

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  Beauty and Imitation - A...

  Daniel McInerny

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  The human person is a truth seeker, and one of the most compelling ways human beings pursue truth is through the arts. In Beauty and Imitation: A Philosophical Reflection on the Arts, Daniel McInerny argues for an understanding of art as a form of inquiry into truth that proceeds by way of sensible beauty.  Drawing upon the thought of Aristotle and St. Thomas Aquinas, McInerny argues for the unfashionable yet philosophically compelling view that art is essentially “mimetic,” imitative of human action. But what does it mean for art to imitate human action? It means that art imitates the way human beings by nature quest for fulfillment, or happiness. In questing for fulfillment, human life takes the form of a story, and so the arts—all the arts, from painting to music, from fiction to film—are storytelling arts whose beauty reveals the truth about human happiness.  The first part of the book features a renewed defense of the ancient Aristotelian claim that art is mimetic and that its imitation of the human story takes the form of a moral argument. The second part shows how audiences are transformed by the moral arguments the mimetic arts make, and the third concludes with a guided tour of the mimetic arts, where specific arts are considered in light of the Aristotelian and Thomistic principles advanced earlier.

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